Pavane + Galliard

33 Works for Soprano (Descant) Recorder and Piano-Author of the Baroque Recorder Anthology series Peter Bowman along with Kathryn Bennetts presents the second in a series of four volumes dedicated to recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for recorder and keyboard accompaniment this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers. Suitable for students of ca. 4-5 years? of playing experience this book includes composer biographies and teaching notes on each piece together with a CD recording of all works performed by Kathryn Bennetts. Contents:Anon.: Es ist ein Ros entsprungenAnon.: FabordónA. le Roy: Bransle de PoictouT. Susato: Ronde 'Tausand Dukaten im Sack'J. Dowland: M. George Whitehead his AlmandAnon.: La Traditora (Galliard)A. Holborne: The Night Watch (Almain)R. Johnson: AlmanT. Susato: Nachtanz 'Sehr zu Unrecht'Anon.: Galliard 'La Rocha el Fuso'P. Phalèse: Gaillard 'La Fanfare'P. Verdelot: Quanto sia liet' il giornoAnon.: AlmanT. Susato: Ronde 'Mein Freund'T. Susato: Second RondeT. Susato: RondeR. Johnson/G. Farnaby: AlmanR. Susato: Ronde 'Es war einmal ein Mädchen'R. Farnaby: Fayne Would I WeddHenry VIII: Pastime with Good CompanyR. Susato: NarrenaufzugAnon.: Pavane de la BatailleAnon.: Galliarde de la BateilleT. Morley: AirAnon.: FricasséeW. Byrd: Wolsey's WildeG. Farnaby: Tower HillM. Praetorius: Ballet des MatelotzAnon.: Ballet des PrincessesL. Senfl: FantasiaAnon.: Sellinger's RoundA. Holborne: Fantasia

This is a complete edition in seven volumes of the collections of dances for instrumental ensemble published by Pierre Attaingnant of Paris between 1529 and 1557. Our edition of this series, which we originally published in the 1970s, has now been extensively revised, and a detailed commentary provided for each volume. All pieces are playable on recorders (ATTB or SATB), viols (TrTTB), violin family (VnVaVaVc), shawms, cornett and trombones, and other instrumental combinations. All titles published as playing scores only CLAUDE GERVAISE, Troisieme Livre de Danceries (1557) for four instruments (a few pieces in five parts). Contains 42 dances (pavanes, galliards, branles, allemandes, etc

Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs variations fantasies toccatas pavanes galliards allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley Gibbons Farnaby Warrock Ferdinando Richardson Peter Phillips Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd two of England's greatest composers are represented by over 100 works. The pieces herein while composed for the virginal can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation preserving faithfully the intent of the composers.

Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis

CUTTING F. : Greensleeves - Almain - Jig - Galliard - DOWLAND J. : Lady Laiton's Almain - Mrs Whites's Thing - Can She Excuse - Melancholy Galliard - The Lady Rich's Galliard - Bonnie Sweet Robin - Lachrimae Pavan - Fancy n°6 - HOLBORNE A. : Galliard n°VII - Fantasia n°III - JOHNSON R. : Alman n°VII - Alman n°VIII - JOHNSON J. : Carman's Whistle - PILKINGTON F. : Pavane George Pilkington's Funeral - Go from my Window - Galliard - ROBINSON T. : Robin is to greenwood gone (The Schoole of Musicke) - An Almaigne - Sweet Jesu who shall lend me wings - A Psalm - O Lord of whom I do depend - O Lord that Art my righteousness - ANONYME : Loth to Depart - Heart's Ease

This collection of 15 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn?s recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer.
The pieces chart the musical development of Howells, from his earliest known work The Arab?s Song, written when he was 16, to the Petrus Suite, completed in his 80s, as well as demonstrating his fascination with French music (Phantasy, Harlequin Dreaming) and the Tudor period (Pavane and Galliard).
The volume also includes the moving tribute to his friend and fellow composer Finzi: his rest. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well to as anyone seeking fresh and distinctive piano repertoire. / Partitions classique / Piano - instruments à clavier / Piano / NOVELLO

editor: Bernard Thomas arranger: Bernard Thomas Dance Music Instrumentation: 3-5 recorders (SAT/SATB/SSAT/SAATB/SATTB) Edition: performance score The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations. Anonymous: La Danse de Cleves (SAT) Anonymous: Pavana in passo e mezzo (SATB) Anonymous: Saltarello La barca del mio amore (SATB) Anonymous: Pavana La fasane (SATB) T. Susato: Bergerette Dont vient cela (SATB) J. d'Estrées: Basse danse Bernadine (SSAT) E. du Tertre: Pavane & Gaillarde (SAATB) E. du Tertre: Branle de la guerre (SATB) E. du Tertre: Branle (simple) (SATB) E. du Tertre: Branle (simple) (SATB) P. + B. Hessen: Allemande Jamais n'aymeray masson (SATTB) C. Othmayr: Ein beurisch Tanz (SSAT) Anonymous: Polish Dance (ATTB) G. Mainerio: Putta nera ballo furlano (SATB) G. Mainerio: L'arboscello ballo furlano (SATB) Anonymous: Pavan with Divisions (SSATB) A. Holborne: Pavan (SAATB) A. Holborne: (Nowell's) Galliard (SATTB) C. Negri: Barriera (SATB) C. Negri: Bianca fiore (SATB) G. Zanetti: Passo e mezzo (SATB) G. Zanetti: Ballo de colla (SATB) G. Zanetti: Pavaniglia (SATB) G. Zanetti: La bella pedrina (SATB) P.F. Caroubel: Branle gay I (SAATB) P.F. Caroubel: Branle gay II (SAATB) P.F. Caroubel: Branle gay III (SAATB) M. Praetorius: Ballet (SATB) M. Praetorius: Ballet (SATB) M. Praetorius: Ballet des matelotz (SATB) M. Praetorius: Volte (SAATB) W. Brade: Courante (SSATB) after Playford: Grimstock (SATB) after Playford: Goddesses (SATB) after Playford: Heart's Ease (SATB)

for Beginners-Recorder Quartets by beginner players by various composers. Compiled and edited by Fumio Kitamika. Contents:   - Anon.: Pavane   - T. Morley: Nancie   - H.L. Hassler: Von dey Geburt Christi   - J.H. Schmelzer: Pastorella   - Anon.: A Toy   - G. Farnaby: The Old Spagnoletta   - Anon.: Pavana   - H. Isaac: Carmen   - H.L. Hassler: All Lust und Freud   - J. Dowland Can she excuse   - Wath if I never speed   - J.J. Fux: Menuet   - G. Mainerio:Ungarscha

Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\'?that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended? and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo

for Descant Recorder with additional 2nd part. A new selection of traditional dance movements and arrangements for 1-2 recorders is now published in the successful 'Fun and Games with the Recorder' series. It contains the most important dance types and the most famous composers and dancing masters of the Renaissance and Baroque eras - from Praetorius, Handel and Lully to Purcell, Bach and Rameau. Even baroque operas are a must here. The attached CD includes recordings of the arrangements in two versions: with and without recorders./ Recueil / 2 Flûtes à Bec Soprano

In Sehr Einfachen Sätzen. Par NEGES FERDINAND. Eine gelungene Sammlung von 10 reizvollen und sehr einfachen Sätzen für die Musikschulpraxis. Gute Spiel- und Übungsliteratur für frühe Einstimmung auf gemeinsames Ensemblespiel. SB 0385 / Niveau : Débutant / Répertoire / Guitare