Play The Organ Volume 2

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services.The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich to Th?odore Salom? are presented.The piecesare easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike.Collection of organ music which does not require much practisingMainly for amateur organistsSuitable for teaching purposesAlready published:Volume I: Festive Music Fugues Trios BA 9287Volume II: Meditative Music Pastorals BA 9288?? a collection that brings pleasure to the musical amateur and also offers some attractive discoveries for the professional.? (Musica sacra)?Who amongst us amateur organists doesn?t ask himself ?What will I play this Sunday? with little time to practice and if possible a piece which isn?t too well-known? In these volumes one will find the answer!?W?rttembergische Bl?tter f?r Kirchenmusik)

This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.

Complete theoretical and practical method for organ-playing in three parts-Flor Peeters born in Belgium in 1903 is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986 Peeters gave concerts all around the world held numerous master classes and received several awards and prizes for his achievements as a composer organist and teacher.In his successful three-volume educational work 'Ars Organi' Peeters combines theoretical knowledge and practical exercises on all aspects of organplaying starting with basic information on the instrument manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation touch interpretation registration and organ specifications - a valuable compendium for every organist.

This is a marvellous collection of pieces by Henry Purcell newly arranged for the Organ by concert organist Martin Setchell. Purcell's music is perfectly suited to the Organ and a number of his pieces have long been popular with players. This volume brings together a range of well-known pieces - trumpet tunes the Rondeau from Abdelazer Dido's Lament and movements from The Fairy Queen - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly tunes and hornpipes from the stage works lovely reflective songs and airs and a wide range of dances and chaconnes. The result is a set of pieceswith wise and varied church and concert use perfectly accessible to intermediate players and making a valuable addition to any organist's repertoire. Martin Setchell is Associate Professor of Music University Organist and tutor in Organ at the University of Canterbury School Of Music New Zealand. He combines his university teaching and research career with a busy and international schedule of recitals and concerts as soloist accompanist and continuo player on Organ and Harpsichord.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.

The series Organ Plus Brass presents original works and arrangements for organ and brass ensemble specifically tailor-made to suit the requirements of amateur ensembles. The organ part is ideal for non-professional church musicians playing on small to medium-sized organs.Organ Plus Brass Volume 3 includes a Toccata festiva an original composition by Carsten Klomp which can be performed throughout the church year (with the exception of Passiontide). The composition has a brilliant festive character and is suitable for concerts as well as processionals and recessionals in church services. This edition includes the Organscore and Wind score.Repertoire for brass ensemble and organSuitable for amateur musiciansTransposed parts allow for flexible instrumentation

Handbook of classical-modern organ playing-Handbook of classical-modern Organ playing.Barenreiter's two-volume edition is the first to offer a reference work on Organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré Fernando Germani Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatorystudents. Furthermore it is aimed at all of those who teach the Organ whether privately or at academies colleges conservatories or universities.Two-volume reference work on Organ technique (Ger/Eng)Covers all relevant areas of manual and pedal playingIncludes a comprehensive set of exercisesConcise introductory text (Ger/Eng)Index for topics and keywords on teaching and performing issuesFor every level of expertise and trainingPeter Wagner (b. Karlstadt 1967) studied Catholic church music (A-level certification) Organ improvisation concert Organ and music theory in Cologne Würzburg and Salzburg. His later career led him to a wide variety of teaching consultancy and jury activities in the areas of Organ playing music theory choral and orchestral conducting voice training and children?s choirs. He has also given concert tours in Germany and abroad. From 2001 to 2003 Wagner was an educational consultant and teacher at the Bavarian State Academy of Music in Hammelburg. Since then he has been cathedral organist and choral director in Minden as well dean church musician for the archbishopric of Paderborn.

Volume 1: The Technique of Organ Playing-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today?s church organist. Christopher Tambling was Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter?s College Oxford and a Fellow of the Royal College of Organists. He died in 2015.

This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required.Volume 2 contains: DE CABEZON - Dic Nobis Maria FELTON - Andante - from Organ Concerto No.4 REGER - Chorale Prelude - Es ist gewisslich an der Zeit BRAHMS - Es ist ein? Ros? entsprungen BOËLLMANN - Verset GUILMANT - Antienne - Que de sang dans la Judée FRANCK - A la venue Noël KARG-ELERT - Bagatelle Op.31 No.7