A Psalm of Praise

SKU: M7.DOHR-20098

ISBN 9790202040980.

Die hier angebotenen Versetten über Psalmlieder können entweder in Orgelmusiken erklingen, oder es können Gemeindelieder versweise durch Orgelverse unterbrochen werden. Auch als einzelne Choralvorspiele, Eingangs- oder Schlussmusik sind die Versetten einsetzbar. (Lothar Graap).

SKU: CF.CM9570

ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.

Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:  (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!

SKU: M7.DOHR-10242

ISBN 9790202022429. German.

SKU: HL.35027330

UPC: 884088501211. 5x5 inches.

Uses: Trinity Sunday, General

Scripture: Psalm 150; Psalm 43:4

From our Cathedral Series comes an anthem of unbounded jubilation. Mixed meter and exciting syncopations fill the theme while articulating passages from the Psalms. The contrasting middle section is filled with expressive harmonies and lush choral writing. The piece ends with antiphonal voices echoing their praise and adoration.

SKU: HL.360045

UPC: 840126947298. 6.75x10.5x0.029 inches. Luke 2:14, Psalm 98:4.

A multi-usage text will make this anthem a valuable addition to your choral library. A grand fanfare-like gesture in the accompaniment calls the song to purpose and establishes a festive spirit. The brief contrasting middle section brings a moment of hope for peace on earth. Though useful for Christmas programs, the alternate text allows this confident acclamation of praise to be used any time of the year.

SKU: HL.527054

ISBN 9781705166253. UPC: 196288074977. 6.75x10.5x0.029 inches. Luke 19:40, Psalm 148, Psalm 150:6.

Joyous and upbeat, this anthem invites all creation to “praise the Lord of everything.” Gentle syncopation in both melody and accompaniment bring life to a spirited text rich with familiar Bible passages referencing praise and singing.

SKU: HL.422668

UPC: 196288061601. 6.75x10.5x0.036 inches. Hebrews 13:15-16, Psalm 149:3, Psalm 92.

Pure energy, this exciting anthem of praise lights up the air with a dazzling theme featuring mixed meter and effective syncopations. The contrasting B section has word painting and special vocal effects that are wonderfully fresh and compelling.

SKU: HL.35032675

UPC: 888680912055. 5.0x5.0x0.146 inches. Exodus 20:11, Psalm 94:5, Psalm 95:3-6.

From The Celtic Choir, this jubilant song of thanksgiving leaps from the page with sincere conviction and unbounded energy. A true dance of praise, the text reflects the blessings of creation and invites the church to lift its devotion to the Giver. The middle section quotes the familiar text I Sing the Mighty Power of God set to KINGSFOLD, bringing a welcome contrast to the drive of the anthem. A supportive piano accompaniment encourages the Celtic spirit of the anthem and offers a distinctive flair to the score. Brilliant! Score and Parts (fl/pwhis, vn, vc, perc, ac gtr) available as a digital download.