SKU: IG.CMF191
9 x 12 inches.
Puck's Game is inspired by the actions of Shakespeare's mischievous sprite, Puck, the fairly-like jester from A Midsummer Night's Dream. The music reflects Puck's playful and restless nature through leaping gestures, frolicking motives and restless rhythmical figures. While there is a moment in the work when Puck exudes a more tender side, his truly impish nature quickly returns at the conclusion of the piece.
SKU: KJ.WB139
The Puckish Poltergeist, a programmatic work based on the pranks of a devious poltergeist, contrasts the terrifying and the comical. Through the use of rapid meter changes, simultaneous duple and triple rhythmic patterns, and contrasting textural scoring, the composer vividly conjures to mind frightened castle dwellers as they run from varied assortments of flying furniture and kitchen utensils, and the slightly bent puck, as he plays his little 'pranks.' Composed in the spring of 1991, The Pucking Poltergeist was premiered in Chicago at the 45th Mid-West International Band and Orchestra Clinic by the VanderCook College of Music Symphonic Band under the direction of Roger Rocco. It subsequently received a performance by the United States Military Band at West Point Acadamy. In February of 1993, it was featured as one of five works selected for the Symposium XVII for New Band Music at Old Dominion University in Norfolk, Virginia.
SKU: PR.164002950
ISBN 9781491114568. UPC: 680160633449. 9 x 12 inches.
Dan Welcher’s fascinating work for soprano sax is both a refraction of Mendelssohn’s music for A Midsummer Night’s Dream, and his own incidental music to Shakespeare’s comedy. The work’s title, AS LIGHT AS BIRD FROM BRIER, quotes from Oberon (King of the Fairies) invoking revelry at the play’s climactic wedding scene. Welcher’s fantasy skips among the most beloved themes of Mendelssohn’s Midsummer – giving the saxophonist quite a workout, and the listener a midsummer delight.AS LIGHT AS BIRD FROM BRIER is loosely based on Shakespeare’s play A Midsummer Night’s Dream, which has haunted me since I was nine years old. My parents subscribed me to The Children’s Record Guild, and every month a new 78rpm vinyl record would arrive in the mail. They were mostly fairy tales and “kids lit,†but in this case it was a very condensed performance of the actual play, with Mendelssohn’s music. I loved it immediately, and still do – I saw a performance in 2014 at the Stratford Festival that literally stalks my dreams.When I was commissioned by saxophonist Stephen Page to compose a work for soprano saxophone and piano two years later, I channeled Mendelssohn as an inspiration: specifically, the Overture, the Scherzo, the Intermezzo, the fairy’s song “You spotted snakes with double tongue,†and the Rustics’ Dance. But it’s not a pastiche – most of the music is completely my own, though attentive listeners will detect snatches of Mendelssohn’s haunting score throughout.This piece joins MILL SONGS and FLORESTAN’S FALCON among works honoring my favorite 19th-century composers (in those cases, Schubert and Schumann) without ripping them off. As Stravinsky did in his ballet Pulcinella, I have borrowed fragments of melody from a much-loved composer, and made a fabric of harmonies and scales that are genetically related to Mendelssohn, but unmistakably Welcher.In this work, the saxophonist is Puck – skittish, dazzlingly fast, and brilliant in the outer parts, and a mischievous Cupid in the long, central Love Song. (Remember how Puck anoints Titania’s eyes with the juice from a magic flower, which causes her to fall in love with Bottom the weaver, who has been bewitched and wears a donkey’s head?) The music traces Puck’s magic flight, the finding of the flower, Titania’s love-scene with Bottom and her fairies, and the rustic players – whose rehearsal of the funniest play-within-the-play in literature is interrupted by Puck’s dirty tricks.I greatly enjoyed the process of writing this piece, and often found myself quite moved even as I was writing it... which rarely happens. Stephen Page, who commissioned the work, is a consummate artist (and a bit of a Puck himself). The title comes from Oberon’s final speech in the play:Through the house, give glimmering light,By the dead and drowsy fire.Every elf and fairy spriteHop as light as bird from brier,And this ditty, after me,Sing, and dance it trippingly.
SKU: HL.49001422
ISBN 9790001016421. German.
SKU: DB.01-00390
ISBN 9790012188902.
Boogie - Blues - Country - Samba - Reggae - Folk - Latin. Die stilistische und regionale Vielfalt dieser uberaus gelungenen und didaktisch wertvollen Sammlung sorgt fur abwechslungsreichen Klavierunterricht und Freude beim Uben! Wo geht's diese Woche hin - ans Mittelmeer (Turkei, Spanien,Italien), oder fahren wir nach Ungarn? Oder habt ihr Lust auf eine Fernreise nach Sudamerika (Bolivien, Peru, Venezuela, Ecuador, Argentinien), oder vielleicht in die Karibik nach Jamaika oder in die USA zu Blues, Boogie und Country Music? Auch Japan konnte man ja einmal in Betracht ziehen ... Und das beste: die ganze Weltreise mit dem Tastenglobus kostet nur ein wenig Ubungszeit und ist supergunstig!1. Spuckendes Lama / 2. Jamaican Bassman / 3. Lied des Hausieres / 4. Takeda no Komuri Uta (Lied des Kindermadchens) / 5. Hillybilly Western Waltz / 6. San Juanito (H. Johannes-Tanz) / 7. Titicacasee-Express (mit dem Zug von Puno nach Cuzco) / 8. Der Blues vom weissesten Weiss / 9. Santa Claus is Coming (Uber ein Motiv von O du Frohliche) / 10. Szoke kis lany megy a kutra (Blondes Madchen geht zum Brunnen) / 11. Turkische Ansichtskarte / 12. Un perro con pulgas (Hund mit Flohen) / 13. Kingston Reggae Queen / 14. Fatty's Saloon Blues / 15. Give us power, give us peace / 16. Fast Food Boogie / 17. Copa Cagrana Samba / 18. Tingeltangel-Tango / 19. Schwarzfahrer-Blues / 20. Plitsch-Platsch-Boogie.
SKU: HL.48009896
UPC: 073999685411. 8.5x11.75x0.345 inches.
Voice and Keyboard. Contents: Lovely Mollie * I'm a Decent Good Irish Body * The Star of the County Down * Oh Father, Father, Build me a Boat * I Have a Bonnet Trimmed with Blue * She Lived Beside the Anner * Where the Grass Grows Green * The Fenians of Cahirciveen * Oh, Limerick is Beautiful * The Bold Tenant Farmer * The Dear Irish Boy * The Old Turf Fire * The Hounds of Filemore * My Blue Eyed Mountain Queen * The Black Ribbon-Band * My brown-haired Boy * My Bonny Labouring Boy * A Young Maid Stood in her Father's Garden * Tigaree Torum Orum * Johnny Doyle * I'm in arrears * The Philippine Soldier * Innisfree * Green Grows the Laurel * The Top of Inny's Side * The Little Black Rose * The Dingle Puck-Goat.
SKU: HL.50560122
6.75x10.5 inches.
SKU: TM.08006SET
Brooklet Op 62 No. 4, Puck Op 71 No. 3. Piano-Conductor.
SKU: HL.49044593
ISBN 9790001201766. UPC: 841886023871. English.
A setting of the closing lines of Shakespeare's comedy A Midsummer Night's Dream in which the character Puck bids the audience farewell with the words So good night unto you all. An ideal closing or encore piece.