Nun sei uns willkommen

SKU: CA.3118219

ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.

SKU: CA.3118257

ISBN 9790007142872. Key: G major. Text language: German/English.

Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

SKU: CA.3118255

ISBN 9790007209865. Key: G major. Text language: German/English.

Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

SKU: CA.3118207

ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

SKU: CA.1033711

ISBN 9790007024888. Language: German.

Score available separately - see item CA.1033700.

SKU: CA.3060411

ISBN 9790007040413. Language: German/English.

Score available separately - see item CA.3060400.

SKU: CA.1033312

ISBN 9790007024765. Language: German.

Score available separately - see item CA.1033300.

SKU: CA.621000

ISBN 9790007011628.

SKU: CA.3060412

ISBN 9790007040420. Language: German/English.

Score available separately - see item CA.3060400.

SKU: HF.FH-5171

ISBN 9790203451716. 8.3 x 11.7 inches.

1. Friede sei willkommen. Aus der Serenade der Kapitansmusik des Jahres 1736; 2. Nun lasst uns zusammenstehen. Aus der Serenade der Kapitansmusik des Jahres 1738 (Friedens-Oratorium); 3. Freiheit, Gottin, die Segen und Friede begleiten. Aus der Serenade der Kapitansmusik des Jahres 1744; 4. So gehe hin und iss dein Brot mit Freuden. Schlusschor des Oratoriums der Kapitansmusik des Jahres 1730; 5. Susser Most der schlanken Reben. Aus der Oper Der neumodische Liebhaber Damon; 6. Triumph, Triumph, begluckte Seelen. Aus der Oper Der neumodische Liebhaber Damon; 7. Erschallet, ihr Berge vom Freudengetone. Aus der Oper Der neumodische Liebhaber Damon; 8. Preis und Ehre. Aus Musik zur Begleitung der feierlichen Rede im Gymnasium beim Hamburgischen Friedensfest 1763; 9. So ruhe, gekreuzigte Liebe. Schlusschor der Lukaspassion des Jahres 1728; 10. Ehre sei Gott in der Hohe. Schlusschor der Kantate Die Hirten bei der Krippe zu Bethlehem.

SKU: CA.1033714

ISBN 9790007024918. Language: German.

Score available separately - see item CA.1033700.

SKU: CA.1015912

ISBN 9790007020637. Language: German.

Score available separately - see item CA.1015900.

SKU: CA.1033314

ISBN 9790007024789. Language: German.

Score available separately - see item CA.1033300.

SKU: CA.1033705

ISBN 9790007024871. Language: German.

Score available separately - see item CA.1033700.