Format : Score and PartsLangue : Français
Voici une partition musicale pour Basson et plus spécialement pour Basson Et Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est PRELUDE ET DIVERTISSEMENT a été composée par le célèbre compositeur Clerisse Robert. C'est l'éditeur Billaudot sous la référence AF0049 qui a les droits pour éditer cette partition. / Basson Et Piano / Partition
SKU: HL.48182009
UPC: 888680893521. 9x12 inches.
For alto saxophone (or clarinet) and piano.
SKU: HL.121448
ISBN 9781480352551. UPC: 884088923143. 9x12 inches.
Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK audio tools. This new collection of 14 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air and Variation on a Civil War Song (?Tramp, Tramp, Tramp?) (Root) ? Air Gai (Berlioz) ? American Patrol (Meacham) ? Andante and Allegro (Clérisse) ? Aria and Allegro (Haydn) ? Ave Maria (Schubert) ? Concerto in F Minor (Lauga) ? Jabberwocky (Walters) ? Lyric Interlude (Johnson) ? Orientale (Barat) ? Prayer (Mascagni) ? Prelude et Divertissement (Clérisse) ? Summer Serenade (Hurrell) ? Toreador's Song (Bizet).
SKU: HL.48185443
UPC: 888680837082. 9x12 inches.
Michel Mériot: Prélude et Divertissement (Saxophone-Alto & Piano).
SKU: HL.4008711
UPC: 196288190912.
A trip to India inspired Gauthier Dupertuis to write Dystopia for double wind quintet, a composition commissioned to him by the Swiss conductor Felix Hauswirth, on the occasion of the aVENTura Festival in Lucerne in September 2023 dedicated to Swiss composers. In October 2018 Gauthier Dupertuis had the opportunity of accompanying the Wind Orchestra La Landwehr de Fribourg, (Switzerland), asan instrumentalist during a concert tour around India. Travel between the different cities was punctuated by the horns of the different vehicles on the road, which appeared to be in competition with each other in terms of their creativity. Their bus was no exception to this rule, and the composer ended up letting himself be inspired by this five-note pattern which, through repetition, ended up anchoring itself deeply in his brain, until it served as a musical basis for this work. Dystopia exploits the notion of duality: in two parts (I. Preludio and II. Toccata), the work uses the double wind quintet sometimes as a single entity and sometimes as two or three groups in constant rhythmic, harmonic, or writing contrast. Like in a dystopia, where the hero constantly struggles against an oppressive society, the thematic group linked to motif A (that of the car horns, set out at the beginning of the Prelude) confronts that linked to motif B (exposed at bar 25) throughout the piece. Similarly, the free form of the Prelude contrasts with the more defined structure of the Toccata where the atmospheres linked to the two thematic groupsalternate. Two short episodes highlight a third motif, more arioso, serving as divertissement and rhythmic appeasement within the Toccata.