Langue : Français
/ Guitare Ou Luth
SKU: UT.CH-387
ISBN 9790215328235. 9 x 12 inches.
Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.
SKU: MB.31076M
ISBN 9781513477695. 8.75x11.75 inches.
Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.àThis book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.àAudiences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?Â, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.
SKU: UT.CH-388
ISBN 9790215328242. 9 x 12 inches.
Main source of the present editions is the manuscript by Manuel M. Ponce, kept in the Manuel M. Ponce Archive, located in the Cuicamatini library of the Facultad de Música de la Universidad Nacional Autónoma de México. The preludes were composed around 1929 after the invitation of Segovia who, urged by the publishers to write a method, asked Ponce to compose some short pieces to include in this didactic project. In April 1930 Segovia published only 12 preludes with Schott publishing house. Many of Ponceâ??s manuscripts remained unknown for a long time, until 1977, when the Mexican guitarist and musicologist Miguel Alcázar, thanks to the collaboration of Carlos Vázquez, pupil and heir of Manuel Ponceâ??s manuscripts, began an important recovery of Ponceâ??s guitar music by preparing the first complete edition of the preludes.
SKU: OU.9780193588295
ISBN 9780193588295. 12 x 8 inches.
Five Preludes were commissioned by the International Guitar Festival at Bath Spa University College with the financial assistance of South West Arts and Keller S.A. It has been recorded by Tom Kerstens on the album Black Venus (BGS113).
SKU: HL.48186619
UPC: 888680885069. 9.0x12.0x0.025 inches.
Philippe Lemaigre: 6 Preludes No.2 & No.4 (Guitar solo).
SKU: HL.48186608
Bernard Haultier: 6 Preludes faciles (Guitar solo).
SKU: HL.48186620
UPC: 888680885090. 9.0x12.0x0.037 inches.
Philippe Lemaigre: 6 Preludes No.3 (Guitar solo).
SKU: HL.48186618
UPC: 888680885045. 9.0x12.0x0.028 inches.
Philippe Lemaigre: 6 Preludes No.1 'Hommage a C.Debussy' (Guitar solo).
SKU: FG.042-08308-6
ISBN 979-0-042-08308-6.
Rechberger has combined his intimate knowledge of contemporary guitar technique with reverence for traditions extending back centuries in producing these four guitar preludes (Nocturne, Fetes des cloches, Le chanteur, Rendez-vous des cordes).
SKU: HL.48186622
Philippe Lemaigre: 6 Preludes No.6 (Guitar solo).
SKU: HL.48189413
UPC: 888680880286. 8.25x12.0x0.52 inches.
Bach Js Prelude Bwv941 Prelude No 3 Des 5 Petits Preludes 3 Guitars Bk.