Muzio Clementi : Piano Sonata in G Major Wo 14

Although unjustly neglected in the past today Clementi's piano sonatas are widely admired and recorded. This volume contains 10 of his finest works in the genre. For this edition they have been reprinted from an authoritative edition originally published by C.F.Peters Leipzig.

This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano which led to him being dubbed the father of the piano Italian composer and Pianist Muzio Clementicreated a large repertoire of long-lived and revered sonatas for Piano especially during his time in England. Clementi was the consummate Piano devotee: his performances didactic exercises and sonatas for maturepianists all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 1) edited by Sonja Gerlach and Alan Tyson andfingered by Hans-Martin Theopold provides you with an accurate realisation of the composer’s original intentions with thorough and detailed editorial markings and suggestions.

Clementi Sonatinas Op.36 and 4 Edited by Kendall Taylor. The Sonatinas presented in this edition are first rate examples of that style of work which Beethoven admired and for the student they give the opportunity to show beautiful singing tone clear sparkling fingerwork crisp rhythms and to show by intelligent phrasing and considered relationships of phrases and sections how compositions constructed in the classical sonata form can be tastefully and effectively presented.In brief here are works full of interest for their own merits which also give complete musical and pianistic preperation for the study and appreciation of the works of the great masters.

Piano Duets edited by Michael Aston-Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems alongside new editions of original works written specifically for Piano duet.You'll find sonata movements by less well-known composers of the period Clementi and J.C.F. Bach as well as Beethoven's complete Sonata in D major one of the few original duet sonatas written by the composer. The volume is concluded with a light and attractive Minuet and Trio by Haydn a colourful Theme and Variations by Mozart and a graceful and flowing arrangement of Schubert'sEntr'acte Music from Rosamunde. Ranging from the intimate to the virtuosic these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium.Contents:J. C. F. Bach: Allegro con spirito from Sonata in A majorL. van Beethoven: Sonata in D major Op. 6Muzio Clementi: Allegro maestoso from Sonata in E flat major Op. 3 No. 2Joseph Haydn: Minuet and Trio from Symphony No. 100 'Military'W. A. Mozart: Allegro from Serenade K388Franz Schubert: Entr'acte No. 3 from Rosamunde

Dans ce volume, Hans-Günter Heumann présente une sélection de 18 Sonatines classiques populaires faciles, une Sonatine Kabalevski et une Sonatine jazz par Eduard Pütz. La valeur éducative de ces mouvements de Sonatine excellent et sensible se trouve dans la formation de me / Piano

Fur Klavier-Piano Sonata in G major Op.79 'Sonate facile'The small sonata Op.79 which is called a “sonata” in the autograph but a “sonatina' in the German first edition belongs to the standard repertoire for advanced beginners.Beethoven’s autograph written in 1809 had a convoluted history: Muzio Clementi extracted the individual movements from the manuscript and sold them separately. Only a stroke of luck allowed them to be reunited many years later.- Scholarly-critical Urtext editions at the cutting edge of scholarship- Practical page turns- Informative Introductions with valuable notes onperiod performance practice (Eng/Ger)- Belong to Beethoven's easier Piano repertoire

Piano Sonata G major WO 14-An authoritative urtext edition of Clementi's Sonata In G WO 14 for solo Piano edited by Sonja Gerlach and Alan Tyson.

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano

for 2019-2020-The Grade 8 Piano Anthology 2019/2020 contains 24 examination pieces from lists A B and C of the piano syllabus of the Associated Board of the Royal Schools of Music. The anthology is enhanced with performance and aural notes on each piece from leading educational experts.

50 Famous Pieces For Piano / Hard Cover. The popular anthology Best of Piano Classics is now available as an exclusive hardcover edition, with ribbon bookmark and high-quality binding. A thoughtful gift for any pianist! Selected for pupils in their first years of piano lessons, this volume contains 50 of the most beautiful original compositions for piano from the days of Johann Sebastian Bach (1685-1750) to the days of Alexander Grechaninov, providing playing material from the baroque period to the early 20th century. Apart from numerous individual pieces, it also contains easy sonatas and sonatinas by Haydn, Clementi, Mozart, and Beethoven. Complete with fingerings, tempo suggestions and notes on the execution of ornaments, this collection with its modern and reader-friendly layout is ideal for lessons and for playing at home. / Classique / Recueil / Piano

50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 1 / Classique / Recueil / Piano