Pleasant Moments

Scott Joplin a été l?une des figures marquantes du ragtime. Ses ?uvres ont fait le tour du monde. Outre quelques-uns de ses ragtimes les plus célèbres tels que The Entertainer, The Crysanthemum, Rag Time Dance et Maple Leaf Rag, ce recueil vous propose également de découvrir des pièces moins connues : Magnetic Rag, New Rag, Fig Leaf Rag et Pleasant Moments. Fig Leaf Rag Magnetic Rag Maple Leaf Rag New Rag Pleasant Moments Rag Time Dance The Chrysanthemum The Entertainer

Pleasant Hill takes its inspiration from pleasant relaxing moments snatched on top of a sunny hill. It takes the form of a traditional march with the composer leading us over the hill with a bass solo and a melodious trio. The march comes to a close leaving everybody reeling with a fascinating sense of majesty.

Scott Joplin (1868 - 1917) black pianist and composer was known as the King Of Ragtime. A fabulous collection of four waltzes arranged for one piano four hands by Weekley and Arganbright. This volume containsBethena Waltz Binks' Waltz Harmony Club Waltz and Pleasant Moments.

Scott Joplin a été l?une des figures marquantes du ragtime. Ses ?uvres ont fait le tour du monde. Outre quelques-uns de ses ragtimes les plus célèbres tels que The Entertainer The Crysanthemum Rag Time Dance et Maple Leaf Rag ce recueil vous propose également de découvrir des pièces moins connues : Magnetic Rag New Rag Fig Leaf Rag et Pleasant Moments.

Scott Joplin a été l?une des figures marquantes du ragtime. Ses œuvres ont fait le tour du monde. Outre quelques-uns de ses ragtimes les plus célèbres tels que The Entertainer The Crysanthemum Rag Time Dance et Maple Leaf Rag ce recueil vous propose également de découvrir des pièces moins connues : Magnetic Rag New Rag Fig Leaf Rag et Pleasant Moments.

A collection of Ragtime classics by Scott Joplin arranged for B flat Clarinet and Piano by Marcel G. Frank. Contents: The Entertainer Scott Joplin's New Rag The Easy Winners Pleasant Moments and The Cascades.

Combining brash and aggressive rhythmic figures along with more gentle moments and inventive textures this impressive work by Samuel Hazo is truly a standout for advanced bands. The piece is built around a four-note motif whichis developed and expanded throughout. A middle section features more of a jazzy flavor with saxes in the spotlight accompanied by finger snaps. The rhythmic intensity returns building towards a glorious full ensemble affirmationand bringing this exciting work to a powerful conclusion. Dur: 5:45

Josef Rheinberger (b. 1839 d. 1901) was a prolific composer in almost every field but he found in the Organ the medium best fitted to his genius and temperament. This seems to be proved by the fact that his reputation as an Organ composer has grown and is now firmly established whereas his position in other branches has declined. His twenty sonatas and his numerous shorter pieces (about a hundred) make up one of the most important contributions to the Organ repertory. It may indeed be claimed that in the maintenance of a high level of quality and interest throughout a long series of works of both large and small scale his position as an Organ composer issecond only to that of Bach. Sonata No. 19:The G minor Sonata is one of a small proportion of the twenty - No. 15 in D is another - concerning whose merits players are divided. It does not meet one half-way. It is the longest of the twenty: some monotony inevitably results from the use of the key of G for all its movements : its difficulties are of the ungrateful type : and the vigour of its first movement is often rough-even harsh. Yet it appears to be among the favourites of those who know it well; the late Dr. G. J. Bennett (a pupil of Rheinberger's and a devotee of the Sonatas) placed it among the best of the later numbers. Sonata No. 20:In spite of some inequalities No. 20 makes a worthy end to a fine series. Rheinberger's failing health at the time of its composition is no doubt responsible for a few moments of indecision especially in the Finale. The invention shows little if any falling off. In all the sonatas there are few better themes of the broad diatonic type than that which opens the first movement ; and the pleasant tunes of the Intermezzo and Pastoral and the swinging subject of the Finale are in the true Rheinberger vein. But the lack of a substantial fugal section is felt: it might well have come as a central portion of the Finale which

Uses: General Revival All Saints DayScripture: Deuteronomy 34:1; John 14:2; Revelation 20:12Incorporating memorable moments from many old favorites - I'll Fly Away When the Roll Is Called UpYonder Unclouded Day and The Sweet By and By - this crowd-pleasing gem is easy to learn fun to sing and quite infectious! Each voice part is featured briefly as the various sections describe their own specialcontributions to harmonious choral singing. Hallelujah By and By will bring back pleasant memories of times gone by and will no doubt create some lasting new impressions for the future.

from The 12th Room for Solo Piano (2015). Ezio Bosso?s Sonata No. 1 in G minor is a fundamental stage in the journey through his music. It was created while the musician was in that ?unpleasant? room (that of his illness) which sometimes became dark and, when he came out of it, remained inside him and conditioned his body ? his ?twelfth room?. But precisely because, in Ezio?s words, ?every problem is an opportunity?, those dark moments were converted into light, his suffering translated into music, into a three-stroke sonata for piano solo full of intensity and emotion, the same emotions that Ezio conveyed in the concerts of the 2016 tour, the only one that saw him as a soloist, or a ?pianist when necessary?, as he liked to refer to himself.

Les volumes de cette nouvelle série contiennent des duos , trios et quatuors , leur degré de difficulté allant de facile à travers intermédiaire à avancé . Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était de fournir une collection de compositions intéressantes et utiles , comme variable sous la forme possible en ce qui concerne l'instrumentation , pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir . La gamme et la hauteur des pièces permettent les travaux à exécuter sur n'importe quelle combinaison requise ou possible des instruments proposés . Niveau avancé Quatuors propose de véritables friandises ( Mazurka de Chopin , Träumerei de Schumann ) . Les difficultés techniques et musicales ne dépassent pas le niveau d'un musicien amateur bien formés et expérimentés , et les possibilités de luxe de variations dans les modalités de quatre parties pour les différentes familles d'instruments (cordes , vents, percussions ) proposent de la musique collective prise pour homogène ou ensembles mélangés . Caractéristiques spéciales sont Polka d'Anna par Johann Strauss Jr. et Ragtime de Joplin , qui enrichissent le répertoire de musique de chambre avec la nouvelle couleur . / Quatuor

Une superbe collection de valses, tangos et polkas de Beethoven à Joplin, et d'Alberniz à Agay. / Piano

A complete new edition of the Scott Joplin rags with introduction by Max Morath.