Music For Violin And Piano

Par . Flexi Violin 1 is a refreshingly diverse collection for violin with both piano and violin duet accompaniments from leading educational authors Paul Harris and Jessica O?Leary. Suitable for Initial to Grade 2 (Elementary) level players, it features a wide range of composers and the pieces have both piano and violin duet accompaniments. / Date parution : 2022-09-20/ Recueil / 1-2 Violons et Piano

Thomas Simaku's Solar for Trumpet Violin and Piano. This work is based on Philip Larkin’s poem of the same title. Part of the High Windows volume (Faber & Faber 1974) Solar is one of Larkin’s well known poems which have been described as a ‘piquant mixture of lyricism and discontent’. This was 'music to my ears' and having previously composed two other works - Plenilunio and Raggio Lunare - which ‘hover' on the same orbit as it were this particular poem immediately struck a chord with me: its astral celestial cosmological lunar stellar planetary anduniversal associations (not to mention the energy here) gave further impetus to my curiosity on both musical and extra-musical levels. - Thomas Simaku Duration: 9 minutes.

The Collaborative Artist Flute Violin Piano-Faber Piano Adventures is proud to present a new chamber music composition Curiouser and Curiouser. Composed by Nancy Faber this unique piece was commissioned by the Music Teachers National Association (MTNA) to celebratethe organization's Year of Collaborative Music and was debuted at the 2011 MTNA National Convention.Written for late intermediate to early advanced students this chamber trio features a ?curious? one-noteopening followed by a quirky merry melody that leads the performers to unexpected musical places. The piece ends as mysteriously as it begins ? with a final flourish.This piece is suitable for piano students whohave completed Piano Adventures® Level 5.

Famous classics for violin - piano accompaniment-Essential Melodies is a delightful collection of repertoire pieces by famous composers. These pieces have been skilfully adapted for the violin by a number of excellent arrangers with the emphasis on variety musical quality and melodic interest. Various dance forms are presented in this book including the rondeau waltz and tango. With a selection of styles to choose from you can be confident that concerts and school performances will be a success. Some of the pieces can be played entirely in the first position; others involve some position changing but none of them requires virtuoso technique.

A craftsman-like and gracefully wrought work in which the middle movement is particularly fine a wistful slow waltz of lovely simplicity which begins and ends with a tranquil dialogue between the two unaccompanied violins. The last movement opens with the only real solo fireworks in the piece - a brilliant chase for the two instruments over steady rhythmic support from the accompanying strings.

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.