Parable Op. 131

Tous instruments / L'arche de Noe; C'est irréparable (un ano de amor); Je voudrois etre noir; Madame Robert; La maison près de la fontaine; Mirza; Oh ! Hé ! Hein ! Bon !; La rua Madureira; Le sud; Le téléfon.

A musical celebration of children's rights for narrator choir and ensemble/backing tracks.It's easy to learn once heard not easily forgotten funny yet serious lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do down at the shelter where they rehearse they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair this is where with his unexpected arrival on the scene the Right Genie comes in veryhandy. But instrumental though the genie is in pushing for the rights of our hero and the Juveniles he also encourages Jake to look beyond his own immediate problems however important they may seem to a world where children have more pressing needs than his.Parts for Piano Bass Cello Clarinet Drums Flute/Vibraphone Guitar Violin I and Violin II are included.

An arrangement for upper voices of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on Frenchphilosopher and aviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with textby Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayedwith a delicate combination of humour and poignancy. This SSA and Piano arrangement of The Roses by Richard Allain.

Jon Washburn Choral Series-This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that feels like ripples on the surface of water. The acappella setting requires a very good choir.

Wachet auf ruft uns die Stimme-This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage.

A musical celebration of children's rights for narrator choir and ensemble/backing tracks.It's easy to learn once heard not easily forgotten funny yet serious lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do down at the shelter where they rehearse they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair this is where with his unexpected arrival on the scene the Right Genie comes in very handy. But instrumental though the genie is in pushing for the rights of our hero and the Juveniles he also encourages Jake to look beyond his own immediate problems however important they may seem to a world where children have more pressing needs than his.This Piano and Vocal score comes with chord symbols throughout and includes the full text plus 2 CDs containing demos and backing tracks for rehearsal or performance. Lyric sheets for Jake And The Right Genie are also available as free downloads with this book at www.hybridpublications.com.

Par TRANCHEFORT F-R.. La musique de chambre bénéficie dans notre pays, depuis plusieurs années, d'un regain d'intérêt de la part d'un public aussi exigeant qu'attentif, et qui correspond sans doute à  une pratique musicale plus intime, plus ' secrête ' que celle des grandes salles de concert ou d'opéra. N'est-ce point là  le signe d'un affinement du goût, ainsi que d'une volonté d'initiation aux arcanes de la musique?Ce Guide de la musique de chambre, conçu dans le même esprit et selon la même présentation que les précédents Guide de la musique symphonique et Guide de la musique de piano et de clavecin, aborde à  son tour un vaste répertoire avec l'intention d'accompagner efficacement, par les informations essentielles qu'il apporte, l'écoute _ et peut-être la pratique active _ des oeuvres du genre. ' Genre ' dont les frontiêres, au demeurant, ne se tracent pas sans peine: on observera que, s'il regroupe l'ensemble des oeuvres écrites pour un petit nombre d'instruments (de deux à  dix, en principe), il exclut certes toute la musique de piano, mais non celle pour le violon ou le violoncelle seul, par exemple. Quelque cent soixante-quinze compositeurs sont alphabétiquement représentés dans ce volume, avec une très grande variété d'analyses (ou de commentaires plus succincts) qu'enrichissent des précisions sur les formes et les ' styles ' , les circonstances de composition, les dates et lieux de création, les durées moyennes d'exécution. Les oeuvres du répertoire de base sont toutes présentes, _ avec l'intégralité des musiques de chambre des grands ' classiques ' (de Jean-Sébastien Bach à  Pierre Boulez); mais d'autres moins connues sont offertes à  la curiosité du lecteur-auditeur, _ qui ressortissent à  des ' écoles ' ou sphêres d'influence nationales encore mal explorées (slaves, scandinaves, anglaises, américaines, etc. ). Ainsi ce nouveau Guide, qui s'est aussi donné pour but d'éviter toute technicité ardue par l'emploi d'un vocabulaire accessible au plus grand nombre, devrait-il devenir l'inséparable compagnon de tout ' chambriste ' et, plus généralement, de tout véritable mélomane. Ce volume a été réalisé sous la direction de François-René TRANCHEFORT, avec la collaboration d'Adélaïde de PLACE, Pierre-Emile BARBIER, Harry HALBREICH, Jean-Alexandre MENETRIER, Alain POIRIER et Marc VIGNAL. / / Date parution : 1989-12-06/ Livre / Livres

Guitar Play-Along Volume 29-This fabulous addition to the Guitar Play-along series contains eight of your favourite Bob Seger songs. Originally a hard-driving rocker Seger developed into one of America???s most popular rock and folk-rock singers over the course of the '70s. Combining the charge of rock with hard-edged soul and RandB he crafted a distinctively American sound. He has a message as well as a voice he wrote the first anti-war rock song of the Vietnam era. Through extensive touring with his Silver Bullet Band Seger developed a dedicated following and after the success of his first two albums he retained his popularity for the next two decades releasing seven Top Ten platinum-selling albums in a row. His rock???n???roll story-telling has a conversational almost parable like quality the characters are vivid and his tales are involved. His protagonists often do not find satisfaction or fulfilment but despite this depressing context the familiarity and everyday nature of his lyrics endears themselves to us and we feel charmed and uplifted. This Volume will help you play your favourite songs quickly and easily. Just follow the tab listen to the demonstrations on the CD and then play-along using the seperate backing tracks. Arranged for accurate Guitar Tab including the complete lyrics and melody line all the featured songs.

Wachet auf ruft uns die Stimme-This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage.