St. Paul (Paulus)

SKU: CA.4012911

ISBN 9790007217693. Language: German/English.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and part available separately - see item CA.4012900.

SKU: CA.4012919

ISBN 9790007097158. Language: German/English.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and parts available separately - see item CA.4012900.

SKU: CA.4012912

ISBN 9790007217709. Language: German/English.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and part available separately - see item CA.4012900.

SKU: CA.4012905

ISBN 9790007186524. Text language: German/English.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

SKU: CA.4012992

Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

SKU: CA.4012993

Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

SKU: GH.SK-844

ISBN 9790070006910. A4 inches. Text: Gerd Roman Fred / Eva Akerberg (Swedish).

Three choruses from the oratorio St Paul for mixed chorus an organ or piano. The keyboard reduction made by Bengt Forsberg follows the full score as closely as possible.

SKU: BR.CHB-5297-02

Marker's Urtext edition is based on the first edition of the score from 1835.

ISBN 9790004412237. 7.5 x 10.5 inches.

One can truly say that Mendelssohn's St. Paul oratorio is a genuine work in progress - such as one finds repeatedly in the composer's works. After the world premiere in Dusseldorf in 1836, the composer sighed: Since I changed a number of things after the performance, notably in the recitatives, and omitted a few pieces entirely, I really don't know how these changes can be made in the quartet parts that have already been engraved.Luckily, the score had not yet been printed at this point in time. It was published not long afterwards (1837) and served as the basis for the old Complete Edition, where, however, it was mixed together with other sources.Michael Marker's present Urtext edition uses the first edition of the score as the main source for the first time. Its inconsistencies were emended by the editor in agreement with other contemporary sources.By forgoing the version transmitted by Julius Rietz (1878), on which all later reprintings were based, in favor of the score of the first edition of 1835, which was personally supervised by the composer, a new Paulus has come to light: freed from a number of conventionalizing, adulterating retouchings, at times more angular in detail and thus more characteristic. (Michael Marker about his New Edition, 1997)

Marker's Urtext edition is based on the first edition of the score from 1835.