Mozart For Violin And Cello

10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist having fun together! Whoever heard of such a thing? But that is exactly what Alexey Igudesman has provided for in his 'Violin and Violoncello and More”. He has responded to popular demand and arranged - no, recreated! - duets from his previous publications for two violins. These encompass many different styles but always with Alexsey's own individual and quirky touch. The contents list reads like a world tour, passing through Scotland, Ireland, Israel, Khazakhstan and many other countries. Igudesman took great care to 'custom make” the cello part as he wanted these arrangements to be as musically valuable as his original versions. He encourages the players to be creative, adding improvisation or even choreography but, above all, to have fun. These pieces will suit intermediate players who want to be stretched or more advanced students who simply want to let their hair down!/ Répertoire / Violon et Violoncelle

10 duets. Par IGUDESMAN ALEKSEY. In his new collection, Aleksey Igudesman goes well beyond where his previous book, Violin

Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano

This edition of Mozart's 2 Divertimenti arranged for Violin (or Oboe) Cello (or Bassoon) and Piano by Elisabeth Naumann.

This new collection presents the 50 most popular classical pieces in easy arrangements for violin or cello with piano accompaniment. Taking the concept of the 'playlist' from the world of digital music streaming, this book presents a carefully chosen collection of the world's favourite classical pieces for today's student and amateur musicians.With many of the most popular works from the classic repertoire, including The Blue Danube, the Flower Duet, Elgar's Nimrod and the Toreador Song from Bizet's Carmen, there are hours of enjoyable music making to be found here.Separate piano accompaniments and MP3 accompaniment tracks are available to download for free. / Violoncelle Et Piano