Odyssey

SKU: HL.48185321

UPC: 888680858377. 9.0x12.0x0.211 inches.

French clarinetist and pianist, Michel Lab (b. 1958) studied at the Besancon Conservatory where he won may prizes. He went on to teach harmony and musicology at the institution, and therefore, his Odyssey of Rhythm is very well-informed. The Odyssey of Rhythm is an essential study and theory guide, aiding the vital importance of the understanding of rhythm for all music students. The fourth volume addresses triplets, complex time signatures, dotted rhythms, quintuplets, sextuplets and other advanced rhythmic notations in the context of famous works. For all serious musicians, Lab's The Odyssey of Rhythm will ensure progressive development in the understanding of rhythm..

SKU: CF.CAS111

ISBN 9781491151303. UPC: 680160908806. 9 x 12 inches. Key: G minor.

Composed by Matt Turner, Moonlight Odyssey for string orchestra is a hard-driving piece which takes the listener on an adventure full of rhythmic twists and turns as well as Middle Eastern-flavored melodies.
The piece begins rubato with a quiet drone. The soloist should take time at the beginningdont hurry through the introduction. The tremolos in mm. 3 and 7 should shimmerplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precisebe careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginningadonat hurry through the introduction. The tremolos in mm. 3 and 7 should shimmeraplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and preciseabe careful not to rush! Cellists and bassists should arock outa and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginning--don't hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer--play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise--be careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginning—don’t hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer—play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise—be careful not to rush! Cellists and bassists should “rock out” and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

SKU: HL.44010826

UPC: 884088555818. 9.0x12.0x1.738 inches. English-German-French-Dutch.

Atlantic Odyssey was commissioned by the band program at Oakton High School in Vienna, VA, and its director, Dr. Cheryl Newton. The piece is in two extended movements and seeks to portray an imaginary yacht journey off the eastern seaboard of the USA. The first movement, Sunrise at Sea and the Ocean Awakes, opens with an atmospheric depiction of dawn at sea. Floating woodwinds soar above surging brass until a climax heralds the rising sun. Daylight reveals distant horizons and the prospect of a calm voyage, but the sea is never tamed and a light breeze whips up spray around the boat until a couple of high waves rock the boat alarmingly. But the sea soon calms again and the journey continues serenely. The second movement, Homeward Bound and Spindrift, sees us turn for home, the boat scything calmly through the gentle waves in perfect sailing conditions. But once again conditions change, a stiff breeze tugs at the sails and for a moment we are once again at the mercy of the wind and waves. A moment of calm returns but we are suddenly sprayed by spindrift as a gale picks up. The boat is in danger of overturning but we manage to trim the sail and take advantage of the strong winds to enjoy and exhilarating journey home.

SKU: CF.CAS111F

ISBN 9781491151679. UPC: 680160909179. 9 x 12 inches.

Composed by Matt Turner, Moonlight Odyssey for string orchestra is a hard-driving piece which takes the listener on an adventure full of rhythmic twists and turns as well as Middle Eastern-flavored melodies.
The piece begins rubato with a quiet drone. The soloist should take time at the beginningdont hurry through the introduction. The tremolos in mm. 3 and 7 should shimmerplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precisebe careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginningadonat hurry through the introduction. The tremolos in mm. 3 and 7 should shimmeraplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and preciseabe careful not to rush! Cellists and bassists should arock outa and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginning--don't hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer--play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise--be careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
The piece begins rubato with a quiet drone. The soloist should take time at the beginning—don’t hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer—play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise—be careful not to rush! Cellists and bassists should “rock out” and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians