SKU: HL.14036259
ISBN 9788774552512. Danish.
125 koralbearbejdelser til brug ved gudtjenesten samlet og udgivet af Mogens Woldike.
SKU: KJ.9168
UPC: 084027047262.
The craft of Linda Cable Shute shines in this choral/organ setting of the classic hymn which expresses gratefulness to God. The earthy strength of the shape note singing style is paired with a bright organ accompaniment. For general praise throughout the year, or a nice change of pace for Commitment Sunday or the Lenten season.
SKU: LO.70-2429L
ISBN 9780787778132.
James Michael Stevens has created appealing organ arrangements of ten classic hymns of praise. Featuring each hymn melody very prominently and directly, and with a mix of moods across them, these easy pieces can provide material for preludes, offertories, and postludes throughout the church year.
SKU: GI.G-9823
UPC: 785147982364.
From prelude to interlude to moments of quiet meditation, these ten arrangements of classic and modern hymn tunes emulate the style of many master composers. They are great for use during the liturgical year, during worship services, or as concert repertoire. Contents: BLEST ARE THEY � CASTLEWOOD Choral Variations on Come to Us, Creative Spirit � COENA DOMINI Draw Near and Take the Body of the Lord � DUNDEE � DUNEDIN The Church of Christ, in Every Age � DUNSTAN Come to Me, O Weary Traveler � ROMANS 8 Shall Tribulation or Distress � SHARPTHORNE What Does the Lord Require � SOJOURNER I Want Jesus to Walk with Me � YADKINVILLE Air and Variations on Be Thou My Vision.
SKU: HL.280395
Hymn preludes and choral arrangements by Bendt Fabricus (2018). Foreword: This small collection of preludes and choral arrangements is a selection of movements, created through more than 30 years of work as an organist in the Danish National Church. The collectionis first and foremost intended as a useful work tool for all my colleagues around the Danish organ benches. There are movements thatare suitable for the small one-manual organ in the village church and others that are intended for the concert organ in the large city church. Some movements are easy to follow, even with a simple and traditionally constructed structure, while others, both harmonious and rhythmic, offer greater complexity and degree of difficulty. Virtually all the kits composed for two manuals and pedal can also be realized on organs that have only one manual and pedal. As far as registration instructions are concerned, my statements are only intended as a guide to the sonorous expression in a given movement, as of course everyone is free to find exactly the registration that is deemed appropriate on the instrument in question. It is my wish that all organists can benefit fromthe collection and that it will prove to be a useful and beneficial supplement in the daily work. Bendt Fabricius.
SKU: HL.48024623
ISBN 9781784543907. UPC: 888680940775. 9.0x12.0x0.096 inches.
A major addition to the repertoire of transcriptions for organ, the whole suite or any one of the movements will delight performers and audiences alike. Vaughan Williams's original score for military band of 1923 (orchestrated by Gordon Jacob the following year) was a milestone in the introduction of English folk song to the classical repertory which both he and his friend Holst championed. Over its three contrasting movements (two marches separated by an intermezzo) no fewer than nine folk songs are presented, in both lively and emotive style. Greg Morris, organist at London's Temple Church, has deftly arranged the suite, providing generic registration suggestions for a romantic instrument, but in the hands of imaginative players the score will readily transfer to organs of most styles and eras.
SKU: GI.G-9897
ISBN 9780854022809.
This book provides a comprehensive collection of 30 anthems by 23 composers, for church and school choirs. It includes specially commissioned anthems by established composers including Philip Moore, Richard Shephard and Philip Wilby, as well as works by such newer writers as Joanna Forbes L’Estrange, Owain Park, Ghislaine Reece Trapp, Amy Summers and Toby Young. There are also some new arrangements of classics such as Brother James’ Air and John Rutter’s A Gaelic Blessing. Popular RSCM composers Thomas Hewitt Jones, Piers Maxim, Sarah MacDonald, Peter Nardone and Geoff Weaver have also contributed new works. Many of the pieces have been tried and tested by choirs in worship. They employ a wide range of interesting and inspiring texts that echo the themes of the Sunday readings, as well as familiar words that have been given a new lease of life by inventive and imaginative settings. No choir will feel short-changed by these three-part settings. Each composer has set about creating something original rather than reducing existing material. Many of the pieces are flexible so they can comfortably be sung by smaller groups. The organ parts are straightforward and can be also be played on the piano.
SKU: CY.CC2580
Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of themI. GroundbreakingThe first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.II. StefflSteffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.III. 1945As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.IV. Anton PilgrimAnton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.This work of 12 minutes in length is appropriate for advanced performers.
SKU: CY.CC2978
ISBN 9790530057971.
Jeff Reyolds has arranged a beautiful setting of the Saint-Saens Veni Creator Spiritus (Come Creator Spirit, a 9th Century Pentecost plainsong hymn) for 4-part Trombone Ensemble. The original work for TTBB men's chorus and optional Organ was written in 1858. Saint-Saens was a Roman Catholic Church organist in his early years and produced a volume of music that was easy to sing.Mr. Reynolds calls this music Church Polyphonic style that came out of the late Renaissance and endured for a couple centuries into the Romantic period.This work begins with a beautiful unison chant and moves into four polyphony sections concluding with a soft Amen.The music is of moderate difficulty with the first part in tenor clef.
SKU: HL.48181400
UPC: 888680855420. 9.0x12.25x0.13 inches.
“Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony and melodies, Mass of Pentecost is no exception to the composer's popular, distinctive style. Composed in 1949-1950, the Organ Mass is thought to be based on twenty years of improvising at Saint Trinity Church in Paris where Messiaen was organist. Mass of Pentecost is in five movements; 1) Entrance, 2) Offertory, 3) Consecration, 4) Communion, and 5) Recessional. Influences of birdsong are depicted within the piece, reflecting the composer's interest in ornithology. The first movement also contains the use of Greek rhythms. Mass of Pentecost is essential to all advanced organists seeking to expand and vary their repertoire.â€.
SKU: CA.4065749
ISBN 9790007085322. Key: B flat major. Language: Latin.
With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.
SKU: LO.70-2138S
ISBN 9780787763534.
Angela Kraft Cross's career as a church musician, touring recitalist, and teacher has resulted in numerous organ compositions. Five striking works have been selected to form her first published collection. The pieces employ a variety of styles and moods: two in a contemporary style inspired by the classic English trumpet voluntaries, a delightful pastorale, a deeply expressive Kyrie eleison, and the powerful passacaglia Tree of Life inspired by the seasons of the year and our faith. Kraft Cross's stunning writing is sure to make a strong impact in recital or as service voluntaries.
SKU: CA.4065712
ISBN 9790007085292. Key: B flat major. Language: Latin.
SKU: CA.4065711
ISBN 9790007085285. Key: B flat major. Language: Latin.
SKU: CA.4065719
ISBN 9790007134570. Key: B flat major. Language: Latin.
With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.
SKU: CA.4065713
ISBN 9790007085308. Key: B flat major. Language: Latin.
SKU: CA.4065714
ISBN 9790007085315. Key: B flat major. Language: Latin.
SKU: CA.4065705
ISBN 9790007085254. Key: B flat major. Language: Latin.
With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score available separately - see item CA.4065700.
SKU: CA.4065708
ISBN 9790007085261. Key: B flat major. Language: Latin.
SKU: CA.4065709
ISBN 9790007085278. Key: B flat major. Language: Latin.
SKU: CA.1027049
ISBN 9790007247904. Key: B flat major. Language: Latin. Magnificats; use during church year: Advent, Christmas; occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours.
Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text, here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical, modern elements its various forms never sound archaic, rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season, Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Cruger: Nun komm, der Heiden Heiland - Cornelius Freundt: Wie schon singt uns der Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph, lieder Joseph mein - Johann Cruger: Frohlich soll mein Herze springen - Gregor Joseph Werner: Der Tag, der ist so freudenreich The string parts for these movements are included in the complete orchestral parts Carus 10.270/19. Score and part available separately - see item CA.1027000.
SKU: HL.14043703
UPC: 840126953312. 12.0x9.0x0.043 inches.
Prelude On Lasst Uns Erfreuen is a work by renowned contemporary composer Nico Muhly , for Organ. Lasting around 6 minutes, it was composed in 2007. The composition was dedicated to Alison Shafer, commemorating 25 years of service for Christian Lane and the Evangelical Reformed United Church of Christ, Frederick, Maryland. In the September/October 2015 issue of Choir & Organ, Stephen Farr writes that this work applies a variety of motivic treatments, and a corresponding variety of rhythmic twists, to the well-known melody...would be effective in either concert or liturgical contexts.
SKU: AU.9780800663353
ISBN 9780800663353.
This anthem soars in true classical style, set for choir and organ with option for smaller ensemble or quartet. Suitable for any time in the church year, this setting of a familiar hymn is sure to be a classic.
SKU: BR.OB-5284-11
At long last: complete with the Libera me Domenico Cimarosa's Requiem, composed in 1787, achieved widespread dissemination through copies shortly after its premiere, and has remained a repertoire work of classical church music to this day.
ISBN 9790004339473. 12.5 x 10 inches.
At long last: complete with the Libera me Domenico Cimarosa's Requiem, composed in 1787, achieved widespread dissemination through copies shortly after its premiere, and has remained a repertoire work of classical church music to this day. All the more amazing is the discovery of an authentic, subsequently added Libera me movement that is found in the main sources (autograph score, original parts), but had not been published up to now. The complete liturgical form of the Requiem requires a Libera me and with this new edition, Cimarosa's Requiem can now finally be performed again its entirety, more than 200 years after it was written. Reinmar Emans' new Urtext edition thus contains much more than just the previously known music text. Valuable aid was provided here by a number of contemporary copies which yielded further important details.
SKU: BR.PB-5570-07
ISBN 9790004213803. 6.5 x 9 inches.