Music Shall Live

erfect for a combined Choral/Band concert as an opener closer or anywhere in between. This medley of familiar tunes is tied together by the recurring concept that MUSIC SHALL LIVE. A swingin' WADE IN THE WATER a soulful NOBODY KNOWS THE TROUBLE I'VE SEEN and an inspiring BATTLE HYMN OF THE REPUBLIC make it a crowd pleaser. The unison choral part makes sure the chorus can come through loud and clear and the performance can be prepared without a great deal of combined rehearsal time. Big bold and powerful! (String parts and Beginning Band (simplified) parts are also available for large All-City Band Orchestra and Chorus performances)

Perfect for a combined Choral/Band concert as an opener closer or anywhere in between. This medley of familiar tunes is tied together by the recurring concept that MUSIC SHALL LIVE. A swingin' WADE IN THE WATER a soulful NOBODY KNOWS THE TROUBLE I'VE SEEN and an inspiring BATTLE HYMN OF THE REPUBLIC make it a crowd pleaser. The unison choral part makes sure the chorus can come through loud and clear and the performance can be prepared without a great deal of combined rehearsal time. Big bold and powerful! (String parts and Beginning Band (simplified) parts are also available for large All-City Band Orchestra and Chorus performances)

German Folk Songs-Composer Robert Swan has written this playful version of Music Alone Shall Live and included some of the original German lyrics. The vocal rhythmic elements make this lively piece perfect for some percussion accompaniment such as bells chimes tambourine etc. Makes a great finale for a junior high school performance.

Pianist with the Billy Graham Evangelistic Association Ted Cornell offers 11 new arrangements for piano solo suitable for piano preludes or offertories. On the challenging side this collection includes 'Jesus Shall Reign ' 'LetAll Mortal Flesh Keep Silent ' and 'All Creatures of Our God and King.'

Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Un répertoire des oeuvres pour Clavier les plus faciles de Haendel ainsi qu'une sélection de ses oratoires parmi les plus appreciés. Inclus 'Where'ver You Walk', 'L'Harmonieux Forgeron', 'The Trumpet Shall Sound'. / Piano

Par HARRIS PAUL. Christmas Saxophone Basics is a collection of fun and festive repertoire for alto saxophone. Leap through the twelve days of Christmas in twelve stages with Christmas-themed improvisations, warm-ups and studies, plus your favourite Christmas tunes. There’s a selection of repertoire with piano accompaniment as well as duets suitable for 2 saxophones and duets for saxophone and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto

A traditional German canon arranged in a straightforward and educationally appropriate style by Donald Moore. Easy singable melodies fit together perfectly. A follow-up to Moore's best selling 'Sing With Joy!' and 'Simply Alleluia.' Excellent for Music In Our Schools Month. Optional flute or C instrument part included in the publication. / 2 Parties Mixtes

Using the hymntune Duke Street (“Jesus Shall Reign”) Jan Sanborn has developed a marvelous and majestic anthem for the Easter service. Brass parts are also available separately. The exalted and regal qualities thatbefit an Easter service have been masterfully captured in this powerful setting. Easy to medium. Available: SATB Instrumental Pak.

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori MESSIAH AT EASTER / G.F. Handel - Accompagnements Piano de Haendel Georg Friedrich. Cette partition qui est éditée par les éditions Curnow Music Press fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano Accompagnement peut être chez vous dans quelques jours. / Piano Accompagnement / 72 pages / niveau : Elémentaire - Moyen / Partition

Collection of Upbeat Rounds for Classroom and Performance-It's time to get a round to it! Experience part-singing fun your students will want to perform again and again. This rockin' collection of 16 rounds features some familiar and some brand new rounds crafted with unique pianoaccompaniments that bring the arrangements to life. Six of the rounds come in an expanded format with a separate CD recording of full performance and accompaniment tracks for easy programming. The remaining ten rounds offeradditional simple Orff accompaniments and riser choreography for many classroom and performance opportunities. All this and reproducible singer pages are featured in the Teacher book. For extra value the Classroom Kit includesbook and CD. Recorded rounds include: A Ram Sam Sam Rockin' a Round Row Your Boat Songs of the Seasons Sunshine White Coral Bells. Non-Recorded Rounds include: Autumn Blessings By the Singing Water FrogMusic Make New Friends Music Alone Shall Live Now Is the Time to Sing Peace Round Sing Lullaby Spring Thing We'll Get a Round to It. Available separately: Teacher Edition (with reproducible singer pages) Performance/Accompaniment CD Classroom Kit (Teacher and P/A CD). Suggested for grades 3-6.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Partner a fresh new original song with an old favorite...add choreography by John Jacobson and you've got an exciting new collection to introduce 2-part singing to your elementary students. Learn each tune separately then putthem together for instant harmonic fun! This all-in-one format comes complete with piano/vocal accompaniment choreography and reproducible singer pages. So choose your partner and let's go! Songs include: City Life (with“I Love the Mountains”); The Best Choir in the World; A Rainbow of Peace (with “De colores”); All I Do Is Work (with “I've Been Working On The Railroad”); Farewell My Friends (with “ShalomChaverim”); Fifty Stars (with “You're a Grand Old Flag”); My America (with “America The Beautiful”); Quiet! (with “Music Alone Shall Live”); Home (with “Shenandoah”); Snow Beautiful Snow (with “Over The River and Through The Woods”); The Sun and the Moon; Way Up High (with “Over My Head”). Available: Song Collection Performance/Accompaniment CD. For grades 2-6.