SKU: HP.342
UPC: 763628103422.
These Compositions Are Intended To Be Played As Hymn Introductions. Each Is Molded To Clearly Identify The Tune And To Enlist The Attention And Imagination Of The Congregation.
SKU: BA.BA05499
ISBN 9790006471942. 23 x 30 cm inches.
Print on demand (POD).
SKU: HL.48014754
UPC: 073999147544.
SKU: CF.FAS110F
ISBN 9781491151785. UPC: 680160909285. 9 x 12 inches.
Featuring long phrases in a slow tempo, Interlude Nightfall is a?perfect composition to teach musicianship with young students using dramatic harmonies. Yukiko Nishimura's musical imagery provides a great opportunity for string orchestras to showcase their musical phrasing and expression.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well.This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like “risoluto.†The second section from m. 29 is a kind of “chorale,†so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion.Please enjoy the thick harmonies.
SKU: CF.FAS110
ISBN 9781491151419. UPC: 680160908912. 9 x 12 inches. Key: G minor.
SKU: HL.49019083
ISBN 9790001179812. UPC: 884088890018. 8.25x11.75x0.102 inches. Hebrew - German.
Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that is declaimed simultaneously in the original Hebrew and the German translation, the music gradually moves from the deep sounds of fear to the clear heights of confidence. The organ part serves as a support for intonation, the few percussion instruments can be played by the singers.
SKU: GI.G-7591
UPC: 785147759102. English. Text Source: 1 John 3:18–19, adapt. PN. Scripture: 1 John 3:18–19.
An exuberant, 5/8 setting of a simple message from the first letter of John. Brief passages for the organ overlap with choral phrases that move primarily in step-wise motion. This short piece has the added benefit of exercising the intonation of your singers through unison and dissonance—without having to invest hours of precious rehearsal time!
SKU: HL.48185389
UPC: 888680836320. 9.0x12.0x0.1 inches.
“Written by Jean-Marie Londeix, Intonation exercises is a set of three series of exercises for all Saxophones, at all levels. Some explanations and directives on the positioning and how to get a flexible embouchure are given before the first series. This volume is very progressive and each series, which is divided into a certain number of exercises, correspond to a level. - Series 1 - beginners: five exercises - Series 2 - intermediate: six exercises - Series 3 ? upper intermediate/advanced: four exercises The Saxophone being monodic, this volume also offers the possibility to get a two-part harmony by using an electronic Organ. The text is written in French, English and German.â€.
