SKU: M7.BP-2100
ISBN 9783905049022.
SKU: BT.DHP-1145328-401
ISBN 9789043135757. 9x12 inches. English-German-French-Dutch.
Itaru Sakai’s CONCERTO FOR EUPHONIUM is written in an appealingromantic style. The first movement, marked by a moving theme, is followed by a slow, lyrical second movement. A rapid third movement in rondo form requires great virtuosity of the soloistwho can truly shine withthis work.Wil je al je virtuositeit eens laten zien? Dan is dit driedelige werk van Itaru Sakai iets voor jou. De verschillende delen zitten vol afwisseling. Zo is het eerste, snelle deel geschreven in de vorm van een sonate. Deel twee is langzaamen voert daarbij een dialoog met thema's uit het eerste deel. Het derde deel is nog sneller dan het eerste deel en hierin zijn ook oriëntaalse klanken verwerkt. Kortom: een concerto vol variatie!Itaru Sakai CONCERTO FOR EUPHONIUM AND BAND ist in einem romantischen Stil geschrieben. Der von einem bewegten Thema geprägte erste Satz geht in einen langsameren, gesanglichen zweiten Satz über. Ein sehr schneller dritter Satz in Rondo-Formerfordert höchste Virtuosität von einem Solisten, der mit diesem Werk wahrhaft glänzen kann.Composé par Itaru Sakai, Concerto for Euphonium and Band constitue une véritable prouesse musicale, mettant en valeur l'ensemble des possibilités techniques et expressives de l'euphonium. Le soliste développe de grandes arabesques virtuoses qui s’enchaînent avec un naturel confondant dans un univers alliant glissements harmoniques et régularité technique. La richesse des timbres de l'euphonium s'exprime par de majestueuses envolées et par une ligne mélodique vive et fluide.Composto da Itaru Sakai, Concerto for Euphonium and Band è una vera prodezza musicale, che mette in evidenza tutte le possibilit tecniche ed espressive dell'eufonio. Il solista sviluppa grandi arabeschi virtuosi collegati con una miscela armonica affascinante.
SKU: HL.49032875
ISBN 9790001126106. 9.0x12.0x0.241 inches. Eva Balthazar.
This collection is an invitation to a musical voyage of discovery around the entire globe. Starting with well-known European folksongs, the itinerary continues via Scandinavia and the Balkans to more exotic destinations - with tunes from the Congo, Mexico and China among others - and ends with American Spirituals. Thanks to the easy settings even beginners get a good impression of the fascinating kaleidoscope of folksongs of the world and can absorb unfamiliar styles in an easy-going playful manner.
SKU: UT.DM-50
ISBN 9790215315266. 9 x 12 inches.
Il teatro d’opera, all’interno dell’intero patrimonio musicale del repertorio cólto, ma per dir meglio, all’interno del portato culturale che ha investito – tramite la sua nascita – dapprima l’Italia e poi l’Europa tutta, mantiene inalterato nel tempo un riconoscimento di grande valore.In virtù di questo primato, un’attenzione particolare gli è conferita anche in questa sede, nella quale si è voluto condurre lo studente alla scoperta di tre importanti capolavori.Diversamente da quanto si sia portati a credere, l’opera non è unicamente repertorio per vecchi e canuti parrucconi, ma è spettacolo in grado di catturare anche un pubblico d’età scolare.Attraverso le molteplici espressioni con le quali l’opera si manifesta (musica e parola su tutte, ma anche gesto e danza, insieme a gestione dello spazio scenico e della luce, elementi che definiscono tutti la complessa dimensione drammaturgica), il teatro d’opera si pone come spettacolo multimediale ante litteram capace come pochi di riassumere esemplarmente in un solo concetto rappresentazioni di pienezza e complessità culturale assai variegate.Nel tratteggiare la ricchezza di un viaggio alla scoperta dell’opera, si potrebbe affermare che addentrarsi nelle narrazioni di un Figaro, di un Don Giovanni, di un Rigoletto sia un po’ come se da un solo assaggio si degustassero più sapori, come se si riuscisse a cogliere l’intero panorama solamente sbirciando da un foro. In questa operazione si possono identificare gli estremi di una visione ologrammatica della realtà , quella che ci consente di mettere in evidenza come una parte sia inscritta nel tutto, ma quanto il tutto stesso costituisca una parte. Questo apparente paradosso, che ci sembra possa essere rappresentato anche dal teatro musicale, è alla base di quell’atteggiamento che ci consente di evitare operazioni di riduzionismo e di semplificazione, e di aumentare invece i livelli di relazione e di complessità con le esperienze che ci accadono. Il quaderno si rivolge ad allievi non digiuni dei primi rudimenti di alfabetizzazione sonora ed esplora – data la specificità della collana – soprattutto la dimensione musicale, anche se non tralascia di guidare all’indagine delle relazioni che la musica ha con gli altri linguaggi che costruiscono lo spettacolo. Non è un caso, per di più, che ancora una volta e come costante metodologica che accompagna tutti i quaderni, ci si avvalga anche qui del segno, del gesto, della parola come strategie per la conoscenza dei mezzi espressivi e per l’esplorazione dei significati, tutti meccanismi necessari ad innescare un ascolto attivo.La scelta di opere e autori si è imposta quasi naturalmente: Mozart, Rossini, Verdi sono ovunque riconoscibili come figure emblematiche del genere operistico. Nessuno potrebbe affermare di aver assaggiato la Sacher Torte senza essere stato a Vienna, così come nessuno potrebbe sostenere di aver assaporato l’opera senza aver avuto occasione di avvicinarsi a questi tre autori.L’intento del quaderno è dunque quello di fornire supporti all’allievo e all’insegnante per favorire scoperte, per far nascere curiosità .Gli obiettivi del lavoro si perdono però a metà strada nel momento in cui non si ponga a conclusione del percorso la visione dell’opera.L’auspicio e l’invito è dunque quello di uscire dalle aule e di recarsi, senza esitazioni, a teatro.Il valore estetico e il potere seduttivo di un capolavoro sono in grado di disvelarsi talvolta senza che si operi nessun tipo di facilitazione (seppur la preparazione del campo, come questo testo vuole dimostrare, non sia certo operazione inutile); ma, quasi certamente, nessun magnetico incanto potrà fuoriuscire se ci si arresterà unicamente alle esperienze di queste pagine.
SKU: BT.DHP-1196074-070
ISBN 9789043157667. English-German-French-Dutch.
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morricone’s best-known themes ‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ and ‘Cinema Paradiso’ in a quintet arrangement that enables any ensemble to get acquainted with this incredible music. Ennio Morricone is een van de meest legendarische filmmuziekcomponisten aller tijden. Robert van Beringen heeft drie van Morricones bekendste thema’s (‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ en ‘Cinema Paradiso‘) verwerkt in een arrangement voor koperkwintet dat het elk ensemble mogelijk maakt om deze prachtige muziek te leren kennen. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabriel’s Oboe und Cinema Paradiso für Quintett arrangiert, so dass jedes Ensemble diese fantastische Musik spielen kann. Ennio Morricone est l’un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement pour quintette de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabriel’s Oboe et Cinema Paradiso) permettra chaque ensemble de découvrir cette musique extraordinaire.
SKU: BT.DHP-1186068-015
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morricone’s best-known themes ‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ and ‘Cinema Paradiso Love Theme’ in a 5-part flexible arrangement that enables any band to get acquainted with this incredible music. Ennio Morricone is een van de meest legendarische filmmuziekcomponisten aller tijden. Robert van Beringen heeft drie van Morricones bekendste thema’s (‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ en ‘Cinema Paradiso Love Theme’) verwerkt in een vijfstemmig flexibel arrangement dat het elk blaasorkest mogelijk maakt om deze prachtige muziek te leren kennen. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabriel’s Oboe und Cinema Paradiso - Love Theme für eine 5-stimmige variable Besetzung arrangiert, so dass jedes Orchester diese fantastische Musik spielen kann. Ennio Morricone est l’un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement flexible en cinq parties de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabriel’s Oboe et Cinema Paradiso Love Theme) permettra chaque orchestre de découvrir cette musique extraordinaire.
SKU: BT.DHP-1196073-070
ISBN 9789043157650. English-German-French-Dutch.
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morricone’s best-known themes ‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ and ‘Cinema Paradiso’ in a quartet arrangement that enables any ensemble to get acquainted with this incredible music. Ennio Morricone is een van de meest legendarische filmmuziekcomponisten aller tijden. Robert van Beringen heeft drie van Morricones bekendste thema’s (‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ en ‘Cinema Paradiso‘) verwerkt in een arrangement voor saxofoonkwartet dat het elk ensemble mogelijk maakt om deze prachtige muziek te leren kennen. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabriel’s Oboe und Cinema Paradiso für Quartett arrangiert, so dass jedes Ensemble diese fantastische Musik spielen kann. Ennio Morricone est l’un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement pour quatuor de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabriel’s Oboe et Cinema Paradiso) permettra chaque ensemble de découvrir cette musique extraordinaire.
SKU: BT.DHP-1186068-215
SKU: BT.DHP-1196072-070
ISBN 9789043157643. English-German-French-Dutch.
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morricone’s best-known themes ‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ and ‘Cinema Paradiso’ in a quartet arrangement that enables any ensemble to get acquainted with this incredible music. Ennio Morricone is een van de meest legendarische filmmuziekcomponisten aller tijden. Robert van Beringen heeft drie van Morricones bekendste thema’s (‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ en ‘Cinema Paradiso‘) verwerkt in een arrangement voor klarinetkwartet dat het elk ensemble mogelijk maakt om deze prachtige muziek te leren kennen. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabriel’s Oboe und Cinema Paradiso für Quartett arrangiert, so dass jedes Ensemble diese fantastische Musik spielen kann. Ennio Morricone est l’un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement pour quatuor de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabriel’s Oboe et Cinema Paradiso) permettra chaque ensemble de découvrir cette musique extraordinaire.
SKU: BO.B.3292
English comments: This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music criticComentarios del Espanol:Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.
SKU: BT.DHP-1196038-070
ISBN 9789043157636. English-German-French-Dutch.
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morriconeâ??s best-known themes â??Once Upon a Time in the Westâ??, â??Gabrielâ??s Oboeâ?? and â??Cinema Paradisoâ?? in a quartet arrangement that enables any ensemble to get acquainted with this incredible music. Ennio Morricone est lâ??un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement pour quatuor de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabrielâ??s Oboe et Cinema Paradiso) permettra chaque ensemble de découvrir cette musique extraordinaire. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabrielâ??s Oboe und Cinema Paradiso für Quartett arrangiert, so dass jedes Ensemble diese fantastische Musik spielen kann.
SKU: HL.35032293
ISBN 9781540028921. UPC: 888680751203. 8.5x11.0x0.135 inches. Joseph M. Martin/Brad Nix/Jeff Reeves/John R. Paradowski/Glenn and Susan Eernisse/Lynn Shaw Bailey.
Sing and Celebrate 8! provides everything you need for developing younger elementary choirs in your church! Designed for grades K-3, Sing and Celebrate 8! contains a variety of general and seasonal songs for use throughout the church year. Packed with lesson plans, teaching resources, and rehearsal planning ideas, this collection gives you all the tools necessary for building a successful, engaging choir program - in one value-packed Book with digital download access! Digital downloads include accompaniment and performance tracks, reproducible singers' pages, supplemental teaching resources, and colorful PDF song charts for projection options! Songs, both familiar and new, along with fun, creative teaching plans will nurture the musical and spiritual growth of your singers to last a lifetime. Songs include: Ev'ry Creature Praise the Lord! (General), Jesus Loves Me/Jesus Loves the Little Children (General), A Beautiful Psalm (General), We Thank You, God (Thanksgiving), Come and Light This Candle (Advent), There Was No Room (Christmas), Come and Sing with the Angels (Christmas), Hosanna We Sing (Palm Sunday), Haven't You Heard? (Easter), Love Is... (Mother's Day/Father's Day/Family). Also available in the Sing and Celebrate! series: Sing and Celebrate! (35028238), Sing and Celebrate 2! (35028755), Sing and Celebrate 3! (35029219), Sing and Celebrate 4! (35029809), Sing and Celebrate 5! (35030476), Sing and Celebrate 6! (35031059), Sing and Celebrate 7! (35031739).
SKU: BT.AMP-273-010
9x12 inches. English-German-French-Dutch.
The inspiration for this piece came from the address of the person who commissioned the work: Morse Street, Houston, Texas. It pays tribute to the immense skill of the engineers who succeeded in submerging a wire across the Atlantic to send messages in morse code from America to Europe. This technical ingenuity provided the perfect source of material for a transatlantic musical message. This work explores the vast expanse of the Atlantic and makes use of Irish melodies to celebrate the point where the cable enters into the Atlantic Ocean.Die Idee zu diesem Stück entsprang aus der Adresse des Auftraggebers Morse Street, Houston, Texas, welche an die schier unglaubliche Leistung erinnert, eine Leitung für die Übertragung gemorster Nachrichten quer durch den Atlantik zu legen. Dieser technische Triumph bot sich als Thema für eine transatlantische musikalische Botschaft an. Die Musik vermittelt die endlose Weite des Atlantiks und es erklingen - dem Ausgangspunkt des Unterfangens zu Ehren - auch irische Themen.Morse Street, Houston, Texas, l’indirizzo della societ che ha commissionato questo brano, evoca l’incredibile prodezza tecnica realizzata nel 1866: la posa del primo cavo telefonico sotto-marino attraverso l’Atlantico che permetter la trasmissione dei messaggi in codice Morse. Il brano inizia con una descrizione dell’impressionante distesa d’acqua dell’Atlantico. I temi dell’Allegro vivo ricordano i colori e i paesaggi irlandesi, punto di partenza di questa grande avventura tecnologica.
SKU: BT.DHP-1185970-070
ISBN 9789043156530.
Bring some TV hits to the stage with Sitcom Parade. This medley contains themes from three classic television series: The Addams Family, Happy Days and Mission: Impossible. This 5-part variable arrangement is suitable for almost any combination of wind instruments and can be performed with or without a percussion section. Breng het televisiescherm naar het podium met Sitcom Parade. Deze medley bevat de thema’s van drie beroemde televisieseries, namelijk The Addams Family, Happy Days en Mission: Impossible. Dit vijfstemmige arrangement voor variabele bezetting is geschikt voor bijna elke combinatie van blaasinstrumenten en kan worden uitgevoerd met of zonder slagwerksectie. En… Actie! Mit Sitcom Parade bringen Sie den Fernsehbildschirm auf Ihre Bühne. Dieses Medley enthält drei berühmte Themen aus Fernsehserien, darunter das Addams Family Theme, Happy Days und Mission: Impossible Theme. Dieses Arrangement für eine 5-stimmige variable Besetzung ist für fast jede Kombination von Blasinstrumenten geeignet und kann mit oder ohne Schlagzeuggruppe aufgeführt werden. Und… Action! Partagez les génériques de télévision en concert avec Sitcom Parade. Ce medley contient trois thèmes célèbres de séries télévisées, notamment Addams Family Theme, Happy Days et Mission: Impossible Theme. Cet arrangement variable cinq voix convient quasi toutes les combinaisons d’instruments vent, avec ou sans percussion. Et… action !