Prelude Et Fugue No4 Des 24 Preludes Et Fugues

Done with great taste, in a perfectly simple and straightforward manner, Liszt's piano transcriptions of Bach's organ music became the classic models for all future works in this genre. Includes 6 Organ Preludes and Fugues (BWV 543-548) and the world-famous Fantasia and Fugue in G minor (BWV 542). Content : Organ-Fantasy and Fugue in G Minor (BWV 542 • S463) Six Organ Preludes and Fugues Prelude and Fugue in A Minor (BWV 543 • S462/1) Prelude Fugue Prelude and Fugue in C Major (BWV 544 • S462/2) Prelude Fugue Prelude and Fugue in C Minor (BWV 545 • S462/3 Prelude Fugue Prelude and Fugue in C Major (BWV 546 • S462/4 Prelude Fugue Prelude and Fugue in E Minor (BWV 547 • S462/5 Prelude Fugue Prelude and Fugue in B Minor (BWV 548 • S462/6 Prelude Fugue

A selection of best-loved legendary music by one of the giants of the Baroque era appears in this magnificent compilation of keyboard works by Johann Sebastian Bach. Rich in unending melodic invention rhythmic flow and harmonic ingenuity beyond its time these pieces will delight amateur and professional pianists alike. Selections include Chromatic Fantasia and Fugue Italian Concerto Toccata and Fugue in D Minor and Prelude and Fugue in C Minor. Additional shorter works include Little Preludes Inventions Minuets. This superb compilation unites a generous selection of music in one convenient attractive and modestly priced volume.

24 Preludes and fugues. I always considered the fugue the most perfect and pure of all musical forms. The possibility to build an entire piece of music from only one main idea represented an intriguing challenge for composers from different times. With this work, which I consider as a whole, I wanted to pay homage to this old, and beloved, form. I tried to infuse it with my personal view, hoping to give a contemporary feeling, still respecting the traditional tonal sense of the keys. Each fugue is preceded by a prelude which is sometimes connected thematically. Following the greatest baroque model, Johann Sebastian Bach, I avoided giving metronome and dynamic indications for the fugues. However, for the preludes I provided tempo and a few dynamic indications, only when I felt it was necessary. Note on performance: if the preludes and fugues are performed individually, they should be under the title: Prelude and Fugue I; Prelude and Fugue II, etc. It is also possible to indicate the key of each piece.

When Brahms Mendelssohn and Schumann composed for the organ all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms three 'Preludes And Fugues' by Mendelssohn six 'Fugues' by Schumann and other works by the composers.

Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542).

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled yet notated improvisation. Kapustin's monumental set of Preludes and Fugues Op.82 completed in 1997 may well be the most important work written for piano in the genre since Bach's Well-Tempered Clavier and Shostakovich's 24 Preludes and Fugues Op.87. In this sprawling collection Kapustin combines his complete mastery of jazzidioms with a thorough assimilation of contrapunctal techniques like canon imitation inversion and augmentation. Ingenuously each prelude and fugue pair share their motivic material.

La référence GB3940 de l'éditeur Billaudot dont l'auteur célèbre est Chostakovitch Dimitri, qui a pour titre PRELUDE ET FUGUE Nø4 DES 24 PRELUDES ET FUGUES, a été écrite et composée pour Ensemble Instrumental et Petit Orchestre et plus particulièrement pour 2 Trompettes, Cor, Trombone Et Tuba. Cette partition musicale appartient à la catégorie Classique. / 2 Trompettes, Cor, Trombone Et Tuba / Partition