New Edition of the Complete Works, Volume III.1

Complete Organ Works Volume III: Organist at the Church ?La Madeleine?: Trois Pièces pour Grand Orgue (1890) Messe de Mariage:Cinq Pièces pour Orgue (1891)During his tenure at ?La Madeleine? in Paris Théodore Dubois composed a large number of Organ works. Volume III together with the already published Volumes II and IV brings Barenreiter's first complete Urtext edition of this body of music to a close. It contains Trois Pièces (Praeludium-grave Adoratio et Vox Angelica Hosannah) and the well-known and frequently performed wedding piece Messe de Mariage (Entrée du Cortège Bénédiction nuptiale Offertoire Invocation Laus Deo [Sortie]).Like thetwo previous volumes this volume contains many facsimile pages a Critical Commentary (Fr/Eng/Ger) a catalogue of sources and a detailed Foreword that sheds light on the composer?s life instrument-specific issues and performance practice.First complete Urtext edition of Théodore Dubois? Organ worksBased on the latest research findingsSuitable for church worship and concert performanceDetailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimile pagesAlready published:Théodore Dubois: Complete Organ WorksVolume I: Early Works and Works with little or facultative pedal use BA8468Volume II: Organist at the Church ?La Madeleine?: Douze Pièces pour Orgue ou Piano-Pédalier (1886) BA8469 Volume IV: Organist at the Church ?La Madeleine?: Douze Pièces nouvelles (1893) / Ascendit Deus (1902) BA8471Volume V: His Last Organ Works: Dix Pièces (nouvelles) (1921) / Fantasietta avec Variations (1922) BA9208

Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus for example a newly-discovered copy of the first edition containing inscriptions in Bach?s own hand could be incorporated into the musical text of the Schübler Chorales.For the Orgel-Büchlein Bach?s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach?smost famous collection was played at that time.Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the ?riddle? of how these partitas were handed down.Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.Urtext of the New Bach EditionComplete new engravingNew detailed Foreword by Christine Blanken (Ger/Eng)Links to relevant sources in Bach digitalVolume 1 hardback BA5056The Complete Organ Works: The Definitive Edition Now in 11 paperback volumes in a slipcase BA 5279

Clothbound in Slipcase. Based on the Béla Bartók Complete Critical Edition (Z. 15009), these three cloth-bound volumes in slipcase include Bartók's complete choral works. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes early and alternative versions of the works.The edition is complete with informative prefaces (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.The three volumes are also available in paperback (Z. 20035, 20036, 20037). Separate editions of each work included in these volumes are also available.

for Violin and Basso continuo-Handel returned repeatedly throughout his life to the composition of works for violin and basso continuo. The earliest autograph HWV 358 was composed around 1707 his last work for this combination of instruments the Sonata in D major HWV 371 stems from circa 1750. In addition to the 5 sonatas which have survived as autographs there are 4 other sonatas of a spurious nature which have found a place in the violin repertoire under Handel’s name although they are certainly not from his pen. These sonatas are attempts by other unknown composers to make a name by using the style of the great master. To round off thisfirst ever publication of Handel's Complete Works for Violin and Basso continuo there are two movements currently not available in any other performing edition: the Allegro HWV 408 and an Andante HWV 412. The Authoritative Performing Edition Edition with the recently-revised Urtext of the Halle Handel Edition First ever performing edition of the complete works for violin and basso continuo in one volume With separate violin and continuo bass parts the latter with figures Basso continuo part with figures including 2 movements not available in any other performing edition Includes valuable comments on performance practice An Associated Board recommended title “All violinists should buy this volume not only for its completeness and clarity but because it is exceptionally good value for score and parts.”(ESTA News Views Spring 2003)

New Edition of the Complete Works Volume 7-Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617 1667) contains a Critical Commentary and a detailed Preface with sections on the edition?s scope and subdivisions editorial method and on performance practice as well as with discussions of contemporary instruments ornamentation and Froberger?s life.Volume VII now brings the complete edition to a close. It contains the two previously unpublished motets ?Alleluja absorta est mors? (FbWV 701) and ?Apparuerunt Apostolis? (FbWV 702) both for Soprano Tenor Bass two Violins and Continuo as well as the ?Capriccio in C? (FbWV 706) forfour voices or four instruments.The appendix provides a catalogue of all Froberger works known to date (FbWV) including as applicable the incipit of each work and an entry on its instrumentation date of composition editions and sources along with special comments. Another heading directs readers to the most important references in the secondary literature.Complete urtext edition at the cutting edge of scholarship.First publication of two motets.Catalogue of all Froberger works in an appendix (FbWV).New Edition of the Complete Works Volumes I -VII special price BA9299

For Mixed Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for male voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

First complete Urtext edition now comes to a close. At the cutting edge of scholarship. Music in every key for church worship and concert performance. Detailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimiles. Now available at a special set price. The set includes: Volume I: Early Works and Works with Minimal or Optional Use of the PedalsBA 8468 Volume II: Organist at the Church “La Madeleine”Douze Pièces pour Orgue ou Piano-Pédalier (1886)BA 8469 Volume III: Organist at the Church “La Madeleine”Trois Pièces pour Grand Orgue (1890) /Messe de Mariage.Cinq Pièces pour Orgue (1891)BA 8470 Volume IV: Organist at the Church 'La Madeleine'Douze Pièces nouvelles (1893) / Ascendit Deus(Offertoire pour la fête de L' Ascension) (1902)BA 8471 Volume V: His Last Organ WorksDix Pièces (nouvelles (1921) / Fantasietta avec Variations (1922)BA 9208 Volume VI: 42 Pièces pour Orgue sans Pédales ou HarmoniumBA 9209

For Guitar Vol. 1-The product of decades of scholarly investigation Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agust n Barrios Mangoré (1885-1944). This is the first edition of Barrios? music based on all availablesources: manuscripts phonograph recordings and published editions (pre-1970s). Written in standard notation only the two volumes of this definitive collection are illustrated with period photographs concert programs andBarrios? own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar and it is with great pride that Mel Bay Publications offers here for the first time in oneedition the collected works of Agust n Barrios Mangoré.

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

[Neue Ausgabe sämtlicher Werke - Band 4.1 : Clavier- und Orgelwerke abschriftlicher Überlieferung / Partiten und Partitensätze, Teil 2] / Classique / Editeur : Siegbert Rampe / Assisté de : K. Gilbert / Partition / Cartonné / Plats de carton / Edition Urtext

[Neue Ausgabe sämtlicher Werke - Band 2 : Libro Quarto (1656) / Libro di Capricci e Ricercati (ca. 1658)] / Classique / Editeur : Siegbert Rampe / Assisté de : K. Gilbert / Partition / Cartonné / Plats de carton / Edition Urtext