SKU: HL.48015295
UPC: 073999254891.
Voice, 3 Clarinets, Trombone, Percussion, Double Bass Contents: Talk About a Child that Do Love Jesus * My Soul's Been Anchored In de Lord * Jesus Walked this Lonesome Valley * Oh Nobody Knows The Troubles I've Seen * My Good Lord Done Been Here.
SKU: FG.55011-888-1
Jyrki Linjama (b. 1962) composed Chants and Spirituals for brass quintet in winter 2022/2023 for the Finnish Radio Symphony Orchestra’s chamber music series. The title of the work points in two directions: to Gregorian chant and to American negro spirituals. The serious antiphon Apud Dominum meets summer chamber jazz vibes - as well as skillful polyphony and fanfares.This product includes the score and the set of parts.Duration: 20’Instruments:Trumpet 1 in BbTrumpet 2 in BbHornTromboneTubaMovements:I CantusII Spiritual 1III Spiritual 2IV Pastoral.
SKU: HL.48015294
UPC: 073999152944.
Voice, 3 Clarinets, Trombone, Percussion, Double Bass Contents: Talk About a Child That Do Love Jesus * My Soul's Been Anchored in de Lord * Jesus Walked This Lonesome Valley * Oh Nobody Knows the Troubles I've Seen * My Good Lord Done Been Here.
SKU: HL.1428116
UPC: 196288202226. 6.75x10.5x0.019 inches.
Experience the heartfelt resonance of “Lord, How Come Me Here?” arranged by Evelyn Simpson-Curenton, a poignant lament for flute, soloist, and choir. Originally crafted for the iconic Kathleen Battle and Jessye Norman Negro Spirituals Concert at Carnegie Hall, this piece brings forth slow, profound chordal passages, exquisite solo flute melodies, and an emotionally stirring vocal solo. Offering a historic glimpse into the American spiritual tradition, this arrangement encapsulates a deeply moving and unforgettable musical journey for both performers and audiences alike.
SKU: HL.1437160
UPC: 196288204411.
James Weldon Johnson's powerful poem, “O Southland!,” receives an altogether new musical treatment with this moving piece for treble voices and piano. Utilizing quotes of Negro spiritual repertory and the call-and-response of the Black church, you and your singers will enjoy this beautiful conjunction of melodic lilt and rhythmic verve, fueled by Johnson's timeless lyric. Your collaborative pianist and bassist should add another level of excitement via the harmonic influences of jazz and Black gospel music.
