Pictures At An Exhibition (MUSSORGSKY MODEST)

Arr. James Curnow. Par MUSSORGSKY MODEST. / Niveau : 3 / Classique / Répertoire / Concert Band

Par MUSSORGSKY MODEST. The death in 1873 of Mussorgsky's friend Victor Hartmann was the stimulus for the initial creation of what was to become one of the most vividly colourful works in the orchestral repertoire. However, Mussorgsky's original piano version of Pictures At An Exhibition was not even published until 5 years after his death, and remained almost unknown until Ravel's masterful orchestration of it in 1922. From then on it has become favourite in the orchestral repertoire. This is the piano version of Mussorgsky’s famous work./ Répertoire / Piano

a Remebrance of Viktor Harmann-Scholarly-critical Urtext edition based on all the sourcesDetailed foreword (Ger/Eng) and suggestions on performance practiceClear musical layoutThe catalyst for the piano cycle Pictures at an Exhibition composed in 1874 was a memorial exhibition held that year for the artist and architect Viktor Hartmann. He was a friend of Mussorgsky who had died in 1873. It is not only Mussorgsky?s most important contribution to the piano repertoire but through its relationship to Hartmann?s pictures and the translation of this idea into a composition the cycle holds a unique place in 19th century piano repertoire.Christoph Flamm an internationally renowned specialist of Russian music ofthe 19th and early 20th centuries has edited this Urtext edition for Bärenreiter. He has re-evaluated the sources and in the process has discovered surprising variant readings of the well-known musical text. The edition will meet the demands of advanced piano students teachers and pianists.

Arrangeur: J. Riou. Par MUSSORGSKY MODEST. Arr. : J. Riou / Niveau : Fin 2ème Cycle / Répertoire / Ensemble à vent et Piano

Promenade, Tuileries, Le Marche De Limoges, La Grande Porte De Kiev. Par MUSSORGSKY MODEST. Promenade, Tuileries, Le Marche De Limoges, La Grande Porte De Kiev / Niveau : 1er Cycle / Répertoire / 2 Guitares