Opera Italiana (Soprano): Soprano: Vocal Score

Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

Mezzosoprano - Mezzo-soprano. A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English. / Niveau : Intermédiaire / Opéra-opérette / Recueil / Mezzo-Soprano et Piano

Piano Vocal Score and CD with instrumental and vocal versions-The edition includes vocal scores and a CD containing for each number a complete version and the respective orchestral accompaniment. It contains also the text to be sung in both Italian and English accompanied by a note on their context as wellas information on the performers and the Compagnia d???Opera Italiana with its orchestra of over 130 instrumentalists.

Description G. Schirmer Opera Anthology - Arias For Mezzo-Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Includes historical notes, plot synopses and translations for study. Edited by Robert L. Larsen. Songlist Acerba Volutta (Adriana Lecouvreur) [Cilea, Francesco] Ah, Michele, Don't You Know (The Saint Of Bleecker Street) [Menotti, Gian Carlo] Amour Viens Aider Ma Faiblesse (Samson Et Dalila) [Saint-Saens, Camille] Augusta How Can You Turn Away? (The Ballad Of Baby Doe) [Moore, Douglas] Chacun A Son Gout (Die Fledermaus) [Strauss Ii, Johann] Che Faro Senza Euridice (Orfeo) [Gluck, Christoph Willibald] Cruda Sorte..Gia So Per Pratica (L'italiana In Algeri) [Rossini, Gioacchino] En Vain Pour Eviter (Carmen) [Bizet, Georges] Faites-lui Mes Aveux (Faust) [Gounod, Charles] Il Segreto Per Esser Felici (Lucrezia Borgia) [Donizetti, Gaetano] L'amour Est Un Oiseau Rebelle (Carmen) [Bizet, Georges] Lullaby (The Consul) [Menotti, Gian Carlo] Mon Coeur S'ouvre A Ta Voix (Samson Et Dalila) [Saint-Saens, Camille] Must The Winter Come So Soon? (Vanessa) [Barber, Samuel] Nobles Seigneurs, Salut (Les Hugenots) [Meyerbeer, Giacomo] Non Piu Mesta (La Cenerentola) [Rossini, Gioacchino] Non So Più Cosa Son (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Mio Fernando (La Favorita) [Donizetti, Gaetano] Pres Des Remparts (Carmen) [Bizet, Georges] Printemps Qui Commence (Samson Et Dalila) [Saint-Saens, Camille] Que Fais-tu, Blanche Tourterelle (Romeo Et Juliette) [Gounod, Charles] Smanie Implacabili (Cosi Fan Tutte) [Mozart, Wolfgang Amadeus] Stride La Vampa (Il Trovatore) [Verdi, Giuseppe] Una Voce Poco Fa (Il Barbiere Di Siviglia) [Rossini, Gioacchino[ Va Laisse Couler Mes Larmes (Werther) [Massenet, Jules] Voce Di Donna (La Gioconda) [Ponchielli, Amilcare] Voi Che Sapete (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Voi Lo Sapete (Cavelleria Rusticana) [Mascagni, Pietro] We Cannot Retrace Our Steps (The Mother Of Us All) [Thomson, Virgil] When I Am Laid In Earth (Dido And Aeneas) [Purcell, Henry]

Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collection from Ricordi of Verdi arias produced for Verdis bicentenary in a reduced version for soprano voice and piano together with a brief synopsis and the original lyrics in Italian with an English translation. Each Cantolopera book comeswith two CDs with recordings of the orchestral accompaniment played by the compagnia d`Opera Italiana. an ideal collection for singing teachers and students.Arias from: ATTILA; UN BALLO IN MASCHERA; DON CARLO; I DUE FOSCARI; ERNANI; FALSTAFF; LA FORZA DEL DESTINO; LUISA MILLER; MACBETH; NABUCCO; OTELLO; RIGOLETTO; SIMON BOCCANEGRA; LA TRAVIATA; IL TROVATORE; I VESPRI SICILIANI

Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume. Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais.Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Voix Basse(s) Et Piano

Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.