New Gates Score

Gates is the second section from the ballet MAA scored for Chamber group tape and live electronics. Written in 1991 commissioned by the Finnish National Opera this work beautifully demonstrates the poeticism of Saariaho's music with a sensuous calm that permeates throughout. MAA translates from Finnish into world earth or country. It is a complimentary title as the ballet does not have a plot as such rather it is built around thematic archetypes such as doors gates stepping into new worlds journeys and the crossing of waters. Gates can be played either as an acoustic or often preferably an amplified version. The acousticversion is suitable for small and resonant halls or in a context of e.g. an early music program in which case the piece can also be played on original instruments. This is the Full Score for one of Kaija Saariaho's most major works to date. The set of Parts is available: KP00327.

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazz

Open Your Gates-This is the first movement of Jerusalem Open Your Gates. This composition is dedicated to Jerusalem's destiny as a city of peace the place where heaven and earth meet which channels divine energy into the world. Judaism Christianity and Islam consider Jerusalem higher than other earthly places.

Instrumental Solos-This instrumental series contains themes from Blizzard Entertainment's fantasy multiplayer role-playing video games and includes 4 pages of art from the World of Warcraft universe. The compatible arrangements are carefully edited for the Level 2-3 player and include an accompaniment CD which features a demo track and play-along track. Titles: Lionâ??s Pride * The Shaping of the World * Pig and Whistle * Slaughtered Lamb * Invincible * A Call to Arms * Gates of the Black Temple * Salty Sailor * Wrath of the Lich King * Garden of Life.

The Gates of Troy tells the story of the 1184 B.C. Trojan War in Ancient Greek times.This historic conflict featuring the heroes Achilles Odysseus Hector and the beautiful Helena lasted 10 years and was settled by the famous ruse of the Greeks the ‘Trojan Horse’.This exciting work is all about the battle between Greece and Troy. It’s full of heroic sounding themes with beautiful melodic material but yet playable for any type of band due to its well thought out instrumentation.

The Gates of Troy raconte l?histoire de la guerre de Troie de 1184 avant JC en Grèce ancienne. Ce conflit historique avec les héros Achille Ulysse Hector et la belle Hélène dura dix ans et s?acheva avec la célèbre ruse des Grecs le « Cheval de Troie ». Cette ?uvre captivante se concentre sur la bataille entre la Grèce et Troie. Elle contient de nombreux thèmes héroïques avec un matériau mélodique magnifique mais elle convient pourtant à tous types d?orchestre grâce à son instrumentation soignée.

For Flute (doubling Piccolo) Clarinet in B flat* Very large Tam-Tam (sounding from a high gallery) and Choir (SSATTBB).* Notated in C in the score. 'According to Hindu Cosmology welive at the end of a cycle the Kali Yuga the Dark Age. There are two important sayings of Christ that should accompany his disciples always during these challenging times. The first is ?The Gates of Hell shall not prevail against my Church? (Matthew 16 v. 18); and the second ?I am with you always unto the end of the world? (Matthew 28 v. 20). These sayings form the basis of this work which falls into two main sections each with the same structure and with linked material. Each section begins with Kali Yuga which I havetried to represent in a chaotic unstructured way in contrast to the cosmic Cries of Humanity to Christ (Kyrie eleison - Lord have mercy) and Christ?s responses from Saint Matthew?s Gospel.The work ends with a serene?Coda? of the sacred monosyllable ?OM? representing the peace and beatitude of God?s presence. The intermingling of Christianity and Hinduism is an important simile for our times; in the same way early Christianity did nothesitate to incorporate Jewish and Greek thought.' - John Tavener