Oboe Concerto in C Major

Ces livres solos pour hautbois de 3 volumes qui contiennent plusieurs Concertos importants, devrait aider le jeune hautboïste encore inexpérimentés, à ses études. / Hautbois

Ces livres solos pour hautbois de 3 volumes qui contiennent plusieurs Concertos importants, devrait aider le jeune hautboïste encore inexpérimentés, à ses études. / Hautbois

for Oboe and Orchestra-Oboe Concerto In C Major K.314.Oboe Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!

Par STRAUSS RICHARD. 'Concerto pour hautbois de 1945, suscité par un soldat américain (hautboïste de Chicago)', notait Strauss. Et, de fait, le 'hautboïste' et soldat d'occupation John de Lancie avait bien demandé au compositeur en mai 1945 s'il n'avait donc jamais pensé à écrire un concerto pour hautbois. La réaction de Strauss fut négative, mais il se mit néanmoins bientôt au travail. Dès octobre 1945, il avait terminé sa partition dans son lieu d'exil suisse, en 1946 eut lieu la création à Zurich. La première édition ne parut à Londres qu'en 1948, sans doute dans une large mesure sans la participation du compositeur. Car aussi bien la partition imprimée que les parties d'orchestre laissentapparaître un grand nombre de fautes. Certaines d'entre elles sont connues depuis longtemps, d'autres ne furent découvertes par Hansjörg Schellenberger qu'en procédant à la comparaison avec le manuscrit autographe de la partition et de la particelle. Le hautboïste de renommée mondiale présente ainsi ce concerto en partition et en réduction de piano pour la première fois en tant qu'édition Urtext de la maison Henle! 'Concerto pour hautbois de 1945, suscité par un soldat américain (hautboïste de Chicago)', notait Strauss. Et, de fait, le 'hautboïste' et soldat d'occupation John de Lancie avait bien demandé au compositeur en mai 1945 s'il n'avait donc jamais pensé à écrire un concerto pour hautbois. La réaction de Strauss fut négative, mais il se mit néanmoins bientôt au travail. Dès octobre 1945, il avait terminé sa partition dans son lieu d'exil suisse, en 1946 eut lieu la création à Zurich. La première édition ne parut à Londres qu'en 1948, sans doute dans une large mesure sans la participation du compositeur. Car aussi bien la partition imprimée que les parties d'orchestre laissentapparaître un grand nombre de fautes. Certaines d'entre elles sont connues depuis longtemps, d'autres ne furent découvertes par Hansjörg Schellenberger qu'en procédant à la comparaison avec le manuscrit autographe de la partition et de la particelle. Le hautboïste de renommée mondiale présente ainsi ce concerto en partition et en réduction de piano pour la première fois en tant qu'édition Urtext de la maison Henle!/ Répertoire / Hautbois et Piano

990 Difficult Passages From the Symphonic Repertoire Instrument : Oboe (English horn) Nombre de Pages : 64 Content : Franck: Symphony in D minor - Variations Symphoniques - Haydn: Symphony No. 92 in G major Oxford - Symphony No. 94 in G major The Surprise - Symphony No. 97 in C major - Symphony No. 100 in G major Military - Symphony No. 101 in D major The Clock - Symphony No. 103 in E flat major With the Roll of the Kettledrum - Symphony No. 104 in D major London - Liszt: Piano Concerto No. 1 in E flat major - Mendelssohn: Symphony No. 3 in A minor, op. 56 Scottish - Symphony No. 4 in A major, op. 90 Italian - Violin Concerto in E minor, op. 64 - A Midsummer Night's Dream. Overture, op. 21 - Fingal's Cave. Overture, op. 26 - Scherzo from A Midsummer Night's Dream - Mozart: Symphony No. 34 in C major KV 338 - Symphony No. 35 in D major KV 385 - Symphony No. 36 in C major KV 425 - Symphony No. 38 in D major Prague KV 504 - Symphony No. 40 in G minor KV 550 - Symphony No. 41 in C major Jupiter KV 551 - Piano Concerto in D minor KV 466 - Piano Concerto in B flat major KV 595 - Violin Concerto in G major KV 216 - Violin Concerto in D Major KV 218 - Violin Concerto in A major KV 219 - Oboe Concerto in C major KV 314 - Il Seraglio Overture KV 384 - The Marriage of Figaro Overture KV 492 - Don Giovanni Overture KV 527 - Cosi fan tutte Overture KV 588 - The Magic Flute Overture KV 620 - Nicolai: The Merry Wives of Windsor Overture - Rossini: The Barber of Seville Overture - The Thievish Magpie Overture - Semiramide Overture - L'Italiana in Algeri Overture - La Scala di Seta Overture - Tancredi Overture - William Tell Overture - Schubert: Symphony No. 4 in C minor - Symphony No. 5 in B flat major - Symphony No. 7 in C major - Symphony No. 8 in B minor - Rosamunde Overture - Schumann: Symphony No. 1 in B flat major, op. 38 - Symphony No. 2 in C major, op. 61 - Symphony No. 3 in E flat major, op. 97 - Symphony No. 4 in D minor, op. 120 - Piano Concerto in A minor, op. 54 - Smetana: The Bartered Bride Overture - J. Strauss: Die Fledermaus Overture - The Gypsy Baron Overture - Tschaikowsky: Symphony No. 4 in F minor, op. 36 - Symphony No. 5 in E minor, op. 64 - Symphony No. 6 in B minor, op. 74 Pathétique - Piano Concerto No. 1 in B flat minor, op. 23 - Violin Concerto in D major, op. 35 - Le Casse-Noisette Ballet Suite, op. 71a - Swan Lake Ballet Suite - Romeo and Juliet Overture-Fantasy - Wagner: The Flying Durchman Overture - Tannhäuser Overture - Lohengrin - Tristan and Isolde - The Mastersingers of Nuremberg Overture - Siegfried Idyl - Weber: The Ruler of the Spirits Overture - Euryanthe Overture - Oberon Overture - Der Freischütz Overture

Concerto for Bassoon in B-flat Major, K.191 Allegro Andante ma Adagio Rondo. Tempo di Menuetto Concerto for Flute and Harp in C Major, K.299 Allegro Andantino Rondo. Allegro Concerto for Flute in G Major, K.313 Allegro maestoso Adagio non troppo Rondo. Tempo di Menuetto Concerto for Flute in D Major, K.314 (probably an arrangement of an oboe concerto) Allegro aperto Andante ma non troppo Allegro Andante for Flute and Orchestra in C Major, K.315 (perhaps a simpler slow movement for K.313) Concerto for Horn in D Major, K. 412 (left incomplete by Mozart) (Allegro) Allegro Concerto for Horn in E-flat Major, K.417 Allegro maestoso Andante Rondo Concerto for Horn in E-flat Major, K.447 Allegro Romanze. Larghetto Allegro Concerto for Horn in E-flat Major, K.495 Allegro moderato Romanza. Andante Rondo. Allegro vivace Concerto for Clarinet in A Major, K.622 Allegro Adagio Rondo. Allegro

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.

arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.

Written in 1803 by Johann Nepomuk Hummel (1778-1837) this Trumpet Concerto in E-flat Major is a classical piece of the Trumpet repertoire. Composed in the spirit of Mozart and initially for the keyed-Trumpet it was re-discovered in 1958 by a Yale student after 150 years of inertia due to the obsolescence of the instrument for which it was made. This edition offers a transposition in E-flat Major (initially in E Major) adapted to the instruments in use today. The other instruments to be involved in this concerto are a Flute two Oboes two Clarinets two Bassoons two Horns Timpani and Strings. Hummel?s Trumpet Concerto begins with an orchestra onlyfirst movement in a sonata theme which is repeated with the inclusion of the soloist. This Allegro Spirito sounds reminiscent of the Haffner Symphony (No. 35 in D Major) by Mozart but distinguished itself by a second theme. The second movement Andante is more melodic with the trumpet which holds long notes. Finally the Rondo offers a blissful and bright end to the Concerto. Former student of Mozart Johann Nepomuk Hummel (1778-1837) was a brilliant composer pianist conductor and teacher. Evolving at the same period as Beethoveen he became as famous as him and wrote numerous concertos (for Piano Oboe Trumpet Violin and others) operas and some wind music pieces.

Oboe 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Oboe Concerto Edition : study score Instrumentation : orchestra Catalogue of works : HWV 312 Number of Pages : 36 Arranger : Sadie, Stanley Series : Eulenburg Miniature Scores

INTRODUCTION The Four Seasons: Sonnet Texts Bibliography Il Cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention) Twelve Concertos for violin, strings, and continuo (Opus 8) THE FOUR SEASONS (OPUS 8, NOS. 1-4) Concerto No. 1 in E Major: La Primavera (Spring) (Op. 8, No. 1 / RV 269) I. Allegro II. Largo III. Allegro Concerto No. 2 in G Minor: L'Estate (Summer) (Op. 8, No. 2 / RV 315) I. Allegro non molto II. Adagio III. Presto Concerto No. 3 in F Major: L'Autunno (Autumn) (Op. 8, No. 3 / RV 293) I. Allegro II. Adagio molto III. Allegro Concerto No. 4 in F Minor: L'Inverno (Winter) (Op. 8, No. 4 / RV 297) I. Allegro non molto II. Largo III. Allegro OTHER VIOLIN CONCERTOS (OPUS 8, NOS. 5-12) Concerto No. 5 in E-flat Major: La Tempesta di Mare (The Storm at Sea) (Op. 8, No. 5 / RV 253) I. Presto II. Largo III. Presto Concerto No. 6 in C Major: Il Piacere (Pleasure) (Op. 8, No. 6 / RV 180) I. Allegro II. Largo e cantabile III. Allegro Concerto No. 7 in D Minor (Op. 8, No. 7 / RV 242) I. Allegro II. Largo III. Allegro Concerto No. 8 in G Minor (Op. 8, No, 8 / RV 332) I. Allegro II. Largo III. Allegro Concerto No. 9 in D Minor (Op. 8, No. 9 / RV 236) I. Allegro II. Largo III. Allegro Concerto No. 10 in B-flat Major: La Caccia (The Hunt) (Op. 8, No. 10 / RV 362) I. Allegro II. Adagio III. Allegro Conceto No. 11 in D Major (Op. 8, No. 11 / RV 210) I. Allegro II. Largo III. Allegro Concerto No. 12 in C Major (Op. 8, No. 12 / RV 178) I. Allegro II. Largo III. Allegro IMPORTANT VARIANTS How to Use the Variants Concerto No. 7 in D Minor (RV 242) Allegro (Movement I) a. Substitute for Bars 50-76 Concerto No. 9 in D Minor (RV (Version for Oboe, Strings and Continuo, RV 454) Allegro (Movement I) a. Substitute for Bars 91-102 Concerto No. 11 in D Major (RV 210) Allegro (Movement I) a. Substitute for Bars 100-112 b. Substitute for Bars 122-132 Allegro (Movement II) c. Substitute for Bars 38-67 d. Substitute for Bars 113-154 e. Substitute for Bars 171-214 f. Substitute for Bars 171-208 CRITICAL NOTES The Sources The Amsterdam Print The Dresden Manuscripts The Manchester Partbooks The Turin Autograph Scores The Dover Edition Text Fonts Used in The Four Seasons