New Directions in Open G Guitar Tuning

Par GILEWITZ RICHARD. Direct from the master of guitar clinics, this 96-page book contains a plethora of topics based on Richard Gilewitz\'s experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settings worldwide. Sections are built around the most frequently asked questions from players of all ages and skill level, with topics supported by written explanations, exercises, original music tablature and notation pieces, charts, and photographs. Recommended for players and teachers of both 6 and 12-string guitar, this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CD and 83-minute DVD provide a guide to discussion on learning slide, how to select a guitar, capos, metronomes, tuners, strings, composition, hand positions, practice methods, touring and recording tips, standard and open tunings, picking patterns, and more. Original compositions offered in tablature and notation include \'Dirt To Dust\' with the new \'Gypsy Minor\' introduction, \'Bilingual Fantasy\', \'Jamaicalina\', \'Pre Dawn Mourning\', \'Echoing Gilewitz\', \'Mrs. Firecracker\'s Place\', and \'The Maison Blanche Exit Song\' . - 96-page book contains topics based on author\'s experience of conducting fingerstyle guitar seminars for nearly a decade - Sections are built around the most frequently asked questions from students - Topics supported by companion CD, DVD, written explanations, exercises, original music tablature and notation pieces, and charts / Niveau : Débutant à Intermédiaire / Acoustic Music - Technic / Tablatures / Guitare Tablatures

This quick guide to flatpicking Irish traditional music was written by Doc Rossi a well-known citternist and guitarist in both traditional and early music. He's created this book for intermediate to advanced players who want to improve their technique develop ideas and learn new repertoire.Starting with the basics of technique and ornamentation in traditional music Doc then goes directly into the tunes in standard notation and tab. Focusing on traditional music from Ireland Doc has also chosen tunes from England France Flanders North America and Corsica to reflect the guitar's broad range. Right- and left-hand techniques ornamentation arranging and othertopics are taught through the tunes themselves. Doc has developed his own tuning for playing traditional music and this book shows you how to use it. His tuning makes it easy to play tunes in all the important traditional keys without moving a capo around or having to negotiate difficult position shifts while at the same time providing a number of open strings and other possibilities for playing your own accompaniment. An audio CD with all of the tunes played at medium tempo is included.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare