SKU: HL.338907
UPC: 840126914290. 6.75x10.5x0.019 inches.
Jack Halloran's arrangement of this Stephen Foster favorite has become a classic, performed by choirs from Chanticleer to the best university chorales in the world. This revoicing opens the door for high school and smaller choirs to enjoy it. A great festival piece and American standard. Easy level.
SKU: PR.416413890
UPC: 680160607891. German. Poems by Nelly Sachs. Poems by Nelly Sachs.
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, Harp, Piano/Celesta, Timpani, Percussion (1 player), Strings, Soprano Solo.
SKU: PR.41641389L
UPC: 680160607907. German. Poems by Nelly Sachs. Poems by Nelly Sachs.
SKU: MB.30945
ISBN 9781513472744. 8.75X11.75 inches.
This collection of 19th and early 20th century airs and ballads is a celebration of American music that is ideal for guitar recitals and encores. Written in standard notation only, the pieces are arranged and fingered for ease of sight-reading and specifically designed to exploit the musicality of the classical guitar.The book features arrangements of the antebellum song, ôDarling Nelly Grayö by Benjamin Hanby, popular Civil War-era songs by Stephen Foster and other period songwriters, plus parlor music favorites like Edward MacDowell�s ôTo a Wild Roseö, Ethelbert Nevin�s ôMighty Lak� a Roseö, and ôAura Leeö, a melody by George R. Poulton that would resurface nearly a hundred years later as ôLove Me Tenderö.á.
SKU: VD.ED98549
ISBN 9790202005491. 11.69 x 8.26 inches.
SKU: PR.111401800
UPC: 680160618132. 8.5 x 11 inches. Text: Nelly Sachs. Nelly Sachs. Text: Five Poems of Nelly Sachs, Translation from German of Nos. I, III and IV by Ruth and Matthew Mead, of No. II by Michael Roloff and No. V by Michael Hamburger.
O The Chimneys is a setting of five poems by Nelly Sachs, the great German-Jewish 1966 Nobel Prize co-winner in literature, whose writing concerned itself almost entirely with the subject of the holocaust. Composed in 1969, the work was my own personal way of saying, through my own art, do not forget. Shockingly, these words have as much relevance today as they did when the work was written. Today we find ourselves having to say do not forget, do not distort, do not deny it ever happened. I selected the five poems from Sachs' O The Chimneys collection, retaining its grimly evocative title even though I did not include the actual poem by that name. In scoring the work for female voice, flute, clarinet/bass clarinet, cello, piano and percussion, I aimed to give myself the broadest possible palette of instrumental colors while using the smallest number of participants. Yet as I was planning the final moments of my cycle, I felt that instrumental sound alone would not suffice to express the horror. An electronic tape segment was added to the work's final climax. The first two poems (A Dead Child Speaks and Already Embraced by the Arm of Heavenly Solace), both depicting the tearing of a child away from his mother, are treated essentially as one unit, with the first acting as an introduction to the second. These two, and the cycle's apocalyptic fifth poem (Hell is Naked from Glowing Enigmas II), act as the two weighty pillar points, so to speak, surrounding the more introspective two middle poems (Fleeing and Someone Comes). To maximize dramatic differentiation within the constraints of a relentlessly tragic subject matter, I used range as a means to delineate contrast, by dividing the sounds available to me into low and dark (mvt. III) vs. high and, at times, eerily bright (mvt. IV) colors. Thus the two middle poems are intended to balance the frenzied madness of which the work's outer parts are made. The work received its first performance in New York at the Metropolitan Museum of Art's Grace Rainey Auditorium on January 19, 1970. --Shulamit Ran.
SKU: PR.11140180S
UPC: 680160601691. Text: Nelly Sachs. Nelly Sachs. Text: Five Poems of Nelly Sachs, Translation from German of Nos. I, III and IV by Ruth and Matthew Mead, of No. II by Michael Roloff and No. V by Michael Hamburger.
SKU: CA.2910100
ISBN 9790007039042. Language: German. Text: Sachs, Nelly. Text: Nelly Sachs.
Movements: I. Einer war, der blies den Schofar, II. Was tut ihr mir, III. Nicht Kampfgesange will ich euch singen, IV. Welt, frage nicht die Totentrissenen, V. Abschied, VI. Gartner sind wir, VII. Wenn du dir deine Wande neu aufrichtest, VIII. Ich kenne nicht den Raum, IX. Wie leicht wird die Erde sein, X. Wenn der Atem, XI. Schon reden knisternde farbige Bander, XII. Einer wird den Ball.
SKU: HL.50511932
ISBN 9790080065723. A/4 inches. Hungarian, German. Istvan Raics; Nelly Sachs.
SKU: HL.49031706
ISBN 9790001055536. German - English.
SKU: CZ.9798437804087
ISBN 9798437804087.
Especially arranged for guitar, this is a wonderful collection of patriotic songs that includes melody, chords and lyrics.Great for July Fourth or anytime of the year. Salute America with songs like:Amazing Grace, My Country Tis of Thee, America the Beautiful, American Patrol, Anchors Aweigh, Battle Cry of Freedom, The Battle Hymn of the Republic, Bugle Calls, Bunker Hill, Cassions Go Rolling Along, Chester, Columbia, The Gem of the Ocean, Darling Nelly Gray, Dixie, Eternal Father, Strong to Save, Faith of Our Fathers, Hail, Columbia, Hail to the Chief, Liberty Song, The Marineâ??s Hymn, The Maryland, Maryland Oh! Susanna, Over There, Star Spangled Banner, The Stars and Stripes Forever, Thereâ??ll Be a Hot Time, When Johnny Comes Marching Home, Yankee Doodle, Yankee Doodle Boy, Yellow Rose of Texas, and Youâ??re a Grand Old Flag.
SKU: M7.DOHR-98549
ISBN 9790202005491.
SKU: M7.VHR-1779
ISBN 9783920470948.
Wohlklingende Bearbeitungen im mittelschweren Bereich erfreuen jeden Spieler. Alla Turca, Der Frühling, Die Moldau, Habanera, Triumphmarsch, Brautchor, Eine kleine Nachtmusik, Largo (G.F. Händel), Hochzeitsmarsch, An die Freude, Melodie (A. Rubinstein), Lied des Torero.
SKU: HL.49015482
ISBN 9783795754631. 9.0x12.0x0.42 inches. German.
Vol. 3 of 'Die frohliche Violine' pursues the same musical and technical goals as the first two volumes. It contains a detailed introduction to the flat keys, C major key as well as the 2nd and 3rd positions. The last chapter takes up the subject matter of the first chapters again in a more demanding form and with longer charming pieces, giving an insight into 'virtuoso' violin technique.