Pablo de Sarasate: Carmen Fantasy: Orchestra: Score

by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Pablo De Sarasate's Carmen Fantasy or Fantaisie de Concert is a Violin fantasy based on themes from Georges Bizet's opera Carmen. This is arranged for Violin with Piano Accompaniment. The piece is one of Sarasate's best-loved works and contains an adaptation of the Aragonaise Habanera an interlude Seguidilla and the Gypsy Dance. Considered to be one of the most technically difficult and challenging works for Violin this sheet music will be an invaluable aid to learning each and every brilliant note.

Quite early in his career Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral or Piano accompaniment. The appeal of the Carmen fantasy with which this collection opens has remained the most enduring but perhaps reflecting the varying fortunes with audiences of the operas themselves settings of Gounod?s Faust and Roméo et Juliette or Weber?s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique.As an example of Sarasate?s equally successful and more purely lyrical ?salon? style of composition his Rêverie Op.4 is alsoincluded here.