Norma, Complete

Par NORMAN BLAKE. Flatpicking Guitar Magazine declares Norman Blake a legend, and includes him in the 'first name club' on the Internet flatpicking news list. The Norman Blake Anthology offers complete lyrics and melody lines to 40 original songs, written and notated just as Norman sings them. Often, the vocal version is followed by a second flatpicking solo edition in notation and tablature including introductions and solos within a given tune- all authorized by Norman himself! 200 pages, illustrated with photos from a distinguished 30-year career. Intermediate in difficulty. / Niveau : Intermédiaire / Bluegrass and Country - Transcribed Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Flatpicking Guitar Magazine declares Norman Blake a legend and includes him in the 'first name club' on the Internet flatpicking news list. The Norman Blake Anthology offers complete lyrics and melody lines to 40 original songs written and notated just as Norman sings them. Often the vocal version is followed by a second flatpicking solo edition in notation and tablature including introductions and solos within a given tune- all authorized by Normanhimself! 200 pages illustrated with photos from a distinguished 30-year career. Intermediate in difficulty.

Angelus; Trio; Interlude and PaeanThe reissue of four pieces by Norman Cocker celebrated organist of Manchester Cathedral in the inter-war period further extends Stainer & Bell's library of English Cathedral music that also includes the complete solo works of Basil Harwood and pieces by Darke Hollins and Bairstow. Detailed registrations by Henry Ley himself a noted performer and Music Director of Eton College from 1926 to 1945 are of historical interest. Angelus Trio and Interlude offer episodes of quiet reflection. Paean breaks the mood with flowing euphonious counterpoint in ceremonial style.

Complete with song background notes, and playing hints and tips. A total of sixteen songs from popular family films for Flute, in really easy melody line arrangements. Have fun playing along with the specially recorded CD for a more professional performance. / Flûte Traversière

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Par MARSHALL DAVE. Jazz brésilien est la combinaison des énergisants rythmes de la musique jazz brésilien et Amérique du Nord. Ce style de jeu nécessite des compétences spéciales normalement pas enseignées à l'étudiant de guitare. Cet ouvrage complet est conçu pour fournir le guitariste avec tout ce qui est nécessaire pour comprendre et jouer jazz brésilien comme la corde structures, des progressions de corde, rythmes, décomposition, mémorisation, organisant, improvisation, notation, symboles de la corde et accompagnement ainsi qu'un aperçu et l'histoire de cette musique colorée. Solos sont fournis qui implémentent des divers concepts et les compétences acquises. Ils comprennent : Amor Docy (Sweet Love) - Passaciaille (thème et première variante) - Bossa Barocco (Bossa Baroque) - Bossa improviste (Bossa Impromptu) - Menuet (de 'le bloc-notes d'a.m. Bach) - Choro Classic (Choro classique) - Choro Menor (Choro mineures) - De Vez em Quando (Once in a While) - Marcha Populaire (Folk en mars) - Melodo de Lua (Moody Melody) - Samba Sonolento (Sleepy Samba) - Samba Feliz... / Niveau : Débutant à Intermédiaire / Brazilian - Methods / Méthode / Guitare Classique et Fingerpick

Viola Method After Maurice Hauchard is a method by Henri and Renée Benoit for beginners.Written in C key this pedagogic method starts with the positioning including how to use the bow and how to go from one string to another. It contains a total 157 exercises and small studies on rhythm scales double strings among many other topics. Written after the 'Complete Violin method' by Maurice Hauchard this method is really complete with explanations and advice to guide players. Viola Method After Maurice Hauchard is one of the best book to start acquiring the techniques necessaryfor Viola players Henri and Renée Benoit are both Viola professors either at the Paris Conservatory or at the Normale School of music of Paris.

On this digitally-enhanced CD Tony Rice personally teaches intros licks and complete solos to some of his favorite songs. Taken mainly from his hit albums 'Cold On The Shoulder' and 'Church Street Blues ' theseexamples will give you a real taste of Tony's amazing Guitar style as he interprets songs by Gordon Lightfoot Bob Dylan Norman Blake Ian Tyson and other top songwriters. He provides invaluable tips that are sure to help youbuild your repertoire of licks improve your flatpicking technique and expand your overall musicianship. Tony teaches his inventive kickoffs to 'The Likes of Me ' 'Fare Thee Well ' 'Ten Degrees and Getting Colder' and 'TheSoul of Man.' He then breaks down in detail his complete solos to 'Annie Orphan Annie ' 'Wayfaring Stranger ' 'Blue Ridge Mountain Home' and the challenging finger-twister 'Fishscale.' His Guitar work on these songs combine hisdistinctive bluegrass picking with a pop-folk approach that make up on of the many high points in his long and successful musical career.

Imparare le scale gli arpeggi i licks dei più grandi chitarristi? è una cosa ma creare un assolo che sia coerente musicale interessante vibrante ed attraente rispettando pure il contesto nel quale si suona è altra cosa! Ed è proprio questo lo scopo del presente metodo. Non si tratta quindi di un apprendimento duro e puro delle scale dei modi o degli arpeggi ma piuttosto di essere in grado di costruire splendidi soli di chitarra. Per quanto riguarda la metodologia utilizzata è tanto semplice quanto ludica e progressiva. Troverete in effetti 14 basi musicali complete (di 4 8 o 12 battute) con per ognuna 4 assoli diversie di difficoltà progressiva (ossia 56 assoli in tutto). Questi 4 soli sono quindi costruiti su una stessa base che viene sviluppata melodicamente ritmicamente e tecnicamente man mano che si va avanti nella progressione. Il che significa che il primo assolo è accessibile a tutti mentre l?ultimo è molto più complesso. Ma non vuol dire che solamente quest?ultimo assolo meriti l?attenzione! Ogni tappa propone in effetti un vero assolo degno di questo nome! Per quanto riguarda il disco dati allegato (audio mp3 e video mp4) al metodo troverete per i 56 assoli la dimostrazione in video a velocità normale poi ridotta nonché le numerose basi musicali corrispondenti in versione ?lunga durata? in modo da dare la possibilità ad ognuno di potersi esprimere suonandoci sopra.

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt