Plus Scales : Vol.3

Clavier Essentials est destiné à tous les qui veulent apprendre à jouer avec succès les claviers en unités d'enseignement méthodiquement calculés à l'aide de chansons populaires et des conseils utiles, bien que tutorat ou l'étude privée. Il est destiné aux débutants de tout âge, mais, par exemple, les joueurs de vent, de chanteurs ou de guitaristes qui veulent devenir musicales ' initiés ' et qui bien que joue du clavier voir aussi une introduction à la composition, harmonie, improvidation, etc.. Sur le clavier en particulier, avec sa structure clairement arrangé, régulière des touches, échelles, cordes et les relations harmoniques sont présentées plus clairement et systématiquement que sur tout autre instrument. Musiciens avec connaissances antérieures peuvent participer au volume 2 ou 3. / Clavier

Scales For Viola-For several decades the 'Carl Flesch Scales System' for both violin and viola has been a central technical manual for aspiring advanced and professional players and teachers of these string instruments. However it has become increasingly clear that the 'system' needs upgrading for 21st Century applications and the opportunity has been taken to clarify the essential principles that Flesch outlines in his 'Art of Violin Playing' to which the Scale System was an explanatory and practise supplement.3 and 4 Octave Single-Stop Scales and Arpeggios Collated and Fingered by Mark Knight.

Schule fur Tenorhorn (Bassflugelhorn) von Robert Keitzer. Volume 3 of Kietzer's self instructor for tenor-horn. More scale and modal exercises introduction to trills and other graces plus chromatic scales.

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

The etudes in this third volume are at the early intermediate to intermediate levels. Featured composers are Beyer Burgmüller Gurlitt Hässler Pleyel Schytte and von Weber plus others. Pupils are engaged with such important technique builders as playing broken chords descending scales cross-hand arpeggios chord voicing legato pedaling scale figures small rotation interlocking hands right-hand chord inversions left-hand repeated intervals and much more. Once again composer facts and practice advice are included.

Mauz' clarinet method (German and Böhm systems) is aimed at beginners and suitable for private and group lessons. It is published in three volumes plus a separate tune book each. The method's easy comprehensibility suitable selection of numerous songs as well as four-colour illustrations will appeal especially to clarinet pupils aged 8 . Since such a method does not exist in the German-language area yet it fills that gap in the market and is a real addition to the Schneider clarinet method (ED 4466 and ED 8638/39) which is aimed at older pupils and adults.Vol. 2: Careful expansion of the tonal range (up to C''') and of the dynamics. Scales and triads up to 3# and 3b.