Nova, Nova

SKU: CL.032-2321-00

A moderate bossa nova with lots of appeal, Latinova includes a written piano solo and an ad lib solo section which can be performed by either trumpet or trombone(written solo suggestions are included). The subtle Latin feel can add a real change of pace to any festival or concert performance and this one is extremely nice!

SKU: CL.032-0363-01

A tasty bossa nova which moves quickly to a double-time samba feel. Solo trumpet, combined with an excellent trombone soli and polished en semble writing, makes this an ideal contest piece.

SKU: GI.G-9362

ISBN 9781622772247. English.

Foreword by Eric Whitacre Innovation in the Ensemble Arts caps a trilogy of volumes that delves into the building blocks necessary for a vibrant, growing music organization. In the first volume—Mentoring in the Ensemble Arts: Helping Others Find Their Voice—author Tim Sharp examines the mentor/ protégé dynamic and its critical impact on the lives of ensembles and their conductors. In the second volume—Collaboration in the Ensemble Arts: Working and Playing Well with Others— he challenges us to think beyond our traditional confines and to expand our worldview to one that encompasses creative new ideas, concepts, and connections. Now Innovation in the Ensemble Arts lays out the techniques of transformative renewal that enable music educators to lead individual ensemble members in the personal growth that fuels the ensemble’s contributions to the community. Sharp establishes a mindset that can lead to ongoing relevancy and create public value for today’s ensembles. Tim Sharp (BM, MCM, DMA), an active choral conductor, researcher, and writer, is Executive Director of the American Choral Directors Association (ACDA), the national professional association for choral conductors, educators, scholars, students, and choral music industry representatives in the United States. He is also Artistic Director and Conductor of the Tulsa Oratorio Chorus. In language informed by years of research and personal experience, this book leads us through “Stages in the Process of Innovation,” “Foundational Pillars for Building an Innovation Mindset,” “Creativity versus Innovation,” and “Moving from Innovation to Impact.” Along the way, Sharp presents concrete and practical plans for turning insight into action. Innovation in the Ensemble Arts is not only thought-provoking and inspirational, but it also illustrates how to generate momentum that can propel music ensembles forward in the pursuit of musical excellence.

SKU: HL.44001783

UPC: 073999293210.

Wer kennt ihn nicht, den klassischen Frauenheld Casanova, der im Venedig des 18. Jahrhunderts mit Leichtigkeit alle Frauenherzen eroberte und dadurch den Unmut der venezianischen Manner auf sich zog? Der Komponist Otto M. Schwarz stellt in seinem Werk die Geschichte Casanovas musikalisch dar. Einschmeichelnde Aufwartungen der Damen werden der Flucht Casanovas vor seinen Gegnern gegenubergestellt. Ein reizvolles Thema, verpackt in ein gelungenes Werk, das fur gute Unterhaltung sorgen wird!

Qui n'a pas entendu parler des exploits et conquetes du celebre seducteur Giacomo Casanova, qui a gagne le cœur de toutes les femmes de Venise... et s'est attire les foudres de toute la gent masculine ? Otto M. Schwarz a realise une fresque musicale de ce personnage haut en couleur dont l'autobiographie comporte douze volumes ! Entrez dans la Venise du XVIIIe siecle.

SKU: BT.DHP-1216334-215

English-German-French-Dutch.

In late 1950s Brazil, a new music style influenced by jazz arose out of the samba: the bossa nova. This composition by Peter Kleine Schaars sounds just like a bossa nova should sound: catchy, warm, relaxed and with a touch ofsensuality. Starting with a small group of players with only one soloist and minimal accompaniment, this bossa nova leads to a style-conscious grand orchestration for the whole ensemble, in which all voices participate equally. Inaddition to the rhythmic cells 2 and 4 of the Brazilian 2-3 clave, the cells 7 and 10 in particular are featured.

Eind jaren vijftig van de vorige eeuw ontstond in Brazilië vanuit de door jazz be nvloede samba een nieuwe muziekstijl: de bossanova. Deze compositie van Peter Kleine Schaars klinkt zoals het een bossanova betaamt: prettig in hetgehoor liggend, warm, rustig en een tikje sensueel. Vanuit een kleine bezetting met slechts één solist en minimale begeleiding mondt deze bossanova uit in een stijlbewuste grootse orkestratie voor het gehele ensemble waarin allestemmen gelijkwaardig aan bod komen. Naast de ritmische cellen 2 en 4 van de Braziliaanse 2-3-clave worden met name ook de cellen 7 en 10 behandeld.

In den späten 1950er Jahren entstand aus der Samba ein neuer, vom Jazz beeinflusster Musikstil: der Bossa nova. Diese Komposition von Peter Kleine Schaars klingt so, wie ein Bossa nova klingen sollte: eingängig, warm, entspanntund mit einem Hauch von Sinnlichkeit. Beginnend mit einer kleinen Gruppe von Musikern, die nur aus einem Solisten und minimaler Begleitung besteht, führt dieser Bossa nova zu einer stilvollen großartigen Orchestrierung für dasgesamte Ensemble, an der alle Stimmen gleichermaßen beteiligt werden. Neben den Rhythmus-Einheiten 2 und 4 des brasilianischen 2-3-Clave werden insbesondere die Rhythmus-Einheiten 7 und 10 verwendet.

la fin des années 1950, au Brésil, la samba donna naissance un nouveau style de musique influencé par le jazz : la bossa-nova. Les sonorités de cette composition de Peter Kleine Schaars reproduisent exactement celles de labossa-nova : chaudes, accrocheuses, décontractées, avec une touche de sensualité. Débutant avec un petit groupe de musiciens fournissant un accompagnement sobre un unique soliste, cette pièce se métamorphose en une grandeorchestration bossa-novesque pour l’ensemble entier, laquelle participent toutes les voix de manière égale. Outre les cellules rythmiques 2 et 4 de la clave brésilienne 2-3, les cellules 7 et 10 sont particulièrement présentesici.

SKU: BT.MUSME0298

English.

As it is the most commonly used instrument in Bossa Nova, the Guitar stands at the very core of these 25 complete accompani­ments; they are performed in the style of legendary Bossa Nova Guitar players such as Gilberto Gil, Stan Getz, Joao Gilberto, Baden Powell, Antonio Carlos Jobim and many more. Wistfully swaying rhythms and subtle chords are adorning the pages of this coursebook - admittedly, intended for learning purposes, yet, without ever disregarding the pleasure of playing. The approach to be followed for the interpretation of these 25 musical pieces is illustrated in detail within the three preliminary chapters of this coursebook: fingerstyle techniques, rhythmsand chords specific to Bossa Nova are accurately and meticulously explained to you. In addition to this, the DVD shows you all 25 musical pieces at their full length and at two different tempi: first, for demonstration purposes, recorded at actual playing speed, then at a slower speed, in order to give you the opportunity to practice and overcome the upcoming difficulties. For its part, the MP3 CD allows you to practice the musical pieces by playing them along to backing tracks of a proper length - once again at two different tempi: at a slower speed for practicing and at actual speed for playing contextually appropriately.

SKU: BT.DHP-0991827-010

Quincy Jones’ Soul Bossanova arranged by Masato Myokoin for Concert Band.

Jazzcomponist en bandleader Quincy Jones vertelde ooit zelf, dat hij deze swingende hit in 1962 in slechts twintig minuten gecomponeerde. Uiteraard niet wetende dat dit nummer vele generaties lang tot de verbeelding zou blijven spreken. Met dit arrangement van Masato Myokoin brengt u uw publiek zeker in een swingende stemming!

Vom Jazzkomponisten und Bandleader Quincy Jones 1962 laut eigener Aussage innerhalb von 20 Minuten komponiert, hat sich dieser schwungvolle Hit umso länger ins Gedächtnis von Generationen von Hörern eingebrannt. Mit Masato Myokoins Arrangements bringen Sie jedes Publikum in Swing!

Trompettiste, compositeur, arrangeur et producteur, Quincy Delight Jones, surnommé Q composa en 1962 le titre Soul Bossanova dans un temps record de 20 minutes selon ses dires. Ce hit expressif a marqué les esprits de très nombreuses générations d’auditeurs. Inutile de tenter de résister au très swinguant arrangement de Masato Myokoin.

Composto nel 1962 da Quincy Jones in solamente venti minuti, questo energico hit ha deliziato generazioni di amanti del genere. L’arrangiamento per banda firmato Masato Myokoin riprende il carattere swing dell’originale e incanter il vostro pubblico.