SKU: BT.EMBZ13768
SKU: HL.50511506
ISBN 9790080137680. Bach (23 x 30,2 cm) inches. Gyorgy Geszler.
SKU: BA.BA05278
ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.
When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.â€The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.MN-954
Back to Inner Balance
ISBN 9783765199295. 6.5 x 9.5 inches. German.
Nearly every musician experiences this at some point in their life: stage fright, the typical spoilsport of professional musicians. Typical stage fright is triggered by excessive performance pressure and stress in moments in which the musical expressiveness and joy of playing should be holding center stage. But not only in performance situations can psychological and physical blockades hinder an unencumbered music-making. With the help of the holistic techniques of musical kinesiology, many artists are increasingly finding their way back to an inner balance and a new expressive power. The solo flute player and instructor Furugh Karimi has gathered experiences in this field (among others) for more than 20 years now as lecturer at the Vienna University for Music. Derived from the Brain-Gym (r) method as well as musical kinesiology and optically adapted for teaching and practice, MusicGym contains a compilation of exercises with lots of variety that have been successfully tried-out and enhanced by the author.Ways - Music Pedagogical Series Volume 26 Back to Inner Balance.