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Piano Trio In G (First Edition)
Format : Score and Parts
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Instrumentation :
Piano Trio: piano, violin, cello
Publisher :
G. Henle
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Claude Debussy: Piano Trio In G: Piano Trio: Score and Parts
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Trios for Pianoforte, Violin and Violoncello, op. 1
Piano Trio: piano, violin, cello
Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...
(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Score, Set of parts. Opus 1. Baerenreiter Verlag #BA10943_00. Published by Baerenreiter Verlag
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Claude Debussy: Piano trio G major (first edition)
Piano Trio: piano, violin, cello
G. Henle
Composed by Claude Debussy (1862-1918), edited by Ellwood Derr. Single piece and...
(+)
Composed by Claude Debussy (1862-1918), edited by Ellwood Derr. Single piece and set of performance parts for Piano Trio (violin, cello, piano). With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 66 pages. Published by G. Henle.
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Piano Trios 1 and 2
Piano Trio: piano, violin, cello
[Study Score / Miniature]
Dover Publications
Composed by Felix Bartholdy Mendelssohn (1809-1847). Book; Masterworks; String E...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Book; Masterworks; String Ensemble - Mixed; Trio. Dover Edition. Masterwork; Romantic. Study score. 128 pages. Published by Dover Publications
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Wolfgang Amadeus Mozart: Piano Trios
Piano Trio: piano, violin, cello
[Score and Parts]
Barenreiter
By Wolfgang Amadeus Mozart. Edited by Plath, Wolfgang;Rehm, Wolfgang. For Violin...
(+)
By Wolfgang Amadeus Mozart. Edited by Plath, Wolfgang;Rehm, Wolfgang. For Violin, Violoncello, Piano. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). ISBN M006456543.
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Piano Trios
Piano Trio: piano, violin, cello
G. Henle
Edited by Ernst Herttrich. Arranged by Klaus Schilde. This edition: Paperback/So...
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Edited by Ernst Herttrich. Arranged by Klaus Schilde. This edition: Paperback/Soft Cover. Sheet music. Henle Music Folios. Classical. Softcover. Op. 49, op. 66. G. Henle #HN957. Published by G. Henle
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Zemlinsky - Trio D Min Op 3 Pno/Cla/Vlc
Clarinet, Cello, Piano (trio)
G. Henle
Cello, Clarinet, Piano SKU: HU.HN578 For Piano, Clarinet (Violin) and Cello. Co...
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Cello, Clarinet, Piano SKU: HU.HN578 For Piano, Clarinet (Violin) and Cello. Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Trio, Ensemble, Chamber Music. Trio D minor Op. 3. Score and Parts. 65 pages. G. Henle #HN578. Published by G. Henle (HU.HN578). 12.2 x 9.3 x 0.2 inches.
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Johannes Brahms : Trio for Violin, Violoncello and Piano Opus 87
Piano Trio: piano, violin, cello
Barenreiter
By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. This edition: Urt...
(+)
By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. This edition: Urtext edition. Stapled. Score with parts. Language: German/English. Published by Baerenreiter Verlag
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Klavirni trio for Piano, Violin and Violoncello g minor, Op. 26
Piano Trio: piano, violin, cello
[Score and Parts]
Barenreiter
By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny, Karel Aolc. For piano/...
(+)
By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny, Karel Aolc. For piano/violin/cello. Replaces H 2443. Score, Set of parts. Language: Czech/English/German. Opus 26. 47/14/15 pages. Published by Baerenreiter Verlag
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Felix Mendelssohn Bartholdy: Piano Trios No.1 - 2 Op.49 - 66: Piano Trio: Score
Piano Trio: piano, violin, cello
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Dover Publications
Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In...
(+)
Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.
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Wolfgang Amadeus Mozart: Klaviertrios: Piano Trio: Study Score
Piano Trio: piano, violin, cello
[Study Score / Miniature]
G. Henle
Piano Trios-Mozart’s Piano Trios have been available in an established He...
(+)
Piano Trios-Mozart’s Piano Trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. Inparticular the autograph scores from the Library of the Jagiellonian University of Cracow which were not accessible for many years form the basis of this revision with its extensive commentary. On the occasion of this newedition Henle is proud to present a study edition of the Piano trios for the first time.
23.99 GBP - Sold by Musicroom UK
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Mendelssohn Bartholdy F. - Piano Trios N°1 Et 2
Piano Trio: piano, violin, cello
Dover Publications
Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart ...
(+)
Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Unabridged republication of the works originally published by Edition Peters, n.d Content : Piano Trio No. 1 in D minor, Op. 49 Molto allegro ed agitato Andante con moto tranquillo Scherzo. Leggiero e vivace Finale. Allegro assai appassionato Piano Trio No. 2 in C minor, Op. 66 Allegro energico e con fuoco Andante espressivo Scherzo. Molto allegro quasi presto Finale. Allegro appassionato
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Brahms, Johannes : Trio for Violin, Violoncello and Piano op. 87
Piano Trio: piano, violin, cello
[Sheet music]
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Advanced
Barenreiter
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Ho...
(+)
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.
The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.
? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /
27.50 EUR - Sold by Note4Piano
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Wolfgang Amadeus Mozart: 6 Viennese Sonatinas KV 439b: Piano: Instrumental Work
Piano solo
[Sheet music]
Universal Edition
These Six Viennese Sonatinas were not originally composed by Mozart for the pian...
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These Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of the Wind Divertimentos K 439b which Mozart wrote in 1783. The Divertimentos are notable for their conciseness of form and their melodic richness. They therefore make an excellent introduction to Mozart's piano music even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover some of the Trios have been exchanged and recapitulations have been shortenedin some instances. The original voice leading has been replaced by voice leading suitable to the piano. The 2oth_century editions by Rehberg (Schott) Rowley (Peters) and the old edition by Kapral (originally published by Universal Edition) are based on a Ricordi reprint edited by Muggelini in 1907; its musical text is unreliable and there are many arbitrary alterations. The present edition is therefore based on the first edition of the arrangement published by Artaria of Vienna in 1803. By comparing it with the score of the Divertimentos (Mozart Complete Edition Series XXIV No. 62 1905) and with the first edition of the parts it was possible to establish the precise articulation and dynamic markings and to add them where needed. For piano pupils simpler versions are suggested in footnotes as are possible executions of ornaments. Metronome markings have been provided by the editor; like the footnotes they should be taken only as suggestions.
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Play Happy - Trio
Piano Trio: piano, violin, cello
[Sheet music]
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Easy
Ricordi
9 facili melodie da 3 a 6 note di autori classici (pianoforte - violino -violonc...
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9 facili melodie da 3 a 6 note di autori classici (pianoforte - violino -violoncello). Par . The volumes of the ?Play Happy? series contain pieces from the classical repertoire arranged for beginners at their first steps in playing an instrument. This volume is designed to promote the practice of ensemble music, with 9 melodies from 3 to 6 notes. The edition includes: - complete score for the teacher - piano violin cello parts for the students / Date parution : 2022-04-26/ Recueil / Piano, Violon et Violoncelle
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Wolfgang Amadeus Mozart: Piano Trios: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Score and Parts]
G. Henle
Mozart’s Piano Trios have been available in an established Henle edition ...
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Mozart’s Piano Trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. Inparticular the autograph scores from the Library of the Jagiellonian University of Cracow which were not accessible for many years form the basis of this revision with its extensive commentary. On the occasion of this newedition Henle is proud to present a study edition of the Piano Trios for the first time.
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Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
Piano Trio: piano, violin, cello
[Sheet music]
Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, ...
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Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano
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Bedrich Smetana: Piano Trio In G Minor Op. 15: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
When Smetana composed his Piano trio in the autumn of 1855 it was an act of cat...
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When Smetana composed his Piano trio in the autumn of 1855 it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chambermusic. Its first public performance in December 1855 was regrettably not a great success and so Smetana embarked on a protracted process of reworking it. By the late 1850s it had reached its current form. Smetana always liked toperform it but only found a publisher for it in 1880 when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Posp Å¡il has based this Henle Urtext edition on thefirst edition by Pohle but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.
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