SKU: HL.14066106
SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine†supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampneyâ€, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,†which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,†again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence†is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most highâ€. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
SKU: UT.NAP-8
ISBN 9790215320215. 9 x 12 inches.
Rorate caeli; Iam sole clarior; Infirmata, vulnerata; Totus amore languens; Mortales, non auditis?; Mitissime, dulcissime; Quae est ista; Diligam te, Domine; Properate, fideles; Est dies trophaei; Salve ReginaPerformance Material on Hire
SKU: MN.25-160
UPC: 688670251603.
In his setting of “Let All Mortal Flesh Keep Silence†for string orchestra, composer Kevin Uppercue creates an ethereal atmosphere through an accompanimental texture of natural string harmonics. Uppercue’s fantasia explores the harmonic and contrapuntal potential of the famous French tune (PICARDY), and is a suitable for high school string orchestra (Grade 3-4) or above. It is particularly appropriate for performance by church ensembles, especially for Advent or Christmas celebrations, and can be played by quintet alone. Duration: 3:15
SKU: HL.14035270
Let All Mortal Flesh Keep Silence by Walter Emery for SATB chorus with Organ accompaniment.
SKU: HL.811415
UPC: 196288087120. 6.75x10.5x0.029 inches. Colossians 3:1-2, Habakkuk 2:20, Psalm 33:8.
The echoes of ancient worshippers are heard in this time-honored text that conveys the mystery and majesty of our faith. A fully engaged choir will luxuriate in the harmonies and choral textures while the orchestral accompaniment provides splendid options for larger scale performances. Score and Parts (fl/pic, ob, cl, bn, tpt 1-3, hn, tbn 1-2, tbn3/tba, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: GI.G-1129
UPC: 785147812920.
This five-movement work for piano, string quintet, oboe, horn, mezzo and soprano soloists, and SATB choir was commissioned in 2020 by Gary Packwood, director of choral studies at Mississippi State University, and dedicated to the Mississippi State University State Singers for the opening of the new music building. The piece is based on Ode: Intimations of Immortality from Recollections of Early Childhood by the English Romantic poet William Wordsworth. These writings, along with others, represent the greatest lyrics of his maturity. In these poems Wordsworth presents a fully developed yet morally flexible picture of the relationship between human beings and the natural world. When Wordsworth completed this work in 1804, he called it simply Ode, and the poem carried this title when it was published in 1807. In 1815, when the poem was republished, Wordsworth expanded the title to Ode: Intimations of Immortality from Recollections of Early Childhood. Intimations means hints, inklings, or indirect suggestions. Track Listing: Ode: Intimations of Immortality from Recollections of Early Childhood The glory and freshness of a dream Ye blessed creatures, I have heard the call Our birth is but a sleep and a forgetting Full soon thy Soul shall have her earthly freight Of the eternal silence A cappella works by Michael John Trotta Justitiae Domini Ubi Caritas Dies Irae.
SKU: CA.3116712
ISBN 9790007209216. Language: German/English.
The cantata Ihr Menschen, ruhmet Gottes Liebe (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was composed for the Feast of St John, and was performed for the first time on 24 June 1723 in Leipzig. This concise and lively cantata is scored for four vocal soloists and modest instrumental forces; only the final chorale Sei Lob und Preis mit Ehren is for all four vocal parts and the use of strings, with the soprano reinforced by a slide trumpet. The text is partly drawn verbatim from Zacharias's hymn of praise in St Luke's Gospel chapter 1. It praises God's grace and love, as fulfilled by his promise of salvation through Jesus for which John has prepared the way and the path. Score and part available separately - see item CA.3116700.
SKU: CA.3116713
ISBN 9790007209223. Language: German/English.
SKU: CA.3116705
ISBN 9790007186852. Language: German/English.
The cantata Ihr Menschen, ruhmet Gottes Liebe (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was composed for the Feast of St John, and was performed for the first time on 24 June 1723 in Leipzig. This concise and lively cantata is scored for four vocal soloists and modest instrumental forces; only the final chorale Sei Lob und Preis mit Ehren is for all four vocal parts and the use of strings, with the soprano reinforced by a slide trumpet. The text is partly drawn verbatim from Zacharias's hymn of praise in St Luke's Gospel chapter 1. It praises God's grace and love, as fulfilled by his promise of salvation through Jesus for which John has prepared the way and the path. Score available separately - see item CA.3116700.
SKU: CA.3116709
ISBN 9790007209193. Language: German/English.
The cantata Ihr Menschen, ruhmet Gottes Liebe (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was composed for the Feast of St John, and was performed for the first time on 24 June 1723 in Leipzig. This concise and lively cantata is scored for four vocal soloists and modest instrumental forces; only the final chorale Sei Lob und Preis mit Ehren is for all four vocal parts and the use of strings, with the soprano reinforced by a slide trumpet. The text is partly drawn verbatim from Zacharias's hymn of praise in St Luke's Gospel chapter 1. It praises God's grace and love, as fulfilled by his promise of salvation through Jesus for which John has prepared the way and the path. Score and parts available separately - see item CA.3116700.
