Onward Upward

SKU: CL.013-0272-00

Contains two titles: Onward and Upward and Adieu Note: This is a reprint from a vintage publication of 1902. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

SKU: PR.114417700

ISBN 9781491108000. UPC: 680160636259. 9x12 inches.

To mark its 50th anniversary, the Flute Society of Washington commissioned Daniel Dorff to compose a celebratory work for large flute ensemble, to premiere en masse at its 2016 convention. Dorff responded with Fireworks, a 5-minute dazzler scored for 2 piccolos, 4 C flutes, 2 altos, 2 basses, and 1 contrabass. In describing performance of Fireworks, Dorff says: Real pyrotechnic fireworks typically shoot upward quickly and neatly, pop at the top, and then cascade downward slowly in a beautifully out-of-sync descent. Fireworks has many passages musically depicting this crisp upward whoosh exploding into downward sprinkles, often punctuated by a pop at the top.
PERFORMANCE SUGGESTIONS1) FIREWORKS may be performed by any size ensemble ranging from 11 soloists up to a large festival choir. It may be preferable to keep the piccolos at one player per part even when the other parts have multiple players.2) Real pyrotechnic fireworks typically shoot upward quickly and neatly, pop at the top, and then cascade downward slowly in a beautifully out-of-sync descent. FIREWORKS has many passages musically depicting this crisp upward whoosh exploding into downward sprinkles, often punctuated by a pop at the top.3) All dynamics are relative to the whole blend, and some performance situations may require attention and adjustments to keep the balance as notated.4) The “puh” effect with x-shaped noteheads in the Bass and Contrabass parts is a beatbox technique sounding similar to pizzicato. There is naturally-produced flute pitch along with the percussive attack.5) “Like tolling bells” (bar 191 onward) indicates a rapid decay of each note, like church bells.This will help the antiphonal echo beginning in bar 195, and the seating placement may also enhance the antiphonal effect.

SKU: CL.024-4847-00

Teaching students the concept of cut time in music can be difficult and daunting, but not so with Half Off!, an engaging, light-hearted learning tool. Using only notes and rests that are easily divisible by two, combined with a catchy tune, this song will quickly show kids that cut-time is nothing to be feared, and actually a lot of fun to play. Onward and upward with Half Off!.

SKU: CL.024-4847-01

Teaching students the concept of cut time in music can be difficult and daunting, but not so with Half Off!, an engaging, light-hearted learning tool. Using only notes and rests that are easily divisible by two, combined with a catchy tune, this song will quickly show kids that cut-time is nothing to be feared, and actually a lot of fun to play. Onward and upward with Half Off!.