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Psappha
$44.00
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Lead time before shipment :
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Multi-Instrument Solo. By Iannis Xenakis. Percussion. Size 13.5x19.7 inches. 12 pages. Published by Salabert.
Instrumentation :
Percussion
Publisher :
Salabert
Song List
:
Psappha Perc Solo (Xenakis I)
Seller information:
Sheetmusicplus
Place :
USA
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except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Iannis Xenakis: Psappha: Percussion
Percussions Solo
[Sheet music]
Salabert
Psappha
29.99 GBP - Sold by Musicroom UK
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Lully, Lullay (Novello New Choral Series)
Choral SATB
Novello & Co Ltd.
Lully, Lullay was written at the request of Philip Reed, music director of the B...
(+)
Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB
5.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Revue Filigrane #10 - Le Rythme No10
Français
[Magazines]
Delatour France
Ce numéro s'ouvre avec une partition inédite de Xenakis (transcrite par Franç...
(+)
Ce numéro s'ouvre avec une partition inédite de Xenakis (transcrite par François-Bernard Mâche), Rythmes sur tabla, qui date de l'époque où, encore étudiant chez Olivier Messiaen, le jeune Xenakis s'intéressait plus aux recherches rythmiques qu'aux recherches sur les masses, les probabilités ou le son qui le feront connaître. Prendre connaissance de cette oeuvre surprenante permet de mieux comprendre la résurgence du rythme dans des chefs-d'oeuvre ultérieurs comme Psappha. Ce numéro sur le rythme est dédié à la mémoire de Daniel Charles (1935-2008), un des musicologues les plus fertiles du XXème siècle, qui a su défendre la musique de son temps, dont celle de Xenakis. Il pose les questions : qu'est-ce que le rythme ? / Livre
24.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Harriet Wybor: Lully Lullay (Novello New Choral Series): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Lully Lullay was written at the request of Philip Reed music director of the B...
(+)
Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for
2.99 GBP - Sold by Musicroom UK
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Anna R. Matthews Frederick Niven: From Flanders: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
Recital Music
Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in...
(+)
Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in 1914. On Christmas Day a truce was spontaneously enacted by the two sides fighting in Flanders in World War One. This was five months into the war which until this point many in Britain had confidently believed would be over by that time. When the two sides lay down their weapons in the name of humanity and met in the middle of no-man's-land they would not have realised the bloodshed that was to come as the war dragged on for a further four years - a conflict so atrocious that it came to be known as 'the war to end all wars'.This carol conveys the unknowing innocence of thosemen and the joy of Christmas yet explores the sinister context in which they met and the future which was to come. Ultimately the events of the 1914 Christmas truce came to symbolise the universality of hope and peace at Christmas. This carol brings this message into the twenty-first century.' Anna R. Matthews is a composer living in Exeter England. Born in Devon Anna studied music at Durham University where she was awarded the Rosalind Dickinson Prize. She enjoys working with some of today's most talented and creative ensembles: from Psappha to EXAUDI and from cathedral choirs to youth ensembles. Her music has been broadcast on BBC Radio 3 and she has been a featured new music composer in Choir & Organ magazine. Anna was a finalist in the 2011 King James Bible Composition Awards and is a 2013/24 Arts Council England fellow on the Clore Leadership Programme. She is also a fellow of the Royal Society of Arts.
2.50 GBP - Sold by Musicroom UK
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