Play at First Sight

This latest classically-flavoured songbook for John Thompson's Easiest Piano Course introduces easy works by one of the greatest composers ever to have lived Ludwig Van Beethoven. Featuring some very fine compositions First Beethoven?is perfect for pupils reaching parts 2 to 4 of the world-renowned Piano course. These fun repertoire books contain some amazing pieces that have been specially collected and graded to be used in conjunction with the Easiest Piano Course. Pieces like Minuet In G Major Rondo In C the sublime Moonlight Sonata 1st Movement?and the classicFür Elise?will reinforce essential technical ability while simultaneously enhancing a general sense of musicality and melodic playing. First Beethoven?is therefore ideal for pupils who've worked through the course at levels 2 to 4 but it's also a great set of pieces for sight reading practice for more advanced students. The pieces in this songbook become progressively more difficult and to this end dynamics and phrasing have been omitted for the earlier pieces since they're not introduced until Part 3 of the course. Early pieces like Ode To Joy?and Turkish March?help to reinforce what pupils learn in the beginning of the?John Thompson Method with a focus on playing notes and rhythms accurately. Towards of the end of the songbook more challenging pieces like Eroica Symphony and Sonata Pathétique?will help pupils to enhance their technical skills play more melodically and most importantly enjoy playing! Generally these pieces stay in the 5-finger position with handy hints and suggestions when a different fingering is called for. The pieces in this songbook are beautiful to hear and to play making First Beethoven?a really great beginner's

A wealth of sight-reading practice material leading from Grade 1 to Grade 2 of the major examination boards. A step-by-step approach to the basic elements of playing at sight containing 90 exercises with hints on how to getsight-reading right - first time! This series is ideal for pianists of all ages who wish to develop their sight-reading skills and learn new music more quickly.

A wealth of sight-reading practice material for up to and including Grade 1 of the major examination boards. A step-by-step approach to the basic elements of playing at sight containing over 100 exercises with hints on how toget sight-reading right - first time! This series is ideal for pianists of all ages who wish to develop their sight-reading skills and learn new music more quickly.

Theory Book-This latest classically-flavoured songbook for John Thompsons Easiest Piano Course introduces easy works by one of the greatest composers ever to have lived Ludwig Van Beethoven . Featuring some very fine compositions First Beethoven? isperfect for pupils reaching parts 2 to 4 of the world-renowned Piano course. These fun repertoire books contain some amazing pieces that have been specially collected and graded to be used in conjunction with the Easiest Piano Course. Pieces likeMinuet In G Major Rondo In C the sublime Moonlight Sonata 1st Movement ?and the classic Für Elise ?will reinforce essential technical ability while simultaneously enhancing a general sense of musicality and melodic playing. FirstBeethoven? is therefore ideal for pupils whove worked through the course at levels 2 to 4 but its also a great set of pieces for sight reading practice for more advanced students. The pieces in this songbook become progressively moredifficult and to this end dynamics and phrasing have been omitted for the earlier pieces since theyre not introduced until Part 3 of the course. Early pieces like Ode To Joy? and Turkish March? help to reinforce what pupils learn inthe beginning of the? John Thompson Method with a focus on playing notes and rhythms accurately. Towards of the end of the songbook more challenging pieces like Eroica Symphony and Sonata Pathétique ?will help pupils to enhance theirtechnical skills play more melodically and most importantly enjoy playing! Generally these pieces stay in the 5-finger position with handy hints and suggestions when a different fingering is called for. The pieces in this songbook arebeautiful to hear and to play making First Beethoven? a really great beginners songbook for pupils who want to learn some of the finest music ever composed. As an introduction for beginners to classical music and Beethoven in particular thissongbook is rewarding and enjoyable these pieces being timeless and never going out of fashion. The John Thompsons Easiest Piano Course First Beethoven? songbook is the ideal beginning book for classical music fans. Its tailor-made forpupils working through the renowned and revered Piano method so its authoritative and accurate helping you to enhance your technique and learn some amazing music at the same time.

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! for Viola by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series of meticulously gradedsight-reading pieces.New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.

This book of First Australian Songs follows the world-renowned John Thompson's Easiest Piano Course method that has helped thousands of beginners learn the Piano. Now you can learn all of those famous Australian pop and folk songs with ease.The John Thompson's Easiest Piano Course is one of the best-selling Piano methods ever, and for good reason. The collection of repertoire books that are intended as supplementary material for these tutors are equally deserving of their praise, with the way they enable students to put what they've learned into practice through familiar and famous songs. This particular songbook is made up of those Australian Songs that remind you of a beautiful beach with white sands and a crystal clear ocean, while also representing the natural beauty of the flora and fauna of the great island.Popular tunes like I'd Like To Teach The World To Sing, Kookaburra Sits In The Old Gum Tree and Waltzing Matilda perfectly supplement students working through parts 2, 3 and 4 of the Easiest Piano Course, with the songs are also ideal for use as sight-reading practice by more advanced students. Other familiar melodies include Waltzing Matilda, Skippy The Bush Kangaroo and, of course, The Australian National Anthem. By learning and playing fun songs from this book, students will be more motivated to play the Piano and will become more musical as a result.What's more, this book is great in the sense that it creates a natural progression for beginners. The pieces become more difficult as they go on, meaning players have something to strive for. Also, because techniques like dynamics and phrasing (though essential) are not introduced until the later parts of the course, they have been omitted from the earlier parts of this songbook, so that initially the student remains focused on accuracy in the notes and rhythm.To enhance learning through fun-to-play popular songs, the First Australian Songs book will bring a taste of down-under to your fingertips. These jaunty melodies and happy tunes will get you playing, and improving, in no time at all. / Piano

Sight Reading & Rhythm Every Day is designed to help students achieve an impeccable sense of rhythm which is the first step in successful sight reading and to develop their skills with key recognition time signature recognition pattern identification interval recognition and intermediate response to articulation and dynamics.This series will help the student to develop an internal sense of pulse so that the underlying rhythm in a sight-reading example becomes second nature. This allows the student to concentrate on the other elements of music making. As the books progress four-measure sight-reading drills for one hand progress into longer pieces for bothhands. Students learn the concept of playing from beginning to end without stopping and every unit ends with a teacher-student duet to reinforce the idea that when sight readers start to play they do not stop.Throughout the series new concepts are gradually introduced to provide adequate reinforcement of each concept. Every day students are asked to count rhythms analyse and circle patterns and play sight-reading examples. The manageable task size and carefully structured format of each unit make progress immediately noticeable which helps to motivate students.The carefully crafted musical examples and exercises effectively develop eye ear and hand coordination. This series guides students in a simple straightforward way to develop into students who sight read with ease accuracy and musicality.In the Every Day plan for Book 2B students learn:Triads and begin to play pieces with both hands together on two staffsDifferent articulations and dynamics and students are asked to transpose short pieces to the next nearest keys‘Plan’ for note and rhythmic accuracy correct articulations and a good sound Helpful suggestions guide students to think before they play and not to stop once they have started. Students are also asked to count rhythmic examples out loud and clap tap point

Sight Reading & Rhythm Every Day is designed to help students achieve an impeccable sense of rhythm which is the first step in successful sight reading and to develop their skills with key recognition time signature recognition pattern identification interval recognition and intermediate response to articulation and dynamics.This series will help the student to develop an internal sense of pulse so that the underlying rhythm in a sight-reading example becomes second nature. This allows the student to concentrate on the other elements of music making. As the books progress four-measure sight-reading drills for one hand progress into longer pieces for bothhands. Students learn the concept of playing from beginning to end without stopping and every unit ends with a teacher-student duet to reinforce the idea that when sight readers start to play they do not stop.Throughout the series new concepts are gradually introduced to provide adequate reinforcement of each concept. Every day students are asked to count rhythms analyse and circle patterns and play sight-reading examples. The manageable task size and carefully structured format of each unit make progress immediately noticeable which helps to motivate students.The carefully crafted musical examples and exercises effectively develop eye ear and hand coordination. This series guides students in a simple straightforward way to develop into students who sight read with ease accuracy and musicality.In the Every Day plan for Book 1A students learn:Key signature recognition

Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Solo Violin was said, by its commissioner, Yehudi Menuhin, at first sight, to be unplayable! Of course, Menuhin soon changed his opinion, later describing the work as the most important composition for solo violin since Bach. The original work used the full array of violin techniques such as stopped harmonics, left-hand pizzicato and quarter tones. These demands gave arranger, Christophe Dejour, much pause for thought when preparing this arrangement, not least in how to produce quarter tones on the guitar! Fortunately, both Bartók and Menuhin came to his rescue here. Menuhin had had problems playing these at speed and Bartók agreed that they were only for “colour” and accepted an alternative version Menuhin presented to him. The Sonata also contains several compositional techniques that are highly appropriate for the guitar such as chord progressions, contrapuntal motion and rhythmic sharpness, allowing Dejour to produce an arrangement that requires great skill to play, just as the original violin version demanded of Yehudi Menuhin./ Répertoire / Guitare

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams.Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series ofmeticulously graded sight-reading pieces.New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series ofmeticulously graded sight-reading pieces. New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.

Now more than ever the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help overcome the nerves that cause sight-reading problems especially for trumpet players working for the Grades 5-8 examinations.Step by step it helps the player to build up a complete picture of each piece first through rhythmic and melodic exercises related to specific problems then by the study of a prepared piece with associated questions for the student to answer then finally to the real unprepared sight-reading test itself.

Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help young musicians overcome the nerves that often cause sight-reading problems, by giving them thorough technical grounding as well as confidence boosting strategies. This book is designed especially for bassoon players working for the Grades 1-5 examinations. Step by step it helps the player to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of a prepared piece with associated questions for the student to answer, then finally to the real, unprepared sight-reading test itself. / Niveau : Facile / Etude / Basson