SKU: HL.1256635
UPC: 860010169124. 4.0x6.0x3.5 inches.
The hard-clipping, op-amp-based circuit of the ODD (Over Drive Disorder) delivers all of the sounds of a cranked, saturated tube amp made famous in legendary recordings. True to its inspiration, the ODD is perfect for adding a little breakup to an otherwise clean tone, or dramatically transforming your clean pedal-platform amp into a punk-rock powerhouse. To accurately deliver this popular modern tone, the ODD is built like an iconic pedalboard staple with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors. Featuring classic-inspired controls & sounds, including a UK/US Switch, the ODD can quickly flip personalities. Engaging the UK setting distorts earlier, bumps the upper-mids, and increases volume – giving this setting more of a cranked, “chimey†amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based “edge of breakup†amplifier tones.
SKU: HL.398423
ISBN 9781705159101. UPC: 664101001696. 9.5x13.25x4.5 inches.
The Analog Multi FX is an authentic analog multi effects pedal equipped with everything you need to get the job done on stage and in the studio. It's got a switchless optical wah, distortion, effects loop, stereo chorus, and echo. Even better, these are reissues of classic Morley circuits leading all the way back to the 1970s. And speaking of the '70s, it also has a new finish that pays homage to the original chrome Morley pedals. It's heavy-duty spun stainless steel that's built like a tank and looks great under stage lights. Each one is hand spun at Morley's Illinois facility.
SKU: MB.22182M
ISBN 9780786687534. 8.75 x 11.75 inches.
This book is an excellent introduction to one of Americas most quintessential instruments, the pedal steel. The first part of the book covers the skills required to play the instrument, including technique for the pedals and knee levers, bar control, and picking. The second half includes songs and licks that illustrate the full spectrum of the pedal steels capabilities. Exercises and songs are presented in tablature and standard notation. The book comes with accompanying audio and video download available online, including play-along tracks.
SKU: HL.444386
ISBN 9781705163740. UPC: 664101001702. 4.75x7.75x3.0 inches.
Features: • Wah and Boost activate simultaneously when engaged. Simply step on to activate. • Same family of Tones as the 20/20 Lead Wah and 20/20 Wah Boost • Set Boost Control at 12 o'clock for Lead Wah's gain stage • Boost Control also goes below Unity Gain for subtle Wah Tones when needed • Buffer Circuit prevents signal loss and maintains Tone. • 6.85 L x 4.5 W x 2.75 H • Powers from one 9V battery or optional Morley adapter. 12ma current draw. • MQ2 custom Inductor, LED Indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo • One-year warranty. Lifetime Warranty available with registration.
SKU: HL.148932
UPC: 888506040016. 2.75x6.0x2.16 inches.
Hotone's all-new Soul Press 3-in-1 Volume/Expression/Wah-Wah pedal offers the convenience of each of these pedals in a single design. Inspired by the legendary CryBaby wah pedal, the Soul Press produces premium wah-wah effects. In addition, guitar volume and expression pedal modes are available with the flip of a switch. The easy-to-use design of the Soul Press features a metal footswitch and analog-style parameter knobs. Featuring multiple LEDs (Effects, Bypass/Off) and a strong casing, this pedal looks great and is built to last. The pedal offers true bypass circuitry for the highest quality sound when passing through un-effected signals. Soul Press enables players to craft the lightest, most compact pedalboard imaginable in combination with Hotone's Skyline Series Stompboxes. The 3-in-1 design of the Soul Press also makes for a great addition to an existing pedalboard where more effects are desired, but space and weight are at a premium. With great sound and maximum portability, Hotone's Soul Press Volume/Expression/Wah-Wah pedal is an optimal solution for guitarists that want excellent guitar tone for jam sessions, home office settings, bedroom setups and more. Features: • True bypass • Extreme compact size • LED lights • 3-in-1 pedal (Volume/Expression/Wah) • Sound based on the original CryBaby wah pedal • Adjustable control range (bottom value) • Active volume mode for keeping lossless tone • 9V DC or 9V battery power supply.
SKU: HL.502746
UPC: 716408531748. 9.0x22.5x17.25 inches.
Gator Cases G-TOUR PEDALBOARD-SM, ATA-Rated small pedal board and case featuring plywood construction, aluminum edging, and convenient cable storage is just what musicians need to protect special stomp boxes. This tour-grade pedal board securely transports 8-10 pedals neatly atop a removable, 17″x11″ board surface that tucks perfectly inside Gator's pro-grade shock absorbing EVA foam interior. Hook and loop fastening strips allow for secure pedal installation; while heavy-duty Gator signature red hardware completes your case. You're selected your perfect pedals, now let Gator's G-TOUR PEDALBOARD-SM pedal case protect them on the ground or in the air!
SKU: HL.438866
UPC: 852940000936. 6.25x10.25x2.259 inches.
Whether you are an international touring musician, or a weekend warrior, you should be very concerned with the power you are supplying to your pedals.....and because you are, the Carl Martin “DC Factory†Power Supply was designed just for you! With the constant addition of very 'power hungry' digital pedals on the market, we designed the DC Factory to address that very need. Highly powered and totally noise free, the DC Factory doesn't take up too much realestate on your pedalboard and literally weighs about 2/3 of a kilogram (1.5 lbs). To meet these goals, we had to forget about the standard toroidal transformers and design a fully digital switch mode power supply! The benefits go beyond ample power, the size and weight are reduced and most importantly, there is no radiation of hum to Wah pedals or certain analog drive pedals. Inside the attractive grey anodized housing are 5, 100% isolated and separated, 500 mA power supplies, four with two 9v DC output jacks, and 1 with two 12v DC output jacks. These 10 output jacks supply a massive 2500mA of pure clean power for your effects. Most digital pedals require somewhere between 300-400mA of power, and your standard analogue pedals somewhere around 20-50mA, so you have the option to run up to 5 analog pedals and 5 digital pedals simultaneously! On top of that, using the Current Doubler Cable, you can plug into 2 DC Outputs (as shown in the diagram) for 18v of power! The DC Factory is fine to use on any pedal board or on it's own, but it is also compatible with PedalTrain PT-VDL-MK (mounting brackets not included). Power supply set up... The DC Factory can power up to 5 digital pedals when you plug one of each into the five separated and isolated digital power supplies, and also 5 analogue effects when you plug them into the second jack in each of the 5 power supplies, as long as the power demand for the two pedals in each PSU does not exceed 500mA.
SKU: MB.93714M
ISBN 9781513464664. 8.75 x 11.75 inches.
This book definitely falls into the category of one of those books no pedal steel player should be without. Written by Pedal Steel Hall of Fame member, DeWitt Scott, this fine text teaches the styles and techniques of playing contemporary pedal steel guitar. In addition, solos are presented by many of todays greatest steel guitar artists such as Buddy Emmons, Lloyd Green, Mike Smith, Nils Tuxen, Weldon Myrick, Paul Franklin, Jerry Byrd, DeWitt Scott and Doug Jernigan. In notation and tablature. Includes access to online audio. E9 Chromatic Tuning.
SKU: HL.1158247
UPC: 749350578400. 6.25x4.0x3.0 inches.
VERTEX BUFFERS NOW AVAILABLE TO THE MASSES! For over a decade, every buffer that's come out of Vertex Effects has been custom made, bespoke, for the pedalboard it was designed for or the customer that ordered it. Needless to say, our buffers were very limited, with only a few hundred made over the last ten years. Over that time, and through hundreds of custom buffer interfaces being made, several common applications for buffer combinations and routing emerged as the most common uses as it comes to placing buffers on a pedalboard for the most optimal results. Routing schemes such as mono, stereo, audition loops (inserts), four-cable method, five-cable method, and wet/dry/wet were all common requests from our customers, but there was never an all-in-one solution that provided all of these options for buffering and routing your pedalboard in a pedalboard-friendly enclosure – until now. Introducing the Vertex Buffer Interfaces and Buffer Modules. The first all-in-one solution that covers 99% of all pedalboard routing options, whether you have multiple amps, amps with effects loop, a wet/dry/wet rig, an impedence sensitive fuzz, or want to side-chain pedals off the board in the middle of your signal path with an insert loop, these boxes have a solution for you that won't compromise on tone. WHY ARE OUR BUFFERS BETTER? Firstly, our buffers are designed to have no sound of their own – totally transparent, no color, no EQ, no distortion – just your tone as though you plugged your guitar directly into your amp with a 10ft cable (even if you're running a dozen or more pedals between the guitar and amp with over 100 ft. of cable). So often buffers in our industry will be described by the manufacturers with words like “warm†or “fat†when really the buffer should NOT be imparting anything to the sound other than 1) loading the guitar pickups properly with the same loading as your guitar would see if plugged into a tube amp and 2) converting the signle to low impedence, driving the line so it is the least susceptible to environmental factors that might alter the tone. Unfortunately, 99% of the buffers available on the market don't do this – they add a color to the signal and lack the proper specifications to dive even 20 feet of cable without introducing artifacts into the sound.
SKU: HL.502745
UPC: 716408531755. 17.5x30.5x10.5 inches.
Stomp box security is tighter than ever with the G-TOUR PEDALBOARD-LGW large pedal case exclusively from Gator Cases. Plywood fabrication and aluminum edging combined with Heavy-duty Gator signature red hardware offer rock-solid protection. The 3M “Dual Lock†fasteners make installation a breeze together with Gator's removable 24″x11″ pedal board surface. Pedal protection continues with Gator Cases' pro-grade shock absorbing EVA foam interior. Even your connecting cables, picks and accessories stay neatly organized in the lower portion of the G-TOUR case. Pedal transport is a breeze on the ground or in the air with convenient retractable town handle and inline wheels. The ATA-rated G-TOUR PEDALBAORD-LGW large pedal case from Gator is literally ready to rock and roll!
SKU: HL.438838
UPC: 852940000820. 5.5x8.0x2.5 inches.
While chatting over a...um 'coffee' one day a while back, guitar ace Greg Howe asked Carl whether he could develop a pedal that would re-create his signature sound. A pedal that would combine Greg's unique High Gain and Crunch tones, but allow him to manipulate these sounds and layer them for even more guitar fun. A little unorthodox yes, but Carl was never one to back down from a challenge, nor one to think inside the box. The result is the Greg Howe Signature Lick Box, and not only does it fulfill Greg's requirements, but it adds even more great tones to Greg's palette! So what is this crazy pedal? Well, at first glance it looks like many other Carl Martin pedals...there is a High Gain channel which has loads of bottom end and nice crisp highs, a very dynamic Crunch channel which emphasises the mids with very little compression, and of course that famous 12db Boost channel that we are all so familiar with. So that's it? Ok, so the High Gain and Crunch channels were voiced to Greg's spec's but it's still just a pedal based on Greg Howe's own signature tones? Nope...underneath the simple cosmetics is a rethinking of how these channels work together. Yes, you can use either the High Gain or Crunch channels on their own (and they are awesome!), and you can adjust the tone for each with it's dedicated Tone control, and yes, you can also add up to 12 db of crystal clean Boost to either of those channels...but you can also turn on both gain channels together! By placing the High Gain first in the chain, you allow the Crunch voicing to overrule the High Gain while adding a few db to your volume. You lose some of the lows and highs, but this results in a focused and controlled mid-range that cuts through the mix. Of course you can add up to 12 db of clean Boost as well for meatier leads dripping with tone and sustain! The Greg Howe Lick Box features the usual cast metal casing, the high quality switches with 'on' indicating LED's, and the new Carl Martin DC/DC converter circuitry. This new power circuit allows you to use a 9V Power Supply while still maintaining the +-12V circuitry that is crucial for component quality and extra headroom above most 9V pedals. Of course we recommend the Carl Martin ProPower Version 2 as the power supply of choice. Power consumption is a surprising 150 mA.