Format : Reduction
SKU: HL.14043187
6.75x10.0x0.099 inches.
Monument for Beethoven, by John Tavener was commissioned by the Southbank Centre, and was premiered on 18 March 2014 at the Royal Festival Hall, London. The composer writes: Based on the words of Beethoven's Last Prayer and on Beethoven's music, Monument for Beethoven is a humble tribute to a Master. The final section quotes from the closing bars of the Missa Solemnis..
SKU: PR.11442399S
UPC: 680160689491.
MONUMENTS was commissioned by the Resonate project, a collaboration of the Detroit Chamber Winds & Strings, Bowling Green State University, the Carr Center, Michigan State University, Oberlin College Conservatory, the University of Michigan, and Western Michigan University.The trombone part was written for David Jackson, professor of trombone at the University of Michigan.The title occurred to me when a friend living in Philadelphia told me she had toured monuments in that city on Memorial Day, 2021. By that time I had already written what I call a “noble, lyrical melody†for trombone to serve as the main theme in the composition.MONUMENTS was finished on September 11, 2021. Other awesome monuments had been created on that date twenty years before.–Adolphus Hailstork.
SKU: PR.114423120
UPC: 680160689477.
SKU: PR.116420980
UPC: 680160689507.
Completed on the 20th anniversary of 9/11, Adolphus Hailstork’s MONUMENTS is a musical memorial that cries out in mourning, and lifts a song of hope for the future. This noble and lyrical work calls for great expressivity and control from the trombonist, with very sparing use of virtuosity. Performable with piano (114-42312), string quartet or quintet (114-42399), or string orchestra (116-42098), MONUMENTS is a profound, yet versatile addition to the trombone repertoire.
SKU: GI.G-10350
ISBN 9781622775965.
Every student deserves an excellent teacher, a fair chance at success, and the opportunity to participate in a school music program. With considerable depth and care—and wonderful practical suggestions—High Needs, Monumental Successes addresses the nuanced but critically important topic of teaching music to low-income and high-needs students. Drawing from the latest scholarship, his own life experience, and years as a music educator, author Don Stinson presents clear strategies and ideas for teaching, supporting, and advocating for these students. This book covers a range of relevant topics: attendance, classroom expectations, grading policies, mental health, motivation, programming, securing funds, time management, and locating financial resources for students, among many others. Especially helpful are the example scenarios and questions for teachers scattered throughout the book, as well as sample responses for each. While teaching music in a low-income and high-needs area has its challenges, the rewards and impact for students, teachers, and the community are life-giving and everlasting. High Needs, Monumental Successes keeps the best interest of the students at its core, equipping teachers with the tools they need to better understand and serve all members of their band, orchestra, choir, and general music programs. Don Stinson is the director of bands at Joliet Central High School in Illinois, only the fifth director in the band’s 110-year history. He holds degrees in music education from Joliet Junior College, VanderCook College of Music, Northern Illinois University, and a master’s degree in education administration from the University of St. Francis.
SKU: PR.114423990
UPC: 680160689484.
SKU: BT.AMP-422-140
English-German-French-Dutch.
Three Washington Statues was commissioned by the United States Army Band â??Pershings Ownâ?, led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the worldâ??s most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: â??The Lincoln Memorialâ?? in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; â??The Martin Luther King, Jr. Memorialâ?? on which steps the iconic speech â??I havea dreamâ?? was given - the music is both reverential as well as powerful referring to Martin Luther Kingsâ?? speech; and the â??Encoreâ?? statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtonsâ?? music.Three Washington Statues is geschreven in opdracht van de United States Army Band â??Pershingâ??s Ownâ?? en de leider van dit orkest, kolonel Thomas H. Palmatier. Washington D.C. is het decor van een aantal van de meest iconische monumenten,gedenktekens en standbeelden van de VS. Componist Philip Sparke heeft er drie uitgekozen als inspiratie voor dit werk: The Lincoln Memorial, in de vorm van een Griekse Dorische tempel, waarin de grandeur van het monument wordt verklankt; het MartinLuther King Jr. Memorial, het gebouw waar de iconische toespraak â??I have a dreamâ?? ooit weerklonk de sfeer is respectvol en eerbiedig, maar de muziek weerspiegelt tevens de karakteristiekekracht die ervan uitgaat; en het beeld â??Encoreâ?? vancomponist, pianist en bandleider Duke Ellington in dit laatste deel geeft Philip Sparke de virtuoze, energieke, unieke en dynamische stijl van Ellingtons muziek weer.Three Washington Statues wurde von der United States Army Band Pershings Ownâ??, die von Oberst Thomas H. Palmatier geleitet wird, in Auftrag gegeben. Washington D.C. besitzt einige der weltberühmtesten Bauwerke, Denkmäler und Statuen. PhilipSparke hat drei von diesen als Inspiration für dieses Stück genommen. So beschreibt er die Erhabenheit des Lincoln Memorialâ??, das mit seinen dorischen Säulen in Form eines griechischen Tempels erbaut wurde. Das Martin Luther King, Jr. Memorialâ??erinnert an die legendäre Rede Martin Luther Kings I have a dreamâ?? (Ich habe einen Traumâ??). Die ehrfurchtsvolle und zugleich kraftvolle Musik ist ein Tribut an diese Rede. Die StatueEncoreâ?? erinnert an den weltbekannten afroamerikanischenKomponisten, Pianisten und Bandleader Duke Ellington. In diesem letzten Satz fängt Philip Sparke die virtuose, energiegeladene und einzigartige Dynamik von Duke Ellingtons Musik ein.Three Washington Statues fut commandé par la United States Army Band « Pershingâ??s Own », dirigée par le Colonel Thomas H. Palmatier. Certains des monuments, mémoriaux et statues les plus emblématiques du monde se trouvent Washington D.C.Philip Sparke en a choisi trois comme inspiration pour ce morceau : « The Lincoln Memorial » où le compositeur dépeint la grandeur de ce temple grec de style dorique ; « The Martin Luther King, Jr. Memorial » sur les marches duquel le discourscélèbre « I have a dream » fut prononcé la musique est révérencieuse ainsi que puissante en référence ce discours de Martin Luther King ; et la statue « Encore » en mémoire du célèbrecompositeur, pianiste et chef dâ??orchestre de jazzafro-américain Duke Ellington. Dans le mouvement final, Philip Sparke a réussi saisir le dynamisme virtuose, énergétique et unique de la musique dâ??Ellington.Commissionato dalla banda dellâ??esercito statunitense, condotta dal colonnello Thomas H. Palmatier, Three Washington Statues è un brano dedicato ad alcuni dei più noti e iconici monumenti americani mai realizzati. Philip Sparke ha scelto,difatti, di musicare la stentoreit del Lincoln Memorial, della statua di Martin Luther King di West Potomac Park e di quella dedicata al gigante della musica afro-americana Duke Ellington.
SKU: KJ.GSO28F
The spirit of picturesque Monument Valley and its people, located on the Utah and Arizona border, is captured through the use of modal melodies and contemporary rhythmic elements.
SKU: AP.BDM05024C
UPC: 654979092001. English.
Composed to pay tribute to the magnificent state parks of Colorado, Monument was commissioned by Colorado State University for the opening of its new concert hall. The work is divided into four sections; To Touch the Sky, Cloud Dances, Colorado Dreams, and Pioneer Spirit and Celebration. The work is characterized by soaring melodies and driving rhythms building to an exuberant conclusion. A enticing new work sure to please. (8:41).
SKU: HL.49016239
17.75x3.25x3.25 inches.
SKU: BT.DHP-0971085-010
Jacob de Haan was commissioned to compose this concert piece by the St. Peters Wind Symphony from Brisbane, Australia. Ross Roy is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the Ross Roy as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of Tempo di Marcia. Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of passing through the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the overture to the rest of one's life. The premiere of Ross Roy was conducted by Jacob de Haan in Brisbane, on August 22, 1997. Ross Roy is de naam van de monumentale villa in Brisbane (Australië) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen.De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende,humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose.Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegründet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule hören wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol für das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit für kleine Späße und Lachen sein! Das charakteristische Schlussthemamündet in einem festlichen Höhepunkt. Ross Roy est le symbole grandiose de l’excellence du compositeur. L’œuvre tient son nom de l’imposante villa éponyme située Brisbane en Australie et qui abrite en ses murs le Collège Saint Pierre, une institution luthérienne fondée en 1945. C’est pour l’Orchestre d’Harmonie de cet établissement que Jacob de Haan composa cette œuvre riche en métaphores. « J’ai tenté de décrire les valeurs de cette école. Ainsi, le thème initial se développe-t-il sur un motif rythmique imposant qui alterne entre les instruments graves et la batterie. Ce motif symbolise l’autorité et le cadre structuré de l’école. On retrouve ce thème plusieurs reprises et notamment sousune forme humoristique et espiègle : nous découvrons les bons côtés de l’école, la joie des élèves, les sentiments de fierté, d’amour et d’amitié. Autre élément thématique, une marche qui symbolise la progression des élèves dans leur cursus pour arriver leurs examens de fin d'étude. » En guise de conclusion, Jacob de Haan nous offre un thème grandiose qui s’élargit en apothéose. Commissionato dalla St. Peter’s Wind Symphony Orchestra di Brisbane, è dedicato alla monumentale villa tardo-ottocentesca dove il collegio dell’orchestra ha avuto la sua storica sede. Metafora degli anni della formazione, è caratterizzato da un finale in stile ouverture, come se gli anni della scuola rappresentassero una sorta di ouverture al resto della vita.
SKU: BT.DHP-0971085-020
Jacob de Haan was commissioned to compose this concert piece by the St. Peters Wind Symphony from Brisbane, Australia. Ross Roy is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the Ross Roy as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of Tempo di Marcia. Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of passing through the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the overture to the rest of one's life. The premiere of Ross Roy was conducted by Jacob de Haan in Brisbane, on August 22, 1997. Ross Roy is de naam van de monumentale villa in Brisbane (Australië) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen. De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende, humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose. Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegründet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule hören wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol für das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit für kleine Späße und Lachen sein! Das charakteristische Schlussthemamündet in einem festlichen Höhepunkt. Ross Roy est le symbole grandiose de l’excellence du compositeur. L’œuvre tient son nom de l’imposante villa éponyme située Brisbane en Australie et qui abrite en ses murs le Collège Saint Pierre, une institution luthérienne fondée en 1945. C’est pour l’Orchestre d’Harmonie de cet établissement que Jacob de Haan composa cette œuvre riche en métaphores. « J’ai tenté de décrire les valeurs de cette école. Ainsi, le thème initial se développe-t-il sur un motif rythmique imposant qui alterne entre les instruments graves et la batterie. Ce motif symbolise l’autorité et le cadre structuré de l’école. On retrouve ce thème plusieurs reprises et notamment sousune forme humoristique et espiègle : nous découvrons les bons côtés de l’école, la joie des élèves, les sentiments de fierté, d’amour et d’amitié. Autre élément thématique, une marche qui symbolise la progression des élèves dans leur cursus pour arriver leurs examens de fin d'étude. » En guise de conclusion, Jacob de Haan nous offre un thème grandiose qui s’élargit en apothéose.
SKU: BT.DHP-0971085-120
SKU: CF.CAS135
ISBN 9781491159248. UPC: 680160917822.
Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as pastiches, which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto is in the style of Gaetano Pugnani. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. Tempo di Minuetto is a work for violin and piano which is a standard in the solo repertoire. In this arrangement, the solo violin part has been integrated into the string orchestra. The parts have been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.Fritz Kreisler (1875–1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as “pastiches,†which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today.Tempo di Minuetto is in the style of Gaetano Pugnani. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. Tempo di Minuetto is a work for violin and piano which is a standard in the solo repertoire.In this arrangement, the solo violin part has been integrated into the string orchestra. The parts have been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective.The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: KU.GM-1911
ISBN 9790206202384. 9 x 12 inches.
Monumentum, Music for String Sextet, was written in 2014 to a commission from the Moritzburg Festival, The Chamber Music Society of Lincoln Center New York and the Kathe Kollwitz House in Moritzburg. It is dedicated to the cellist Jan Vogler. The world premiere took place on 19 August 2014 at the Moritzburg Festival, performed by Timothy Chooi & Mira Wang (violins), Roberto Diaz & Hartmut Rohde (violas), Jan Vogler & Harriet Krijgh (cellos). The American premiere took place on 7 May 2015 in the Lincoln Center with the Amphion String Quartet, the violist Yura Lee and the cellist Jan Vogler.The String Sextet Momentum commemorates the outbreak of the First World War, the death of Peter Kollwitz – who died as a volunteer, aged just 18, in the early weeks of the war – and the manner in which his mother, the artist Kathe Kollwitz, mourned the loss of her son. The artist worked through her pain by creating her most famous sculpture, The Mourning Parents. It stands today at the German soldiers’ cemetery at Vladslo in western Flanders, where her son Peter also lies buried. During the 18 years that she worked on the Parents, Kathe Kollwitz attended several concerts at the Volksbuhne in Berlin, where from January to February 1927 she heard Arthur Schnabel’s cycle of all the Beethoven piano sonatas. Schnabel performed the Sonata op. 111 in c minor on 26 February 1927, and this work touched her in particular, as we can read in her diary: “The strange flickering notes turned into flames – a moment of rapture, taking one into a different sphere, and the heavens opened almost as in the Ninth (Symphony). Then one found one’s way back – but it was a return after having been assured that there is a heaven. These notes are serene – confident – and good. Thank you, Schnabel!” This encounter with Beethoven’s last sonata inspired the artist to take up work again on her sculpture after a long interruption and to consider different possibilities for arranging the two figures. For this reason, the first minutes ofMomentum are derived from this sonata by Beethoven – though without it being quoted in an audible manner – and they leave their mark on the form of the Sextet. The number 18 and the date of Peter Kollwitz’s death (23 October 1914) also have a direct impact on the work’s dramaturgy. This music is mostly calm in nature, but is time and again interrupted unexpectedly, being disturbed by unruly sounds and vehement eruptions until time itself seems to dissolve in an aleatoric passage. The work ends with an extended lament on “seed corn should not be ground”, a line from Goethe’s Wilhelm Meister’s Journeyman Years. Kathe Kollwitz often quoted this phrase to argue for peace, and also took it as the title for a lithograph that she made in 1942. - David Philip Hefti
SKU: HL.44007611
UPC: 884088266325. 9x12 inches. English-German-French-Dutch.
A Monmouth Overture was composed in 2007 for the Haberdashers' Symphonic Winds, as part of Philip Sparke's year as composer-in-residence at the Monmouth school. The work is based around the 15th century âAgincourt Song,â written in honor of Henry V's victory over the larger but outdated French army. Henry V was born in Monmouth in 1387, giving this wonderful overture its historical title. Bring a piece of history with a modern twist to your concert program. Duration: 4:30.
SKU: HL.49009811
ISBN 9783795766368. UPC: 841886013667. 5.25x7.5x0.276 inches.
In November 1781 Mozart, in a letter to his father, mentioned the composition of this Serenade: 'I wrote this music for St Theresa's Day [15 October] • for Frau von Hickl's sister, or rather the sister-in-law of Herr von Hickl, court painter. But the chief reason why I composed it was in order to let Herr von Strack, who goes there every day, hear something of my composition; so I wrote it rather carefully.' I. Allegro maestoso • II. Menuetto I • III. Adagio • IV. Menuetto II • V. Allegro.
SKU: CF.CAS135F
ISBN 9781491159415. UPC: 680160917990.
Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as pastiches, which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto, written in the style of Gaetano Pugnani, is a work for violin and piano that has become a standard in the solo repertoire. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. In this arrangement, the solo violin part has been integrated into the string orchestra. The work has been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.Fritz Kreisler (1875–1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as “pastiches,†which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto, written in the style of Gaetano Pugnani, is a work for violin and piano that has become a standard in the solo repertoire. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist.In this arrangement, the solo violin part has been integrated into the string orchestra. The work has been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.
SKU: HL.50506730
UPC: 073999117172. 9.0x12.0x0.172 inches.
Contents: Allegretto in A * Allegretto in A Minor * Allegretto in C * Andantino in C * Andantino in F Minor * Andantino in G * Marcia in A * Marcia in E * Minuetto * Perigordino - Due Varizioni * Rondoncino in E * Sinfonia * Sonata in C * Sonata in E * Sonatina * Waltz in E * Waltz in C.
SKU: BT.DHP-1165680-010
The Torch of Liberty has been commissioned by the Band of the Royal Netherlands Military Police, on the occasion of their 200th anniversary. The music is based on a monument, a torch that is symbolically being passed on by the fallen ones to the new generation. This versatile composition features a beautiful hymn and unique military sound effects in a festive and heroic style. The Torch of Liberty is in opdracht van de Koninklijke Marechaussee gecomponeerd ter gelegenheid van het tweehonderdjarig bestaan van de KMar. De muziek is gebaseerd op een monument: de gevallen strijder die de toorts doorgeeft aan een jongere generatie. Deze veelzijdige compositie bevat een prachtige hymne en unieke militaire geluidseffecten in een feestelijke en hero sche stijl. The Torch of Liberty wurde der Königlich-Niederländischen Marechaussee“ aus Anlass seines 200-jährigen Jubiläums in Auftrag gegeben. Die Musik basiert auf der Bedeutung eines Denkmals, einer Fackel, die symbolisch von den Gefallenen an die jüngere Generation weitergereicht wird. Diese vielseitige Komposition beinhaltet eine wunderschöne Hymne sowie einzigartige militärische Klangeffekte in einem festlichen und heroischen Stil. The Torch of Liberty fut composé en tant que commande de la Police militaire royale néerlandaise l’occasion de son 200e anniversaire. La musique est basée sur un monument, un flambeau qui passe de manière symbolique des morts aux futures générations. Cette composition aux multiples facettes contient un magnifique cantique et des effets sonores militaires uniques dans un style festif et héro que. Commissionata dalla trumpet band della Polizia Militare Reale olandese, la musica è ispirata a un monumento ai caduti raffigurante una torcia, che simboleggia il passaggio di testimone da una generazione all’altra. Lo spirito della composizione è eroico e trionfale, adatto alle competizioni.
SKU: BT.DHP-1165680-140
SKU: LM.24438
ISBN 9790230944380.
ABSIL : Humoresque n. 2 (Andantino) - CASELLA : Berceuse - CLERGUE : Pastourelle - DAMASE : La Belle aux cheveux d'or - FRIBOULET : Sur les pointes - GILSON : Nao-San la Japonaise - GRUNENWALD : Les Blancs moutons - JONGEN : Menuetto - MAURICE : Patte de velours - MAYKAPAR : Pastorale - ROWLEY : Scooter - TCHEREPNINE : Bagatelle n. 6 - TOMASI : Le Lied que chante mon coeur.
SKU: HL.49010850
ISBN 9790001096867. UPC: 073999286540. 9.0x12.0x0.075 inches.
Contents: Ain niederlandisch runden Dantz (Judenkunig) * In Quadragesima (Dufay) * Ballett (Losynthal) * Ain schone kunstliche underweisung: Das erste Priamell (Judenkunig) * Minuetto (Scarlatti) * Bourree (de Richee) * Allegro aus einer Canzona (Kerll) * Fantasia (Krieger) * Presto from Lautensuite No. 1 (Bach).
