/ Piano
SKU: HL.50487004
ISBN 9790080010754. B/5 (17x24) inches. Hungarian, original language. Miklos Forrai.
Josquin des Pres, i.e. the 1450s form the beginning of the five centuries of rich European choral music out of which the present modest collection was compiled. The majority of the works published here are taken from the world of the Rennaissance, the golden age of choral music. In addition, masterworks of the Romantic literature of the 19th century cast in the shadow so far are presented in abundance. It is the task of the 'next century' to provide an overall picture of the world-wide choral culture of our times, the 20th century...' Miklos Forrai (1994).
SKU: HL.49003188
ISBN 9780946535224. UPC: 841886002289. 8.25x11.75x0.486 inches. English.
Aural Matters provides useful resource material for aural training at Advanced level in a single volume with two accompanying compact discs. the first part is packed with examples of dictation and discrimination exercises, carefully graded in difficulty. The recordings on disc allow these practice-materials to be used by the student at home, as well as by teachers in the classroom. The text provides a systematic approach to aural training * melody and two-part dictation, harmonic recognition, identifying errors in performance * with frequent hints and tips that will enable the student to develop increasing skill and confidence in the tests. Part Two provides an recorded anthology of the compositional techniques with wich students are expected to be familiar at Advanced level. A huge variety of extracts has been specially selected from British folk-songs, world music, jazz, pop and the main periods of art music from the late Renaissance to modern times. A detailed commentary shows how to recognize periods, styles, structures, instruments and techniques in this music, with all of these features copiously illustrated in the examples on disc. The complete work provides an invaluable resource not only for the Advanced level aural syllabus, but also for any study of style and analysis in the wide variety of music that is encountered today. Prelude * Part I: Melody Dictation * Two-Part Dictation * Keys, Chords and Cadences * Intonation * Spot the Mistakes * Part II: Prelude to Part II: Aural and Stylistic Analysis * Folk Music of the British Isles * World Music * Jazz * Popular Music * Music of the Late Renaissance * Music of the Baroque Era * Classical Music * Romantic Music * Music in the 20th Century * Answers to the Tests * Index.
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CA.402600
ISBN 9790007294045. German.
At times Romantic, at other times with a jazzy touch, the Choral collection Bruckner. Secular choral music is full of exciting discoveries and new arrangements at various levels of difficulty. Anton Bruckner’s secular choral music is often overshadowed by his great symphonies and sacred choral works – unfairly, as choral experts Simon Halsey and Jan Schumacher prove with their small but fine selection of choral music inspired by secular texts. Bruckner left only a few movements for mixed choir; instead, his music for male voices constitutes a far larger body of work. For this collection, renowned arrangers from Germany, England, Denmark, and Italy have specially reworked the most beautiful of these choral movements for SATB, enabling this great repertoire to be performed by mixed choirs. Two original SATB compositions are also included. Furthermore, the choral collection features arrangements of songs originally written for solo voice and piano with texts by such poets as Heinrich Heine and Emanuel Geibel. Another highlight is an arrangement of the Adagio from Bruckner’s String Quintet WAB 112, which Heribert Breuer has created for choir to a text by Georg Trakl.- 16 SATB settings, several with keyboard accompaniment- Selected by Simon Halsey and Jan Schumacher- Modern SATB arrangements of male-voice works and solo songs, as well as original compositions - Affordable complete volume (editionCHOR) as well as separate editions available in print and digitally.- Introductory price valid until 31.10.2023, then 27.00 EUR (editionCHORLEITUNG) and 15.00 EUR (editionCHOR, minimum order: 20 copies)
SKU: CA.402605
ISBN 9790007302054. German.
SKU: BT.EMBZ1075
Hungarian.
'Josquin des Prés, i.e. the 1450s form the beginning of the five centuries of rich European choral music out of which the present modest collection was compiled. The majority of the works published here are taken from the world of the Rennaissance, the golden age of choral music. In addition, masterworks of the Romantic literature of the 19th century cast in the shadow so far are presented in abundance. It is the task of the 'next century' to provide an overall picture of the world-wide choral culture of our times, the 20th century...' Miklós Forrai (1994).
SKU: HL.14009590
Lemare's compositions are uneven in quality, but the best are still active in the repertoire. The Toccata di Concerto is certainly full of fireworks and has the capacity to show the abilities of a great Organ. The upper parts have plenty of French toccata style, but the theme in the pedals gives the piece substance, as does the romantic, chromatic interlude in the middle of the work.Organ virtuoso and composer Edwin Lemare was the world's highest-paid Organist at the height of his career in the early 1900's, drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relativelyshort period, he began the life of a travelling recitalist, beginning with a hundred-recital tour of the USA and Canada in 1900, a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ, allowing audiences in those less urban times to hear works played live that they might have heard no other way.