3 Pieces for Flute Solo

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

These 11 well-known pieces composed especially for Flute make an ideal introduction to playing more advanced solos. Each piece reveals something about the Flute's capabilities as a solo instrument and there are selected backgroundnotes about some of the music featured plus pictures and a brief introduction to the Flute's history and development an ideal book for any aspiring Flute soloist!

Popular with students and teachers the Concert And Contest Collection offers a superb variety of solos customized for individual instruments.This edition for C Flute features five pieces that are perfect for performing in front of an audience.The Concert And Contest Collection For C Flute comes with a CD containing high quality studio recordings by professional soloists. Accompaniment only tracks are included for student practice and tempo adjustment software is also provided for most of the pieces.Piano accompaniments for the works featured in this collection can be purchased separately.

First Festival Solos: 20 easy Flute solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordingsfor the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

For solo Flute.Composer's Programme Note'March Sonatina is the third in a series of short sonatina-like pieces for soloinstruments and it was commissioned by the 25th Presteigne Festival of Musicand the Arts with funds provided by the Colwinston Charitable Trust and it isdedicated to this most loveable of Festivals. The first performance was given byKathryn Thomas on Tuesday 28th August 2007 at St Mary’s Church Kinnerton.It contrasts a slow opening with a quicker central section and employs a fewspecial flute effects though not to any great extent. In the middle of the piece alyrical phrase from Ravel’sminiature Prelude for piano suddenly pops up andis then varied. It was a surprise to me to find that a high F sharp on which thesonatina ends seemed absolutely the right note on which to finish. Theatmosphere of the opening section seems to me to relate closely to a number ofrecent pieces inspired by rainforests.'

With Online Audio-Easy to intermediate Christmas solos scored for Flute solo with Piano accompaniment. Includes memorable Christmas songs such as Ding Dong Merrily on High; I Saw Three Ships; Silent Night; We Wish You a MerryChristmas and many more.The online audio recording contains four full sets of Piano accompaniments for all the pieces in the book. The first practice set is played at a slow tempo and the solo Flute line is played onthe Piano. The second practice set is performed once again at a slow tempo this time without the inclusion of the melodic line. The third performance set is played at a faster tempo once again without the melodic line. Thisfaster tempo is intended for use in both the practice setting and the studio performance setting. The fourth and final performance set contains non-stop accompaniment tracks and links all pieces in the book together to form aChristmas suite that can be played at recitals or festive gatherings. Includes access to online audio and pdf file for Piano accompaniment.

Faure’s two original pieces for flute and piano – the Fantaisie Op.79 and the Morceau de Lecture – Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions.The solo flute part is also included on a separate insert.

These Baroque chamber-pieces are a wonderful training ground for students and are filled with opportunities for fun music-making for enthusiasts and professionals alike. Included are Telemann's Trio in F Major and Trio Sonata in Bb Major along with Handel's Sonata No. 3 in C Major. Includes a high-quality printed music score and a compact disc containing two recordings: a complete performance with soloist and a second version with the accompaniment... you become the soloist! Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico viola da gamba Jocelyn Chaparro harpsichord

Easy to Play Flute Solos is a lively collection of 56 well-known favorite melodies arranged in solo form for the flutist wanting fun pieces to play. Selections include ragtime blues Scottish music spirituals hymns seachanties folk songs and more. A handy flute fingering chart is included.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

First Part-Also suitable for three violins (or other suitable like-instruments)This unique 18th-century collection of pieces for flute by James Hook has been completely revised and edited for intermediate to advanced levelinstrumentalists. Each is a three-movement work in typical fast-slow-fast Baroque format. Suitable for contest concert or church performance these pieces appear on several state contest lists.