Music for the Queen's Court

SKU: WD.080689320972

UPC: 080689320972.

Today we have the freedom to demonstrate our faith as we pray in public, attend church or witness to others. But what if our faith in God was judged only by our response to crisis? Queen Esther kept her faith a secret to silently influence the Persian court, but it was dramatically demonstrated when she risked her life to plead for the salvation of her people. In Kathie Hill's Esther-Ordinary Faith, your children will learn the value of a living faith as they create a first-hand account of the events in Esther's life. In the musical, a fictional scribe, Zerox, details Esther becoming queen through God's intervention in Haman's plot and Mordecai's appointment as the king's adviser. And, as Zerox tells the story, he experiences the testimony of Esther and develops his own faith in God and His grace. All this is done through gritty songs and witty dialogue between these characters and the residents of Susa, the Susans. Songs like God Is in Control, The Eleventh Hour, While You Sleep and In That Moment, will help children understand the sovereignty of God and the confidence we can have in trusting Him with the greatest of problems by displaying our own Esther-Ordinary Faith! Ages: 2nd - 8th Grades.

SKU: M7.DUX-900

ISBN 9783868490114.

Mit Werken von John Dowland, Robert Johnson, Thomas Robinson, Francis Cutting, Francis Pilkington und Anthony Holborne.

SKU: WD.080689699122

UPC: 080689699122.

Today we have the freedom to demonstrate our faith as we pray in public, attend church or witness to others. But what if our faith in God was judged only by our response to crisis? Queen Esther kept her faith a secret to silently influence the Persian court, but it was dramatically demonstrated when she risked her life to plead for the salvation of her people. In Kathie Hill's Esther-Ordinary Faith, your children will learn the value of a living faith as they create a first-hand account of the events in Esther's life. In the musical, a fictional scribe, Zerox, details Esther becoming queen through God's intervention in Haman's plot and Mordecai's appointment as the king's adviser. And, as Zerox tells the story, he experiences the testimony of Esther and develops his own faith in God and His grace. All this is done through gritty songs and witty dialogue between these characters and the residents of Susa, the Susans. Songs like God Is in Control, The Eleventh Hour, While You Sleep and In That Moment, will help children understand the sovereignty of God and the confidence we can have in trusting Him with the greatest of problems by displaying our own Esther-Ordinary Faith! Ages: 2nd - 8th Grades.

SKU: HL.14020965

ISBN 9780711936959.

The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. This suite begins with the act's opening number: a boisterous, stamping dance to which the people rudely mock Queen Caroline Mathilde and her lover Struensee. After this comes a dark Adagio, The Conspiracy, in which the theme passes like persuasion from mouth to mouth, its variations suggesting the different attitudes of the conspirators, firmly controlled by the brass-driven gestures of the Queen Dowager. The conspiracy then works itself out at a court masked ball, from which the suite includes two dances: a gavotte, and a slow, lubricious passacaglia that is a pas de deux for Caroline Mathilde and Struensee. The Arrest comes with a gathering rush of music that envelops the King, the Queen and Struensee, leading to a vociferous climax in which they are held apart. In The Execution, slow white music for wordless female voices, harp and low strings is interrupted by pathetic, alienated outbursts from the King. The suite ends, as does the ballet, with a quiet adagio lament for clarinets and alto flute as the Queen goes into exile. Score. Duration c. 33mins.