Music Writing Book 6 Staves - 32 Pages

With Online Audio-This user-friendly book with access to online audio shows how to transform standard three-chord blues changes into harmonically sophisticated jazz-blues progressions. The book covers chord substitution twelve-bar blues minor blues eight-bar blues and sixteen-bar blues. Chord frames are supplied for guitarists. Blank treble and bass staves are included for writing songs licks and solos. An absolute goldmine for all musicians students bluessongwriters recording studios ad agencies and anyone who plays blues music.This truly amazing learning/reference work designed for beginners and pros alike also contains an appendix featuring a wealth of informationabout modern blues progressions and how to create them. Online audio download available.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : All Styles Series : McCabe's 101 Series Number of pages : 48 This book will help you play and write songs in both contemporary and classic country styles. The book is for music students, teachers, performing artists, recording studios, composers, songwriters, advertising agencies, and any person or music company who needs a user-friendly, comprehensive reference guide to country chord progressions. Specific chord fingerings are supplied for guitar players. The stereo CD makes the book an ideal tool for study or jamming. No note reading is required. Blank treble and bass staves are included for writing songs, licks and solos. A concise discussion of song form is provided to help beginners understand the structure of country songs. Overall, a great learning and reference tool for beginners and pros alike. All creative musicians and writers who study, perform, or compose country music will benefit from this book.

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare