SKU: HL.14061613
ISBN 9780711980921.
SKU: HL.14043780
ISBN 9781847727923. English.
All the songs from the album, arranged for Guitar tab, complete with full lyrics. This book is specially bound to help the pages lie flat while you are playing.
SKU: MB.30792M
ISBN 9781513462981. 8.75 x 11.75 inches.
The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.
A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Bluesâ??Buddy Moss, Blind Willie McTell and Blind Boy Fuller. Youâ??ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.
If youâ??re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.
SKU: BT.DHP-1001980-400
ISBN 9789043108461. German.
Die Anleitung zur Improvisation ist für Musikerinnen und Musiker gedacht, die mehr als nur nach Noten spielen wollen. Spezifische Vorkenntnisse sind für den ersten Teil nicht notwendig, nur Notenlesen und das Beherrschen der C-Skala in einem ordentlichen Tonumfang werden vorausgesetzt. Teil 2 ist für Musiker geeignet, die mindestens 5 Jahre Unterricht haben und das Material aus Teil 1 beherrschen. In der Anleitung zur Improvisation wird das Improvisieren nach Akkorden ausführlich dargestellt. Au�erdem kommen Hörübungen, Tonartanalysen und verschiedene Stilarten und die darin vorkommenden musikalischen Formen und Patterns an die Reihe. Die jedem Band beiligende CDenthält Hör-und Play-Along-�bungen, mit deren Hilfe jeder üben kann, bis er die Kunst der Improvisation selbstständig beherrscht.
SKU: FG.55011-071-7
ISBN 9790550110717.
Completed in Karstula, Finland during late July 2010, this carefully structured, but also free-ranging work is drawn from ideas for a much earlier work in four movements, Fantasy dating from the 1980s. Kai Nieminen has been for a long time an admirer of the work of artist Paul Klee (1879-1940), and the solo presented in its final form here is influenced by the painting Dances caused by Fear or as it is often refered to Dancing from Fear painted towards the end of Klee's life in Bern, 1938. Having left Germany for Switzerland in December 1933, Klee's later works were often full of signs and lines, very often represented in black, depicting human figures or various objects against a variety of coloured backgrounds, in the case of this painting of a brownish hue. This development in his painting style and technique is felt by some to be an effect perhaps of his long-term illness, systemic sclerosis, but in the case of Dances caused by Fear there is suggested an atmosphere of panic and terror, an attempt to escape from horrors to come (World War II), represented in the violent movement of the arms and legs of the figures, and the dark, indeed brooding nature of the colours. In Kai Nieminen's guitar work Images of Fear, there is only a very brief passage of calm at the very beginning, after which come three main connected sections in which a wide range of musically unsettling ideas emerge one by one, making use of the tritone, minor seconds, glissandos, tamboura, campanella, etc. The third and final section incorporates the grouping of 5 sixteenth-notes, to give an uneasy feeling to the music, with a short haunting and pleading five-note phrase (Cantando) heard immediately following this passage, before the work ends with further glissandos, and distant and diminishing harmonics. As with Kai Nieminen's other guitar works, the use of 'orchestral colour' is vital to the performance, and passages suggestive of for example brass, strings, woodwind, etc., should be taken into account and played with suitably considered contrast of tone. John Mills.
SKU: HL.403259
ISBN 9781705160626. UPC: 196288058496. 9.0x12.0 inches.
Bert Transcribed - The Bert Jansch Songbook, Volume 2 presents 30 more songs by the legendary guitarist and singer-songwriter, Bert Jansch. Each song has been meticulously transcribed and annotated by an international team of leading Jansch experts to detail every aspect of Bert's ground-breaking style and technique. For this volume, they have also been fortunate to reference some of Bert's own newly discovered tentative work in this field, experimenting with software in the 1980s. This book therefore presents the most accurate and definitive transcriptions of Bert's music that have ever been published. Song highlights include: Come Back Baby â?¢ Courting Blues â?¢ Go Your Way My Love â?¢ I Am Lonely â?¢ It Don't Bother Me â?¢ One for Jo â?¢ Tell Me What Is True Love â?¢ A Woman Like You â?¢ and more!
About Hal Leonard Guitar Recorded Versions
Guitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.
SKU: AD.ADG209
ISBN 9781970178456. UPC: 663389120921. 9 x 12 inches.
As so many keyboards and virtual instruments emulate clavinet keyboard sounds I thought it would be of interest to many keyboard players to write a book containing riffs associated with playing the clavinet, usually featured in Funk, Soul and Rock, Jazz-Funk-Fusion and Reggae styles.The ClavinetThe clavinet is a 5 octave keyboard manufactured by Hohner from the 1960’s to the 1980’s and its bright staccato sound has been used extensively in the above mentioned styles. The clavinet is often used with wah-wah and phaser effects giving unique sounds reminiscent of how a rhythm guitarist would play. Playing the clavinet is generally different than playing the piano or organ. Usually you are playing very staccato parts similar to how a guitarist would pick a string on the guitar. The left and right hand often play separate syncopated parts that require extensive practice. My suggestion would be to clap or tap the rhythm of both left and right hand. Once the rhythm is mastered go on to play the left and right hand parts separately at a slow tempo and gradually speeding it up to the recommended tempo.I have created a youtube video showing you the steps that I recommend for learning these riffs.https://youtu.be/8tLdPhnA0ngEach of the 100 riffs has been recorded 3 times:Clavinet with rhythm backing tracks, Rhythm backing tracks, Rhythm backing tracks at a slow tempo.
SKU: KN.60705S
UPC: 822795607055.
Reminiscent of the Doobie Brothers and Steely Dan songs of the 1980's, this tuneful, fun-to-play adventure for developing groups features a variety of common rock figures and written or ad lib solos for any saxophone. Each set includes a guitar chord chart by Jim Greeson. Duration 5:15. Available in SmartMusic.
