SKU: M7.DUX-413
ISBN 9783868498400. English.
Handstellungen und Bewegungen werden auf ein Minimum reduziert, so dass man in der Lage ist, sehr entspannt und doch sehr schnell zu spielen. Großartige Übungen und Fillings für 1-2 Congas, kubanische Rhythmen für 2 und 3 Congas, PDF-Booklet in 6 Sprachen zum Ausdrucken. leichte Notationsmethode (für Rechts- und Linkshänder). Wahre Schätze, sowohl für den angehenden Congaspieler als auch für den geübten Profi!
SKU: DU.MIM003
SKU: HL.49000656
ISBN 9790001004718. 9.0x12.0x0.09 inches.
(kleine Trommel und 2 Tom-Toms; kleine Trommel und 4 Tempelblocks; kleine Trommel und 4 Becken mit Triangel; Xylophon und Kastagnetten mit Tambourin; Xylophon und 2 Congas; Xylophon und kleine Trommel mit Becken und 2 Woodblocks) / (side/snare drum and 2 Tom-Toms; side/snare drum and 4 temple blocks; side/snare drum and 4 cymbal with triangles; xylophone and castanets with Tambourin; xylophone and 2 congas drums; xylophone and side/snare drum with cymbal and 2 Woodblocks).
SKU: HL.49000674
ISBN 9790001004930.
(1. Spieler: Vibraphon, Xylophon, Xylomarimba - 2. Spieler: Glockenspiel, Xylomarimba [oder Marimba] - 3. Spieler: Hi-hat, Tempelblock, Congas, Guiro, Snare Drum, Tambourin, Cowbell, Klangstab [oder Marimba oder Pauke], Crotales, Vibraphon - 4. Spieler: Pedal-Tomtom [Pedalpauke], Tempelblock, Bell Tree, Guiro, Tom-Toms, Snare Drum, Tambourin, Cowbell, Kastagnette, Woodblock, Sizzle-Cymbal, China-Cymbal, Klingende Stabe [oder Pauken]) / (1. player: vibraphone, xylophone, Xylomarimba - 2. player: glockenspiel, Xylomarimba [or Marimba] - 3. player: Hi-hat, temple block, congas drums, Guiro, Snare Drum, Tambourin, Cowbell, Klangstab [or Marimba or timpani], Crotales, vibraphone - 4. player: Pedal-tom-tom [Pedaltimpani], temple block, Bell Tree, Guiro, Tom-Toms, Snare Drum, Tambourin, Cowbell, Kastagnette, Woodblock, Sizzle-Cymbal, China-Cymbal, Klingende Stabe [or timpani]).
SKU: CF.BPS134F
ISBN 9781491158272. UPC: 680160916870. 9 x 12 inches.
QuA(c) verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holidayas most beloved symbols: the Christmas tree. In QuA(c) verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated. This arrangement of QuA(c) verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the gA 1/4 iro part, the quarter notes should be scraped and the eighth notes tapped. The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it. The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.Que verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holiday's most beloved symbols: the Christmas tree. In Que verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated. This arrangement of Que verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the guiro part, the quarter notes should be scraped and the eighth notes tapped. The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it. The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.Qué verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holiday’s most beloved symbols: the Christmas tree. In Qué verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated.This arrangement of Qué verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the güiro part, the quarter notes should be scraped and the eighth notes tapped.The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it.The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.
SKU: CF.BPS134
ISBN 9781491158265. UPC: 680160916863. 9 x 12 inches.
SKU: KN.52630S
Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album March Of The Tadpoles, this uptempo solo feature for tenor sax takes no prisoners! Playing with well-articulated, rhythmic precision in the soli and ensemble sections is essential. The dramatic conducted ending will be especially popular with audiences. Duration 7:30.
SKU: KN.52630
SKU: HL.49018995
ISBN 9783795754945. UPC: 888680927080. 9.5x12.5x2.0 inches.
These exercises and pieces will help wind ensembles focus their concentration on the perception and implementation of refined playing techniques. Practicing music playfully will help students get the hang of contemporary music. Basic Steps will cover the following topics: Warm-up, intonation, chord colours, articulation and rhythm with a particular emphasis on the genre of Swing. This will be accompanied by compact orchestra etudes as well as short pieces. Set of parts - 1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe, 1 F English Horn, 1 Oboe, 1 Eb Clarinet, 3 Bb Clarinet 1, 3 Bb Clarinet 2, 3Bb Clarinet 3, 1 Eb Alto Clarinet, 1 Bb Bass Clarinet, 1 Eb Alto Saxophone 1, 1 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone 1, 1 Bb Tenor Saxophone 2, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 3 Bb Trumpet 4, 1 F Horn 1, 1 F Horn 2, 1 F Horn 3, 1 F Horn 4, 1 Trombone 1, 1 Trombone 2, 1 Trombone 3, 1 Trombone 4 (Bass Trombone), 1 Baritone 1, 1 Baritone 2, 1 Baritone 1 (Bb Tenorhorn 1), 1 Baritone 2 (Bb Tenorhorn 2), 3 Tuba, 1 E-Bass-Tuba, 1 E-Bass, 1 Percussion (Xylophone), 1 Percussion 1 (Bongos, Congas, Pandeiro), 1 Percussion 2 (Tambourine, Cabassa). 1 Percussion 3 (Triangle, Cabassa), 1 Percussion 4 (Shaker), 1 Drums, 1 Harmonic Reference - wind band.
SKU: AP.1-ADV18006
ISBN 9783892210726. UPC: 805095180060. English.
Brazilian Conga opens the door to familiar and to new worlds for the fans of the Brazilian atabaque with its rhythms adapted to the conga. You will meet some old acquaintances among the typical basic grooves of Brazilian music for one conga or timbau (Samba de Caboclo, Barravento, Ijexá, or Congo) but also relatively unknown rhythms for two or three congas---Brazilian rhythms originally not intended to be performed on the atabaque and even modern pop rhythms. Additionally, the method provides coordination exercises and a number of pieces for small percussion ensembles. This book by Gilson de Assis with its accompanying CD, which offers recordings of all the individual grooves, will surely be of great help to both the novice and the experienced percussionist. It will not only lead you to a better understanding of the playing techniques and structures but also help you capture the feeling and prepare the groundwork for a correct interpretation of the Brazilian atabaque rhythms.