4 Pieces For Strings

The Top Ten Most Beautiful Pieces To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play. Featuring some ofthe world's greatest pieces of music from a variety of different genres the 'Top Ten' series contains music for everyone. Whether you're a beginner who wants to know the best classical pieces to learn or a more experiencedplayer looking for the ultimate Piano songs to add to your repertoire we have a 'Top Ten' for you! Each piece comes with interesting background notes to give you that extra bit of insight. The Top Ten MostBeautiful Pieces To Play On Piano brings you the most stunning musical outpourings offered by composers over the last 300 years. Lose yourself in heart-rending melodies by Beethoven Elgar and Debussy. Thiscollection contains Barber's Adagio For Strings Handel's Lascia Ch'io Pianga from Rinaldo HWV 7 Richter's On The Nature Of Daylight/Written On The Sky Einaudi's Nuvole Bianche and more.

Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violoncelle, Basse et Accompagnement Piano

With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano

Par NYMAN MICHAEL. Ces trois morceaux solos de clavecin sont une collection de compositions récentes, chacune avec un thème et une idée individuels. Le premier, The convertibility of Lute Strings, a été exécuté la première fois à la salle de Purcell, Londres en 1992. La seconde, Tango for Tim a été écrite dans la mémoire d'un ami et d'un compositeur Tim Souster, et a été composée et exécutée pour la première fois en 1994. Le troisième morceau, Elisabeth Gets Her Way, est une version prolongée de la cadence qu' Elisabeth Chojnacka a persuadé Michael Nyman d'ajouter à son concert de clavecin, qui inclut le matériel des deux premiers morceaux dans cet album. / Rép Classique / Répertoire / Clavecin

Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporaryclassical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions the book also features interesting notes by each composer to accompany their music.   These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring featuring some of the most talented and respected composers and their most definitive contributions to Piano music.Perhaps the biggest name included here is that of Ludovico Einaudi whose wide reputation is a result of his masterful ability to pull at heartstrings exemplified in his works Berlin Song The Earth Prelude andWaterways all of which are included here.    Other giants of contemporary classical music are included in the collection names like Philip Glass (Étude No.11) Max Richter(Horizon Variations & Vladimir's Blues) and Hauschka whose Can You Dance For Me Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all thepieces in this book. Composers like Nils Frahm Ólafur Arnalds Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition explaining why these composers are often used to great effect in film soundtracks.   Hear Einaudi Dustin O'Halloran Philip Glass and more discuss sheet music composition and contemporary classicalmusic in our exclusive video below:  

Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.

Capricious Pieces for Beginner Violinists. Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied.

Music through the Ages-Take a journey through time with More Time Pieces For Viola. These two volumes contain well-crafted arrangements presented in chronological order to take you from the seventeenth century right up to the present day.   Pieces that regularly feature on the ABRSM Viola syllabus. Invaluable source of recital repertoire. Contrasting styles from Schubert to Stravinsky and from Wagner to Weill. Arrangements that practise the note ranges and keys of the grades.   Maggy Lamb played the Viola with English National Opera and the Philharmonia Orchestra before taking up the post ofHead of Strings at St Peter’s School in York. She now divides her time between teaching performing and examining. Rachel Meredith is a Bristol University graduate. After a period performing both in the UK and abroad she now teaches upper strings in York. Rachel is also a syllabus selector and examiner for ABRSM.