Modern Keyboard 2

Rockschool is about playing the styles of music you love. The Band Based Keys Syllabus is designed to put Keyboard players right at the heart of a band - where most if not all modern keyboard players perform their music. Band Based Keys Grade 2 is tailored to those of you who are building up confidence in the fundamentals of playing. The Grade 2 book has 6 pieces of original music to choose from covering Glam Rock R n' B and Soul music styles. The Book includes: Standard notation Full mixes & backing track CD Track fact file Playing tips &Walkthrough Unseen test examples & technical exercises. Tuning notes. Students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own playing style. Requirements: Keyboard with 61 keys. Patches: Acoustic piano Electric piano Organ Strings and Synth.

Rockschool is about playing the styles of music you love. The Band Based Keys Syllabus is designed to put Keyboard players right at the heart of a band - where most if not all modern keyboard players perform their music. Band Based Keys Debut is tailored to those of you who have just started learning keys from scratch. The debut book has 6 pieces of original music to choose from covering Electro Pop and Acid Jazz music styles. The Book includes: Standard notation Full mixes & backing track CD Track fact file Playing tips & WalkthroughUnseen test examples & technical exercises. Tuning notes. Students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own playing style. Requirements: Keyboard with 61 keys. Patches: Acoustic piano Electric piano Organ Strings and Synth.

Fun songs and lessons for young children to play including traditional and modern favourites. All the pieces in this book are written in duet form with one part for the student and the other to be played by a teacher parent ormore advanced student.

The Complete Keyboard Player: 21st Century Love Songs features 17 modern ballads arranged for easy Keyboard with lyrics and chord symbols. Featuring all of the best contemporary love songs and ditties thisselection will keep any romantic Keyboard player up to date with the latest charts!  This songbook includes suggested fingering voice rhythm and tempo as well as full chord diagrams lyrics and melody for allsongs. The love song has been around for years with some of the best songs ever being written about that elusive emotion. However contemporary artists are still trying to better these classic songs and their efforts certainlyare worthy. You'll already be familiar with all of these songs and they're so much fun to play on the Keyboard. With Evergreen by Will Young Avril Lavigne's I'm With You Feelby Robbie Williams and Coldplay's In My Place some of the finest and most romantic love songs of the 2000s are included here. You'll be able to learn some amazing modern love songs by brilliant contemporary bandsand musicians with inclusions from Oasis Muse Maroon 5 and Keane allowing you to sound out some of the best songs of the past few years on solo Keyboard. The Complete KeyboardPlayer song book contains the 17 best 21st Century Love Songs. The love song is by no means a dying art as these songs prove and all of the romantic ballads and Valentine's melodies are perfect forgetting in a sentimental mood with some of the best artists of this century so far. 

Ce songbook comprend 40 tubes des modernes, arrangées pour clavier facile avec les paroles. Dans ce volume vous trouverez des chansons populaires de nombreux artistes bien connus, y compris Adele, Lady Gaga, Kings Of Leon, Coldplay et plus. / Clavier

The Complete Guide with Audio!-Mark Harrison's Modern Pop Keyboard has been created to teach the basic skills required to play Keyboard in a modern pop style - from comping to soloing from grand to Piano synth pads you'll learn the theory the tools and the techniques used by the pros. This book covers: scales and chords harmony and voicings comping styles rhythmic concepts Piano and synth techniques and more. The online audio demonstrates most of the music examples in the book. Modern Pop Keyboard now includes Playback a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keysand pan left or right.

This is the second volume of Modern Piano miniatures by American-Armenian composer Dianne Goolkasian Rahbee and is intended for Intermediate to early Advanced pianists. The natural musicality present in this tremendous collection of studies demands the same kind of careful attention that we expect from the standard canon of repertoire. These teaching pieces follow in the modern tradition of pedagogical works by Bartók Kabalevsky and others; they are written to challenge a student's mind fingers imagination and soul. The style is varied allowing students to tackle a broad range of study and practice such as Perfect fourths Staccato and Seconds. Contents include:Floating In Space Here and There Harlequin Waltz Popcorn Toccatina and more! Arranged in order of difficulty it is a practical volume that offers students interesting and absorbing study material. The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.

Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major

It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major

The Books of 1726-7 and 1741-This is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes.It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expression marks are reproduced exactly as they appear in the sources. All ofRameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)