SKU: ND.TUBA22
SKU: BT.MUSACF017408
French.
This Notebook For Anna Madgalena Bach contains 20 short pieces that J.S.Bach presented to his second wife. This edition contains selections from the 1722 and 1725 notebooks, featuring pieces composed by Bach himself. Featuring Minuets, Rondeaux, Polonaises and Marches, the Notebook For Anna Magdalena is both a collection of wonderful music and a fascinating insight into Bach's personal life and his relationship with his wife.
SKU: HL.48180419
UPC: 888680846893. 9.0x12.0x0.34 inches.
Composed by the Czech composer Bohuslav Martinu in 1927, The Kitchen Revue is a ballet initially created for a sextet. This score was reviewed and tailored for an orchestra. This ballet, talking about the life of kitchen utensils, is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funebre (Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick, and the music features some strong jazz influences. Bohuslav Martinu (1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music.
SKU: HL.49003699
ISBN 9790001036894. UPC: 073999584479. 9.0x12.0x0.099 inches.
SKU: HF.FH-2968
ISBN 9790203429685. 9 x 12 inches.
1. Allegro ma poco; 2. Adagio; 3. Allegro.
SKU: HF.FH-6037
ISBN 9790203460374. 9 x 12 inches.
Anonym, 18. Jhd.: 2 Menuett, 3 Rigaudon; Benoit Berbiguier (1782-1838): Allegro; Giulio Briccialdi (1818-1881): Andante mosso, Allegro; Gyula David (geb. 1913): Moderato; Giuseppe Gariboldi (1833-1905): 2 Moderato, 2 Allegretto, Studie, Andantino; Zoltan Jeney (geb. 1915): Allegro moderato, Variationen uber ein ungarisches Volkslied; Gunter Kochan (geb. 1930): Andantino, Kleine Romanze, Allegro; Caspar Kummer (1795-1870): Andante, Allegretto, 2 Allegro, Vivace; Johann Joachim Quantz (1697-1773)/Friedrich II. (1712-1786): 8 Studien, 2 Andante, 3 Allegro; Johann Christian Schickardt ( ca. 1670-1740): Gavotta, Allegro, Vivace; Heinrich Soussmann ( 1796-1848): Andante; Siegfried Thiele (geb. 1934): 3 Moderato, 3 Allegro, 5 Ruhig, 5 Lebhaft, Andante, Bewegt; Georg Tromlitz (1726-1805): 2 Allegro; 2 Volkslieder vom Balkan; Ruth Wagner (geb. 1929): 2 Allegro, 2 Moderato, Studie, Andantino, 2 Andante, Poco Allegro; Johannes Weyrauch (geb. 1897): Moderato, Tanz, 2 Cantabile, Andantino, Lustig bewegt, Scherzando.
SKU: HL.49014311
ISBN 9790220106453. UPC: 841886028869. 6.0x9.0x0.08 inches.
SKU: HL.48183028
UPC: 888680877941. 9.0x12.0x0.093 inches.
Composed by the Czech composer Bohuslav Martinu in 1930, Miniature Study is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano, easy to medium. Miniature Study is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals, this piece is really melodic and cheerful, with some parts quiet and others quite energetic. Bohuslav Martinu(1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music..
SKU: M7.AST-7009
ISBN 9790203870098.
SKU: FZ.5844
ISBN 9790230658447. 22.00 x 31.00 cm inches.
These original publications of Loeillet, Fischer, Haendel and Croft are in facsimile on Fac-similes et Enseignement collection. Loeillet John : XII Solos six for a common flute and six for a german flute with a thorough bass. London, Walsh and Hare, c. 1729. Sonata IV : Largo, Poco Allegro, Adagio, Allegro, Presto. Fischer Johann : Musikalisch Divertissement bestehend in einigen Ouverturen und Suiten mit 2 Stimmen auff Violen/Haubois oder Fleutes douces zu gebrauchen. Dresden, J. Riedeln, 1699/1700. Suite en sol mineur, Ouverture, Air, Menuet, Menuet, Chique, Bourree, Menuet, Menuet. Handel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata XI : Larghetto, Allegro, Siciliana, Allegro. Croft William : Six sonates or solos three for a violin and three for the flute with a thorough bass. London, Walsh and Hare, 1700. Sonata I. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - Herzog August Library of Wolfenbuttel (Germany). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.49032158
ISBN 9790001070454. 8.5x11.75x0.61 inches.
SKU: HH.HH447-FSP
ISBN 9790708146544.
Sonata 5, in A major, is the only work in the set to feature the ‘classic’ three-movement design in its symmetrical Fast–Slow–Fast configuration. Its opening Vivace makes considerable demands on the flautist’s technique, and the accompanist, too, has some lively interventions. A short Andante, in A minor, recaptures the style of the slow movement of an operatic sinfonia. High spirits return in the concluding Allegro comodo, which manages to be frothy and substantial at the same time. Sonata 6 is in G minor, traditionally a key for serious utterances. Its muscular opening Largo packs in a wealth of interesting rhythmic designs and articulations for the flautist. The influence of violinistic style is clearly seen in the Allegro that follows. The finale is composite: its ‘frame’ is an Affettuoso in minuet rhythm, but its ‘core’ is a Poco Allegro in G major with the character of a second minuet. Despite its outward charm, this movement retains much of the heft of the first two movements.
SKU: HL.49008321
ISBN 9790001126717. 6.0x9.0x0.166 inches.
There is no greater virtue befitting to Mankind than faith, which manifested, doth friendship firmly bind. This verse was written by Simon Dach, the leader of the Konisberg circle of poets, during the Thirty Years' War, and a little later was set to music by Heinrich Albert. The anxieties and tribulations of the period are reflected in the songs and make it particularly applicable to us as survivors of the strife and disorder of our own day. Thus, Harald Genzmer has adopted it as the cantus firmus of his Prologue for Orchestra, in which we are reminded of it throughout, in its original form, in inversion, fanfare introduction, funeral march, intermezzo and final allegro.
SKU: IS.GP14015EM
ISBN 9790365000555.
Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas, concertos, symphonies and other chamber music. Although none of the music was published during his lifetime, much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato, Andante, and Un poco allegro. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).
SKU: IS.GOR14015AEM
ISBN 9790365001545.
Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas, concertos, symphonies and other chamber music. Although none of the music was published during his lifetime, much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato, Andante, and Un poco allegro. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Viola, Cembalo/Cello/Contrabass.
SKU: DZ.DZ-4311
ISBN 9782898522284.
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrencâs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces Åuvres se prêtent assez bien au montage en duo de guitares. Même si jâai rendu assez fidèlement toutes les mélodies de Farrenc, jâai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en Åuvre dâune manière qui sâécarte de lâintention originale de lâétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.
SKU: HL.49003135
ISBN 9780946535132. UPC: 884088991623. 8.25x11.75x0.436 inches. English.
This anthology of 72 music examples, consisting of the Teacher's Manual, Pupil's Questions, Music Book and two recordings on CD or cassettes, is intended to provide comprehensive resource materials for the listening component of the GCSE music syllabuses. The extracts have been selected especially to illustrate the periods, styles and rudiments of music encompassed within the syllabuses, and the four components of the publication produced to ensure maximum assistance to the teacher in the classroom. Selected contents: MUSIC IN THE LATE RENAISSANCE O quam gloriosum est regnum * T. Morley: MUSIC IN THE BAROQUE ERA: H. Purcell: Hark, each tree (from Ode for St Cecilia's Day) * A. Vivaldi: Second Allegro (from Op. 3 No. 11) * G.F. Handel: Lascia ch'io * J.S. Bach: Erschienen ist der herrliche Tag (BWV 629) * F. Couperin: Le Petit-Rein MUSIC IN THE ROMANTIC PERIOD: F. Schubert: Am Meer (from Schwanengesang) * H. Berlioz: Un Bal (from Symphonie fantastique) * F. Chopin: Mazurka (Op. 7 No. 5) * R. Schumann: Fantasiestuck (Op. 73 No. 1) * R. Wagner: Prelude (to Tristan and Isolde) * R. Strauss: Epilog (from Till Eulenspiegels lustige Streiche) * MUSIC IN THE TWENTIETH CENTURY: B. Bartok: Third movement (from Sonata for two Pianos and Percussion) * K. Stockhausen: Zyklus * C. Berberian: Stripsody * JAZZ AND POP: F. Molton: Peace in the Valley * Bix Beiderbecke and his Gang: Jazz Me Blues * The Platters: Only You * E. Fitzgerald: Mack the Knife * S. Getz and A. Gilberto: The Girl From Ipanema and more.
SKU: BT.EMBZ13154
I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi m me. Moderato III. Maternité. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle décline et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto eI. Prolog. Moderato quasi andante
II. ...wie ein Brief über mich selbst. Moderato
III. Mutterschaft. Andante quasi allegretto
IV. Elegie (in der Form eines Tryptichons)
- Poco rubato
- Poco adagio
- Andante
V. Faschings Serenade. Allegro giocoso
VI. Ruheloser Seuzer in die Frühlingsnacht. Moderato poco rubato quasi fantasando
VII....ich fahre dahin wie ein Schatten, der vertrie : ben wird und verjaget, wie die Heuschrecken...(Ps. 109). Poco adagio
VIII. Das trunkne Lied. Allegro commodo poco capriccioso
IX. Epilog. Poco lento molto espressivoI. Prologue. Moderato quasi andante
II. ...comme une lettre sur moi m me. Moderato
III. Maternité. Andante quasi allegretto
IV. Elegie (en forme d'un tryptichon).
V. Serenade en Carneval. Allegro giocoso
VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando
VII. ...je m'en vais comme l'ombre quand elle décline : et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio
VIII. Chanson ivre. Allegro commodo poco capriccioso
IX. Epilogue. Poco lento molto e.