SKU: HL.50595197
A collection of pieces representing the best of the international crossover repertoire: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph.Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); Milonga Del Angel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry)Band 2 des tollen internationalen Crossover-Mix fur leicht fortgeschrittene Pianisten. Inhalt: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph. Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); MilongaDel Angel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry)Sommaire: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph. Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); Milonga DelAngel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry).
SKU: IS.PN7520EM
ISBN 9790365075201.
On September 25th. 2020 Daniel Verstappen released his new album & show 'Reconnection' with a light - & visual show, live musicians and dancers on stage, even in these uncertain Corona times. Daniel is a creater who wants to connect generations with each other, striving towards necessary perfection and creating a harmonious symbiosis between classic piano and modern music. Creating crossover music that spans between classical and contemporary electronic sounds. To quote Daniel's words, It's an enjoyment to bring people together with my music, which I believe connects people!.
SKU: FG.55011-524-8
ISBN 9790550115248.
In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.
