SKU: ZB.ZE-4008
ISBN 9783940745798.
Swinging Jazz passages and flowing Latin American rhythms with gripping Funk and Gospel elements to form a homogeneous whole. This English-language Jazz Mass for Mixed Voices (SATB) is an excellent challenge for Jazz-ambitious choirs! This set contains the entire instrumental part.This piece isn't Jazz-inspired, that's Jazz! The search for a larger work that combines the traditional ecclesiastical form of the mass with really authentic jazz is over with the New York Mass ... An ambitious amateur choir, which offbeat phrasing and almost continuous four part chords will encourage rather than frighten being able to do justice to the work - and have fun doing it. (Musik and Kirche).
SKU: ZB.ZE-4006
Swinging Jazz passages and flowing Latin American rhythms with gripping Funk and Gospel elements to form a homogeneous whole. This English-language Jazz Mass for Mixed Voices (SATB) is an excellent challenge for Jazz-ambitious choirs!A great work! Christoph succeeded in a remarkable way in combining jazz elements and traditional spiritual texts. Particularly noteworthy is the vocal part, in which he uses, on the one hand, easily singable and, on the other hand, all the important harmonic elements of the jazz harmonic. (Darmon Meader, New York Voices).
SKU: ZB.ZE-4003
SKU: ZB.ZE-4005
SKU: ZB.ZE-4002
SKU: ZB.ZE-4004
SKU: ST.EC52
ISBN 9790220222016.
The publication of the fragments known as the 'York Masses' offers a prime opportunity for re-evaluating the wider context of English polyphonic Mass composition in the final decades of the fifteenth century. This source stands out as the only extended collection devoted entirely to music for the Mass Ordinary, and as such it provides a significant example of developments after the Brussels Masses. It can also suggest important correctives to the traditional historiographical idea of insular conservatism in Mass composition. The volume contains four Kyries, including Horwod's O rex clemens, two each of Gloria-Credo and Sanctus-Agnus pairs, the Missa Venit dilectus meus attributed to Johannes Cuk, and a Gloria-Credo a 3. Individual titles from this volume are available as Adobe PDF files...
SKU: PR.466000170
UPC: 680160099078.
SKU: GI.G-CD-923
THIS IS THE FIRST SET OF RECORDINGS FROM LEAD ME, GUIDE ME—SECOND EDITION It includes the CD set titled Lead Me, Guide Me—Second Edtion: RITES, PSALMS and SERVICE MUSIC. This collection of recordings is designed to enhance the exploration of Lead Me, Guide Me—Second Edition and to be of help to parishes in the learning of new music. There are three distinct CD sets. The first, Rites, Psalms, and Service Music, contains music for the Liturgy of the Hours and rites of the church along with recordings of new and revised Mass settings. The second, Hymns, includes over 160 selections of newly composed music, recently authored texts, and lesser-known hymns and songs that are appear- ing for the first time in Lead Me, Guide Me—Second Edition. Lastly, the third CD set, Lectionary Psalms, recorded by M. Roger Holland II and a group of professional singers from New York has 48 psalms from the final section of the hymnal. These psalms use texts from The Revised Grail Psalms set by some of today’s finest African American composers. The recorded tracks in these three CD sets follow the order of the hymnal and are numbered using the actual hymnal numbers. The recordings are a compilation of tracks recorded specifically for this project and of existing tracks drawn from previous projects that are, nonetheless, fully compatible with this one. In all, we have recorded approximately 300 of the items in Lead Me, Guide Me—Second Edition.
SKU: CF.CM9704
ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.
Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic†to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .
SKU: GI.G-CD-926
THIS IS THE COMPLETE SET OF RECORDINGS FROM LEAD ME, GUIDE ME—SECOND EDITION It includes one each of the three CD sets: Rites, Psalms, and Service Music, Hymns, and Lectionary Psalms. This collection of recordings is designed to enhance the exploration of Lead Me, Guide Me—Second Edition and to be of help to parishes in the learning of new music. There are three distinct CD sets. The first, Rites, Psalms, and Service Music, contains music for the Liturgy of the Hours and rites of the church along with recordings of new and revised Mass settings. The second, Hymns, includes over 160 selections of newly composed music, recently authored texts, and lesser-known hymns and songs that are appear- ing for the first time in Lead Me, Guide Me—Second Edition. Lastly, the third CD set, Lectionary Psalms, recorded by M. Roger Holland II and a group of professional singers from New York has 48 psalms from the final section of the hymnal. These psalms use texts from The Revised Grail Psalms set by some of today’s finest African American composers. The recorded tracks in these three CD sets follow the order of the hymnal and are numbered using the actual hymnal numbers. The recordings are a compilation of tracks recorded specifically for this project and of existing tracks drawn from previous projects that are, nonetheless, fully compatible with this one. In all, we have recorded approximately 300 of the items in Lead Me, Guide Me—Second Edition.
